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Edison & Ford Winter Estates
Fort Myers, FL

www.efwefla.org
Visit the winter homes of Thomas A. Edison and Henry Ford. The neighboring estates occupy 17 acres along the Caloosahatchee River in southwest Florida. The estate gardens feature 1,700 plants representing more than 400 species from six continents.

Here is what’s new at
Classes Near You > Florida:


Drawing in the Garden: An Introduction to Botanical Illustration at the Edison & Ford Winter Estates
– Enjoy a Friday evening stroll through the tropical garden with Plant Curator, Britta Soderqvist. Then spend Saturday drawing in the garden with botanical artist, Megan Kissinger. Fee: $50 members, $70 nonmembers (includes supplies)

  • January 7 & 8, 2011 – Friday 5 – 7 PM; Saturday 9:30 AM – 3:00 PM
  • March 4 & 5: Friday 5 PM – 7 PM; Saturday 9:30 AM – 3:00 PM

Advanced Botanical Illustration – Want to learn more? This class builds upon the techniques learned in the introductory workshop.
Fee: $50 members, $70 nonmembers (includes supplies)

  • January 21 & 22, 2011 – Friday 5 – 7 PM; Saturday 9:30 AM – 3:00 PM
  • March 25 & 26 – Friday 5 PM – 7 PM; Saturday 9:30 AM – 3:00 PM

January workshops added at Classes Near You > New York:


Hollengold Farm / WH Art & Design

Wendy Hollender is an illustrator, author, and teacher. She teaches at the New York Botanical Garden, Hollengold Farm, and the National Tropical Botanical Garden. View Wendy’s prints, cards, scarves, and books at DrawingInColor.com. See what’s new at Wendy’s Hollengold Farm.

NEW! Afternoon Workshops at Hollengold Farm – Saturday, January 8 and January 15, 2011. Spend the afternoon drawing seedpods, branches, and winter plants by the fireplace at Hollengold Farm. Workshops are held 1 pm – 4 pm. Cost per workshop: $45 per session (or $80 for both sessions). Register Online

Botanical Illustration Workshop on Kaua’i with Alice Tangerini and Wendy Hollender – February 24 – March 6, 2011, The National Tropical Botanical Garden. Learn botanical illustration techniques while using graphite pencil, colored pencil, and pen-and-brush with ink. Alice Tangerini is the illustrator at the Smithsonian Museum of Natural History and Wendy Hollender is an artist, author, and teacher. Workshop fee: $860 (includes lunch). Airfare and lodging extra. To register or to obtain more information, contact Judy Roberts at NTBG, 3530 Papalina Road, Kalaheo, HI, 96741. (808) 332-7324, ext. 207.

  • Feb. 24 – Class begins with Wendy Hollender; tour of the botanical garden
  • Feb. 25 – Classroom instruction with Wendy Hollender and Alice Tangerini
  • Feb. 26 – Classroom instruction with Wendy Hollender and Alice Tangerini
  • Feb. 27 – Classroom instruction with Alice Tangerini
  • Feb. 28 – Free Day
  • Mar. 1 – Field trip to Limahuli Garden
  • Mar. 2 – Classroom instruction with Wendy Hollender and Alice Tangerini
  • Mar. 3 – Classroom instruction with Wendy Hollender and Alice Tangerini
  • Mar. 4 – Classroom instruction; group exhibition of student work
  • Mar. 5 – Classroom instruction with Wendy Hollender and Alice Tangerini
  • Mar. 6 – Field trip and picnic at Makauwahi Cave
  • Itinerary subject to change.

© Jane LaFazio. All rights reserved

Jane LaFazio is a mixed-media artist, teacher, and author. Working primarily in paper and cloth, Jane teaches classes in the San Diego area, internationally at art retreats and leads sketchbook adventures to Italy. In 2010, she began teaching her sketchbook class online.

Her much-admired sketchbook work has been featured on the cover of Cloth, Paper, Scissors magazine and in An Illustrated Life: Drawing Inspiration from the Private Sketchbooks of Artists, Illustrators and Designers by Danny Gregory. Jane’s mixed-media art has been featured in Quilting Arts magazine and countless newspaper articles.

Meet Jane LaFazio!

ArtPlantae Today: How long have you been keeping a watercolor journal?

Jane LaFazio: I started a mixed media journal in 2005 and then a dedicated watercolor journal in 2006.


APT: You credit Danny Gregory for getting you started. What was the trigger that launched your journaling career?

JL: Yes, a friend told me about Danny’s blog and I started following it. Then I got his book Everyday Matters and began drawing in a sketchbook immediately. The following year, I had the fabulous opportunity to meet and sketch with Danny when he visited Los Angeles.


APT: In 2010, you began teaching your sketchbook class online at Joggles.com. How is this new format working out for you?

JL: Surprisingly well! I really wondered how my in-person teaching style would translate to online and I’m thrilled that it does! With the step-by-step lessons I wrote (loaded with photos) and the online forum that all the students can participate in, I think I really got the message across. And an added bonus was that the online students were just as supportive and friendly to each other as my in my in-person classes. It’s been great! I’m starting a new online class January 20, Sketching & Watercolor: Journal Style ON LOCATION. This will be another challenge for me! But the message I want to share is my love of sketching and painting on location, so I intend to get my students out in the public with their sketchbooks to coffee shops, museums, and parks.


APT: What are your preferred sketching materials? Why?

JL: I’ve worked in a Moleskine from the very beginning. I like the larger, watercolor version. It’s tidy outside appearance appeals to me somehow! And the books are great to travel with. I’ve got 14 finished ones, lined up on my bookshelf! However, lately I’ve been working with 5×7 inch individual sheets of hot press paper. (I love hot press, and use it for my larger work) I use the small sheets in my classes and now I’m beginning to use it regularly for my own pages. I’m also creating portfolios and boxes to keep the pages in. My watercolor paints are squeezed from the tube into a small travel palette. I use a superfine tip black permanent ink pen, any ol’ pencil, a kneadable eraser and a Niji Waterbrush. The products I use can be viewed on my blog here.


APT: Your journal pages exude a lot of spontaneous energy. Is your approach to journaling as spontaneous as it appears, or do you make a point of sitting quietly with your journal on a daily basis?

JL: Thanks! I make a point to try and work quickly. I sketch the basic shape in pencil first, then again looking just as closely at the object, I draw it in

© Jane LaFazio. All rights reserved

pen. The watercolor part goes fairly quickly. I don’t think a lot about composition of the page, when I’m doing it. It’s only later that I “finish” the page, adding an inked frame and text. My goal is to draw it, ink it, paint it, and scan it for my blog in an hour. Of course, sometimes I spend a longer amount of time on a page, but it just depends how much time I have to devote to it.

APT: How long have you been leading sketchbook adventures to Italy? How do you encourage travelers to become engaged with their surroundings?

JL: Ah! May 2010 was my first trip as teacher and it was fabulous! Thirteen wonderful students from all over the world. And frankly, it was easy to engage them. Once I taught them the basics of really looking, and how to get what you see down on paper, they were entranced with the beautiful details everywhere. Once a person draws in public, realizes how easy it is and how quickly the feeling of self-consciousness recedes, they love it. In Italy, my classes were usually in the morning, and most afternoons the students could be seen around Orvieto drawing and painting on their own (That is, when we weren’t at a cooking lesson or wine tasting together!). I’m leading another trip in May 2012 and I can’t wait!

APT: You teach an after-school program for children. Tell us about Mundo Lindo. How did you come to launch this wonderful program?
JL: In 2007 I applied for and received a grant to create a program “to teach my passion.” I love teaching art, and I love teaching to the 4th & 5th grade age group. So I created Mundo Lindo~Beautiful World, a FREE after-school art program. The kids spend 2 hours with me, and we make all kinds of art! We work in watercolor, papier mache, clay, paint, oil & chalk pastels. We’ve done kites, tie-dye t-shirts, treasure boxes, mosaic pots and puppets. The kids come back week after week and the program runs the whole school year. It’s in its 3rd year now and is one of the things I’m most proud of.

APT: Many years ago in a class taught by a well-known colored pencil artist, fellow students and I were told artists either see in shades of gray or in color. Do you agree with this assessment? What have been your observations as a teacher?

JL: Interesting. I KNOW I don’t see in shades of gray! Color is what attracts me to the subject, and then, I go straight to the contour drawing then the color creates the shading. That’s how I teach. I too, have taken from a well-known colored pencil artist, and she teaches students to start with the shading and gradually flesh out the details.

APT: The business aspect of art is a topic of interest to many artists. You market your artwork through classes, exhibitions, books, conferences, and online services such as Joggles.com, and Etsy. How many online services have you used to market your work? What types of things should artists look for as they research online venues through which to market their art?

JL: I’m lucky because my background is graphic design and marketing and I really enjoy it. I love my blog. I love Facebook, and always post my blog updates on Facebook. I used to snail mail postcards, now I use Constant Contact and send out a monthly email newsletter listing my classes, workshops, special exhibitions.

I’m thrilled when an artist asks me to contribute artwork to their books and nearly always say yes. I’ve written articles for magazines, my faves are Cloth, Paper, Scissors and Quilting Arts, and that helps get my name out too.

Artists should be aware of what’s out there in cyberspace, and then hone it down to what they enjoy doing, and where they get the most response. It’s impossible to keep up with all of it, so choose a few sources that work for you. Also, don’t try to tackle it all in one day! Do a little bit each time. For example, if you chose to start a blog, or improve the one you have (by adding Pages, for example). Do it gradually. No need to feel overwhelmed. Same with Etsy. Start by listing a few things, then gradually add more and begin to learn about the marketing aspect of selling online. And Facebook, well, it’s easy, and frankly lots of fun!

APT: Thank you, Jane, for sharing your art, outreach activities, and business sense with us. Will you take questions from readers this month?

JL: Sure! I’m always willing to help out other artists when I can. I’m fortunate to have a lot of artist friends, who often advise and suggest things to me, so I’m happy to spread the info.



Ask The Artist with Jane LaFazio

This month Jane is taking your questions about sketchbooks, journaling, her online classes and how she teaches others how to capture their world on paper. Feel free to ask about mixed media artwork or marketing too.


What would you like to know?

Please submit your questions to Jane by January 14, 2011. Jane’s replies to your questions will be posted on Monday, January 24, 2011. Send your questions to education@artplantae.com. Please write “Ask Jane” in subject line.

UPDATE: See Jane’s Q&A with readers here.

A team of artists, authors, and experts at the Royal Botanic Garden Edinburgh (RBGE) are working on Plants from the Woods and Forests of Chile, a book about the threatened plants of Chile and the issues surrounding their threatened status and conservation. When completed, this historic reference will include 80 watercolor paintings.

Turkish artists Guinur Eksi, Hulya Korkmaz, and Isik Guner come to this project with impressive resumés. Each artist studied with Christabel King and each is now a full-time award-winning botanical artist. Gulnur Eksi received a Gold Medal from the Royal Horticultural Society (RHS) in 2010, as did Isik Funer who also earned Best Botanical Painting. Hulya Korkmaz received a RHS Silver Gilt medal in 2010. All three artists have also earned medals at BISCOT.

More impressive than their awards, however, is how these young artists work to enhance our knowledge of plants. When they are not traveling to Edinburgh to work on the book about Chilean plants, Eksi and Korkmaz work on projects bringing attention to Turkish bulbs and the plants of Turkey. While Funer works as an artist providing field experiences in art.

Collaborating on this project are authors Martin Gardner (Coordinator, International Conifer Conservation Program), Pauline Hechenleitner (Author, Threatened Plants of Central and South Chile), and Josefina Hepp (Author/Researcher). Serving as project advisors are: Jacqui Pestell (Curriculum Development, RBGE), Clare Morter (Senior Horticulturist, RBGE), Sabina Knees (Botanist, Centre for Middle Eastern Plants), and Henry Noltie (RBGE Botanist & Author).

Visit the official website of Plants from the Woods and Forests of Chile to learn more about this project, the artists, and to view nine paintings from this book.

Plants from the Woods and Forests of Chile will be published Fall 2013.

Learn about the plants of Chile and The Huntington’s camellia collection. The following information has been added to Classes Near You > California:


Huntington Library, Art Collection and Botanical Gardens

http://huntington.org
Located in San Marino, CA, the Huntington Library, Art Collection and Botanical Gardens is a true gem. In addition to housing extensive collections of art and hosting scholars from all over the world, The Huntington is home to 120 acres of gardens. Host to many special events, lectures, and workshops, The Huntington inspires both plant lovers and botanical artists. To register, call (626) 405-2128.

  • Botanical Illustration Series: Camellias
    Saturdays, Jan. 8, 15, 22, 2011; 9 AM – 3 PM. Study camellias while fine-tuning your drawing and painting skills with botanical illustrator, Lisa Pompelli. Open to beginning and experienced watercolorists. Prior drawing experience recommended. Members, $275/ Non-members $295. To register, call 626-405-2128.
  • Plants of Chile: Garden Talk & Plant Sale
    Thursday, January 13, 2011; 2:30 PM. Learn about Chile’s native flora from Kathy Musial, curator of living collections at The Huntington. Plant sale follows. FREE. No reservations required.


You May Also Like…

Chilean Flora: A Historic Work in Progress

Now at Classes Near You > California:


California State University, Chico
Chico State Herbarium

www.csuchico.edu/biol/Herb
The following classes are sponsored by the Friends of the Chico State Herbarium. All proceeds benefit the herbarium at CSU Chico. Obtain course details and registration forms here.

  • Care of Trees in the Landscape – January 15, 2011
  • Plant Photography – March 5, 2011
  • Introduction to Lichen Identification – March 26, 2011
  • Botanical Illustration – April 16, 2011
  • Introduction to Keying the Fabacaeae – April 30, 2011
  • Intro. to Identifying Northern California Grasses – May 14, 2011
  • Fire Ecology – June 11, 2011
  • Introduction to the Willows of California – June 18, 2011
  • Introduction to the Serpentine Ecosystem – June 25, 2011

Overstock items, display copies, and the last one or two copies of selected titles are on the sales table at ArtPlantae Books now through December 3, 2010. Clearance stock moves quickly, so act now if something catches your eye. Orders will be filled in the order they are received. If an item you ordered is no longer available when your order is processed, you will be notified.

Use savings code YEAREND during checkout to save an additional 15% on journals, field supplies, plant books, and art books in the Bargain category at ArtPlantae Books.

Sale titles include:


Take Me to the Sales Table!