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Archive for the ‘botanical art’ Category

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In 2009, the Denver Botanic Gardens began working collaboratively with El Charco del Ingenio, a nature reserve and botanical garden in San Miguel de Allende, Guanajuato, Mexico. The 167-acre reserve is dedicated to the restoration and conservation of native ecosystems. Images of the reserve can be viewed here.

Courses completed at El Charco qualify for credits at Denver Botanic Gardens’ certificate program.

Class size is limited to 14 students. For more information, to register, or to sponsor a Mexican student for a class, contact elcharcocomunicacion@gmail.com.

The courses scheduled for 2011 will address the creation of realistic textures, the use of mixed media, and the painting of El Charco’s wildflowers.

    Succulents: Texture and Form in Colored Pencil
    Capture the colors and textures of succulents with Libby Kyer
    February 7 – 11, 2011 (Monday – Friday)
    10 AM – 1 PM

    Nature Illuminated: Ink and Mixed Media
    Combine drawings and illumination techniques with Renee Jorgensen
    July 25 – 29, 2011 (Monday – Friday)
    10 AM – 1 PM

    Wildflower in Watercolor
    Paint the wildflowers of El Charco with Constance Sayas
    December 5 – 9, 2011 (Monday – Friday)
    10 AM – 1 PM

    This information has also been added to Classes Near You > Colorado.

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The Denver Botanic Garden’s Botanical Art & Illustration Program is leading an Arts & Archives Tour to London and Madrid, March 31 – April 11, 2011. There is room for two more adventurous travelers. Two critical travelers, in fact. If you are interested in this tour, please email the Program Coordinator or call 720-865-3653 as soon as possible.

Here is a quick look at the itinerary. A more detailed itinerary can be viewed here.


LONDON: Accommodation at Royal Gardens Hotel

April 1:

  • Arrive in London

April 2:

  • Hampton Court Palace: Botanical Archives including the Florilegium 
  • Royal School of Needlework and the floral treasures (2-hour tour)

April 3:

  • Visit Ann Swan and her studio in Wiltshire
  • Visit Avebury Henge, Avebury

April 4:

  • Kew Gardens
  • Viewing of Beatrix Potter Collection at the Blythe House
  • Westminster Abbey organ concert 17:45 p.m (free 30 min. organ recital).

April 5:

  • Natural History Museum and  its library collections

April 6:

  • Victoria and Albert Museum
  • Viewing of SBA (Society of Botanical Artists) 2011 Exhibit at Westminster Central Hall (press preview)
  • Flight to Madrid


MADRID: Accommodation at Hotel Agumar

April 7:

  • Royal Botanic Gardens and their archives and collections
  • Parque del Retiro
  • National Archaeological Museum

April 8:

  • Visit and tour of the Royal Tapestry Factory
  • Prado Museum
  • Mercado de San Miguel

April 9:

  • Museo de America
  • Centro de Arte Reina Sofia

April 10:

  • El Rastro, Europe’s biggest flea market next to Europe’s biggest stamp and coin market, both open on Sundays only.
  • Palacio Real
  • Plaza Mayor
  • Flamenco (e.g., Las Tablas) or Bullfight

April 11:

  • Last minute shopping or sight-seeing on your own
  • Those extending their trip start their explorations (e.g., Toledo, Spain’s former capital and the home town for El Greco and with a magnificent cathedral)
  • Flight home

Tour is limited to 13 participants.

Price without the airfare is $2,775US (includes hotel accommodation with breakfast daily, London Travel pass, Madrid Travel pass, private day excursion to Wiltshire, group travel insurance, and entry tickets where applicable). For more information, please call 720-865-3653 or email Program Coordinator.

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Curled Leaf (watercolor on veiny vellum) © Corinne Lapin-Cohen. All rights reserved

StoneHouse Studio
www.corinnelapincohen.com
Corinne Lapin-Cohen’s StoneHouse Studio in Katonah, NY is the new location for all of her classes. Each twelve-week course costs $450. Morning sessions occur from 9:15 am – 12:15 pm. Afternoon sessions occur from 12:30 pm – 3:30 pm.

    Botanical Drawing (Beginning & Intermediate)
    Wednesday mornings
    January 19 – April 20, 2011
    No class February 9 and March 2

    Botanical Watercolor (Advanced)

    Thursday mornings
    January 20 – April 21, 2011
    No class February 10 and March 3

    Botanical Watercolor (Beginning & Intermediate)

    Thursday afternoons
    January 20 – April 21, 2011
    No class February 10 and March 3

Registration is limited. Early registration is strongly encouraged. Registration by mail only. Instructor reserves the right to cancel any class that does not have adequate registration. If class is canceled, all fees will be refunded. No refunds after classes begin. For more information and to register, click here.

This information can also be viewed at Classes Near You > New York.

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New botanical watercolor class for beginners posted at
Classes Near You > California:


College of the Redwoods, Eureka

www.redwoods.edu
College of the Redwoods is part of the California Community College system and serves students in the northwest corner of the state. The main campus is located in Eureka, CA in the heart of California’s redwoods.

    Beginning Watercolor with Carol Telesky
    Saturdays, Feb. 5 to Mar. 26, 2011; 10 AM to 12 PM. Learn the watercolor techniques used by botanical artists! Participants will paint leaves and flowers and learn how to mix colors. Painting techniques such as washes, glazing, priming and dry-brush will be demonstrated. Carol Telesky has a Bachelors of Art degree in Studio Art from Humboldt State University. A founding member of the Botanical Artists Guild of Southern California, she has studied botanical art at Otis College of Art and Design, The Huntington Library, Art Collections & Botanical Gardens, and with Anne-Marie Evans in England. Additional course details, registration information, and a supply list are available here.

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Celebrate Orchid Spectacular and add a few pages to your sketchbook!

New at Classes Near You > North Carolina:


North Carolina Botanical Garden

www.ncbg.unc.edu
Certificate students will receive a well-rounded education enhancing their scientific understanding of plants, their knowledge of visual arts theory, and the way they approach drawing and painting plant portraits. The complete schedule for 2011 and an overview of this program’s requirements can be obtained here.



Daniel Stowe Botanical Garden, Belmont

www.dsbg.org
The Daniel Stowe Botanical Garden offers many learning opportunities for both children and adults. The garden’s classes about photography and Adobe Photoshop may be of special interest to ArtPlantae readers. View a complete list of current classes on the garden’s website.

    Botanical Illustration: The Beauty of Orchids
    Thursdays, Jan 20 – Feb 24, 2011; 4:00 – 6:30 PM. This class is designed for both aspiring and experienced artists. During this six-week course, participants will learn how to draw and paint orchids. Participants will also learn about brushes, paper, and the morphological features of orchids.
    Cost: $125 members, $150 nonmembers.

    Adobe Photoshop for Beginners & Photographers

    Sunday, Jan 30, 2011; 1:30 – 4:00 PM.
    Cost: $40 members, $46 nonmembers

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Download & Register

Edison & Ford Winter Estates
Fort Myers, FL

www.efwefla.org
Visit the winter homes of Thomas A. Edison and Henry Ford. The neighboring estates occupy 17 acres along the Caloosahatchee River in southwest Florida. The estate gardens feature 1,700 plants representing more than 400 species from six continents.

Here is what’s new at
Classes Near You > Florida:


Drawing in the Garden: An Introduction to Botanical Illustration at the Edison & Ford Winter Estates
– Enjoy a Friday evening stroll through the tropical garden with Plant Curator, Britta Soderqvist. Then spend Saturday drawing in the garden with botanical artist, Megan Kissinger. Fee: $50 members, $70 nonmembers (includes supplies)

  • January 7 & 8, 2011 – Friday 5 – 7 PM; Saturday 9:30 AM – 3:00 PM
  • March 4 & 5: Friday 5 PM – 7 PM; Saturday 9:30 AM – 3:00 PM

Advanced Botanical Illustration – Want to learn more? This class builds upon the techniques learned in the introductory workshop.
Fee: $50 members, $70 nonmembers (includes supplies)

  • January 21 & 22, 2011 – Friday 5 – 7 PM; Saturday 9:30 AM – 3:00 PM
  • March 25 & 26 – Friday 5 PM – 7 PM; Saturday 9:30 AM – 3:00 PM

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© Jane LaFazio. All rights reserved

Jane LaFazio is a mixed-media artist, teacher, and author. Working primarily in paper and cloth, Jane teaches classes in the San Diego area, internationally at art retreats and leads sketchbook adventures to Italy. In 2010, she began teaching her sketchbook class online.

Her much-admired sketchbook work has been featured on the cover of Cloth, Paper, Scissors magazine and in An Illustrated Life: Drawing Inspiration from the Private Sketchbooks of Artists, Illustrators and Designers by Danny Gregory. Jane’s mixed-media art has been featured in Quilting Arts magazine and countless newspaper articles.

Meet Jane LaFazio!

ArtPlantae Today: How long have you been keeping a watercolor journal?

Jane LaFazio: I started a mixed media journal in 2005 and then a dedicated watercolor journal in 2006.


APT: You credit Danny Gregory for getting you started. What was the trigger that launched your journaling career?

JL: Yes, a friend told me about Danny’s blog and I started following it. Then I got his book Everyday Matters and began drawing in a sketchbook immediately. The following year, I had the fabulous opportunity to meet and sketch with Danny when he visited Los Angeles.


APT: In 2010, you began teaching your sketchbook class online at Joggles.com. How is this new format working out for you?

JL: Surprisingly well! I really wondered how my in-person teaching style would translate to online and I’m thrilled that it does! With the step-by-step lessons I wrote (loaded with photos) and the online forum that all the students can participate in, I think I really got the message across. And an added bonus was that the online students were just as supportive and friendly to each other as my in my in-person classes. It’s been great! I’m starting a new online class January 20, Sketching & Watercolor: Journal Style ON LOCATION. This will be another challenge for me! But the message I want to share is my love of sketching and painting on location, so I intend to get my students out in the public with their sketchbooks to coffee shops, museums, and parks.


APT: What are your preferred sketching materials? Why?

JL: I’ve worked in a Moleskine from the very beginning. I like the larger, watercolor version. It’s tidy outside appearance appeals to me somehow! And the books are great to travel with. I’ve got 14 finished ones, lined up on my bookshelf! However, lately I’ve been working with 5×7 inch individual sheets of hot press paper. (I love hot press, and use it for my larger work) I use the small sheets in my classes and now I’m beginning to use it regularly for my own pages. I’m also creating portfolios and boxes to keep the pages in. My watercolor paints are squeezed from the tube into a small travel palette. I use a superfine tip black permanent ink pen, any ol’ pencil, a kneadable eraser and a Niji Waterbrush. The products I use can be viewed on my blog here.


APT: Your journal pages exude a lot of spontaneous energy. Is your approach to journaling as spontaneous as it appears, or do you make a point of sitting quietly with your journal on a daily basis?

JL: Thanks! I make a point to try and work quickly. I sketch the basic shape in pencil first, then again looking just as closely at the object, I draw it in

© Jane LaFazio. All rights reserved

pen. The watercolor part goes fairly quickly. I don’t think a lot about composition of the page, when I’m doing it. It’s only later that I “finish” the page, adding an inked frame and text. My goal is to draw it, ink it, paint it, and scan it for my blog in an hour. Of course, sometimes I spend a longer amount of time on a page, but it just depends how much time I have to devote to it.

APT: How long have you been leading sketchbook adventures to Italy? How do you encourage travelers to become engaged with their surroundings?

JL: Ah! May 2010 was my first trip as teacher and it was fabulous! Thirteen wonderful students from all over the world. And frankly, it was easy to engage them. Once I taught them the basics of really looking, and how to get what you see down on paper, they were entranced with the beautiful details everywhere. Once a person draws in public, realizes how easy it is and how quickly the feeling of self-consciousness recedes, they love it. In Italy, my classes were usually in the morning, and most afternoons the students could be seen around Orvieto drawing and painting on their own (That is, when we weren’t at a cooking lesson or wine tasting together!). I’m leading another trip in May 2012 and I can’t wait!

APT: You teach an after-school program for children. Tell us about Mundo Lindo. How did you come to launch this wonderful program?
JL: In 2007 I applied for and received a grant to create a program “to teach my passion.” I love teaching art, and I love teaching to the 4th & 5th grade age group. So I created Mundo Lindo~Beautiful World, a FREE after-school art program. The kids spend 2 hours with me, and we make all kinds of art! We work in watercolor, papier mache, clay, paint, oil & chalk pastels. We’ve done kites, tie-dye t-shirts, treasure boxes, mosaic pots and puppets. The kids come back week after week and the program runs the whole school year. It’s in its 3rd year now and is one of the things I’m most proud of.

APT: Many years ago in a class taught by a well-known colored pencil artist, fellow students and I were told artists either see in shades of gray or in color. Do you agree with this assessment? What have been your observations as a teacher?

JL: Interesting. I KNOW I don’t see in shades of gray! Color is what attracts me to the subject, and then, I go straight to the contour drawing then the color creates the shading. That’s how I teach. I too, have taken from a well-known colored pencil artist, and she teaches students to start with the shading and gradually flesh out the details.

APT: The business aspect of art is a topic of interest to many artists. You market your artwork through classes, exhibitions, books, conferences, and online services such as Joggles.com, and Etsy. How many online services have you used to market your work? What types of things should artists look for as they research online venues through which to market their art?

JL: I’m lucky because my background is graphic design and marketing and I really enjoy it. I love my blog. I love Facebook, and always post my blog updates on Facebook. I used to snail mail postcards, now I use Constant Contact and send out a monthly email newsletter listing my classes, workshops, special exhibitions.

I’m thrilled when an artist asks me to contribute artwork to their books and nearly always say yes. I’ve written articles for magazines, my faves are Cloth, Paper, Scissors and Quilting Arts, and that helps get my name out too.

Artists should be aware of what’s out there in cyberspace, and then hone it down to what they enjoy doing, and where they get the most response. It’s impossible to keep up with all of it, so choose a few sources that work for you. Also, don’t try to tackle it all in one day! Do a little bit each time. For example, if you chose to start a blog, or improve the one you have (by adding Pages, for example). Do it gradually. No need to feel overwhelmed. Same with Etsy. Start by listing a few things, then gradually add more and begin to learn about the marketing aspect of selling online. And Facebook, well, it’s easy, and frankly lots of fun!

APT: Thank you, Jane, for sharing your art, outreach activities, and business sense with us. Will you take questions from readers this month?

JL: Sure! I’m always willing to help out other artists when I can. I’m fortunate to have a lot of artist friends, who often advise and suggest things to me, so I’m happy to spread the info.



Ask The Artist with Jane LaFazio

This month Jane is taking your questions about sketchbooks, journaling, her online classes and how she teaches others how to capture their world on paper. Feel free to ask about mixed media artwork or marketing too.


What would you like to know?

Please submit your questions to Jane by January 14, 2011. Jane’s replies to your questions will be posted on Monday, January 24, 2011. Send your questions to education@artplantae.com. Please write “Ask Jane” in subject line.

UPDATE: See Jane’s Q&A with readers here.

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