Archive for the ‘Education’ Category

While serving as ArtPlantae’s full-time editor, educator, and bookseller, I had the fantastic opportunity to interview artists, naturalists, and educators about their work. Many of these individuals were freelance artists and educators, and I loved introducing them to new audiences.

Today at Talaterra, I am continuing this work and amplifying it by bringing attention to independent professionals who connect people with the outdoors through their work, regardless of their field. Not everyone identifies with the label “environmental educator,” yet many people do this type of work. I aim to find out who these individuals are, what they do, and how they contribute to lifelong learning in communities through Talaterra and its initiatives.

The newest initiative is the EE Forward Summit. I share this with you here if you are interested or know of anyone interested in this professional development and partnership-building event for independent environmental education professionals. Instead of writing a long post about it, I would like to invite you to view the Summit website to learn more about this initiative celebrating founders and how they nurture people’s relationships with nature, specifically Water, as this is the theme for the upcoming Summit.

Thank you for your time today.

Also, thank you for continuing to visit and use this resource. I am thrilled this site continues to provide educators with valuable information.

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If you enjoy doodling, sketching, drawing, or painting plants, chances are you’ve had a moment in which you did not know the name or function of the plant part in front of you.

Fortunately for the contemporary botanical illustrator, there are books to help artists navigate the world of plant morphology. These books have been reviewed here in the past.

Today I have the pleasure of introducing you to a botany book that serves as a comprehensive guide to the botanical world. While written for botanical illustrators, classroom teachers will also enjoy the thorough treatment of plant biology, and naturalists will find this book to be a welcome companion in the field.

Understanding the Flowering Plants: A Practical Guide for Botanical Illustrators is a book by botanist, teacher, and botanical illustrator Anne L.D. Bebbington. It is based on material from a course Anne taught with Mary Brewin for the Institute for Analytical Plant Illustration (IAPI) back in 2010. The program they led was a botany program created specifically for botanical artists. In this course, they aimed to help botanical artists “gain a better understanding of the flowering plants and so inform their artwork” (Bebbington, 2014). Since then Anne has taught many workshops as interest in plants and botany has grown among art groups in the UK. Anne currently runs workshops as part of the Kew Illustration Course and works as a botanist/tutor in the Society of Botanical Artists Long Distance Diploma Course. Fellow IAPI members are also visiting art groups and leading workshops.

Whether you are a botanical artist entering juried exhibitions, a passionate nature journaler, or an avid gardener, Understanding the Flowering Plants is a reference not to be missed.

Anne’s book is extensive and she discusses a lot of information in the book’s 256 pages. Here are the main topics addressed in the book’s twelve chapters:

  • What is a flowering plant?
  • The Approach to a Botanical Study
  • Tools and Techniques
  • The Flowering Plant – Structure and Living Processes
  • Leaves
  • Roots and Stems
  • Life Spans and Asexual Reproduction
  • Flowers
  • Sexual Reproduction
  • Fruits and Seeds and Their Dispersal
  • Seeds — Their Structure and Germination
  • Winter Twigs

This book does not read like a typical botany book. Anne has kept the text brief and informative and uses line drawings and color photographs to illustrate the points she makes. The book’s supporting images are more than just helpful. I think they make the book and enable readers to establish a working knowledge of plants. Here are a few features I think are especially good:

Writing Plant Names

    • This section is a wonderful guide to writing plant names. Illustrators can’t go wrong following Anne’s advice.

Collecting, Storing and Reviving Specimens

This section features helpful tips for artists and gardeners.

Tools & Techniques

The Tools & Techniques chapter is filled with practical information about how to use microscopes, cameras, scanners, and computers to document plants.

Inflorescence Types

Inflorescences are clusters of flowers. Think hollyhock, orchids, and snapdragons. What makes Anne’s treatment of this subject stand out is that she pairs the standard line drawings of inflorescence types with photographs of actual inflorescences.

Pollination Mechanisms

There are wonderful labeled photographs in this section.

The Mistletoe Story

I knew the story, but have never seen a photograph of a mistletoe seed germinating on a branch. Fascinating!

Throughout this book, Anne gives thoughtful attention to the structures illustrators may encounter in their work.

Also included in this book are art projects designed to help readers assess their understanding of information in the chapters about leaves, roots, stems, reproduction, flowers, fruit, seeds, seed dispersal, and twigs.

Completing this book are a glossary of terms, a bibliography, a listing of equipment suppliers (in the UK), and a listing of societies and courses (also in the UK).

While the resources in the book are UK-specific, Anne’s instruction is not. If you are attending the annual meeting of the American Society of Botanical Artists next month, you will have the opportunity to learn from Anne directly. Anne will give a free lecture about the pollination of flowers and lead a one-day workshop titled, “Looking Inside a Flower.”

Understanding the Flowering Plants
can be purchased at an independent bookstore near you.

Literature Cited

Bebbington, Anne L.D. (2014). Understanding the Flowering Plants: A practical guide for botanical illustrators. Ramsbury, Marlborough: Crowood Press.

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Here is what’s new at Classes Near You > Washington!

Photo by Sharon Birzer, all rights reserved.

Sharon Birzer

Scientific illustrator Sharon Birzer has a BFA from Cornish College of the Arts, an​ MFA from the University of Washington, and a certificate in science illustration from the University of Washington. She has held residencies at the North Cascades Institute Environmental Learning Center, the Helen Whiteley Center at Friday Harbor Laboratories at the University of Washington College of the Environment, and the Nordic Art Association in Stockholm, Sweden. View a portfolio of Sharon’s scientific, botanical, and interpretive work on her website.

    Natural History Illustration: A Foray into Observations Drawing
    Center for Urban Horticulture
    Seattle, WA
    October 3 – November 14, 2018 (7 Wednesdays)

    Artist and natural history illustrator, Sharon Birzer, will lead this seven-week drawing course. Participants will sharpen their observational skills while learning how to create gesture sketches and illustrations for scientific purposes. Participants will work in the following media: graphite, pen​ and ink, colored pencil, and watercolor. Additional information is available on the course webpage. Cost: $275

    View Details/Register

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Here is the latest news for Classes Near You > New York:

Gretchen Kai Halpert

Gretchen Kai Halpert is the founder and instructor of an online program in scientific illustration. A graduate of the Rhode Island School of Design/ CE, Gretchen has many years of experience working as a scientific illustrator and teaching natural science illustration.

Learn more about the distance learning program in scientific illustration at www.gretchenhalpert-distanceprogram.com. Check out her blog and enjoy the student artwork. Sign up for the SIDP newsletter to keep abreast of opportunities.

    Scientific Illustration, Session I, Graphite

    September 10-November 19, 2018 (Mondays)
    1:00-3:00 or 7:00-9:00 EST or email

    How do you take a three-dimensional object and translate it on to a two-dimensional plane? This course offers botanical and scientific illustration drawing skills in graphite; perspective, proportion; value; textures; introduction to pen and ink; scientific conventions; lighting; transferring and scanning. It includes handouts; tutorials; live video conferencing; and email. Beginning and intermediate students.

    Scientific Illustration, Session III, Color

    September 4-November 13, 2018 (Tuesdays)
    1:00-3:00 or 7:00-9:00 EST or email

    Session III includes watercolor, colored pencil, digital options, advanced composition and projects, professional practices and preparation for internships/independent studies/or portfolio development. Live video conferencing, email, weekly critiques and assignments, recorded tutorials. Prerequisites: having completed Sessions I and II, or permission from the instructor.

    In all classes, students choose their subjects, from botanicals to fossils, and draw primarily from specimens versus photographs.

    Classes are listed on the website:

: Download form or contact Gretchen.

To receive the newsletter of the SIDP, sign up at the website or email Gretchen.

Follow Gretchen on Facebook, Twitter, and Instagram.

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Elaine Searle is an award-winning botanical artist and a Fellow of the Linnean Society. Her exquisite botanical paintings are included in the Highgrove Florilegium, Transylvania Florilegium, and more recently, The Illustrated College Herbal which is a florilegium celebrating the 400th anniversary of the Pharmacopoea Londinensis.

Elaine has announced her painting holidays for 2019. Plan now to join Elaine in Spain, Italy or both in 2019.

    Sketchbooks and Orange Blossom
    Soller, Majorca, Spain
    April 25 – May 2, 2019

    This 7-night botanical art holiday will be based at Soller botanic garden. Your choice of drawing subjects spans the flora, medicinal plants, vegetables, and fruit trees of the Mediterranean region.

    This class is filling up quickly. Only three (3) double rooms remain. If you are interested in attending, learn more about this trip today.


    • Painter (single occupancy of double room) £1562 (currency converter)
    • Painter in single room £1260 Sold Out
    • Painters sharing a room (price per painter) £1012. (currency converter)

    Painting Holidays in Umbria, Italy

    Choose from a 7-day or 15-day painting holiday. Each week is themed and includes tutored studio instruction, individual guidance, group discussion, and demonstrations. View itineraries and photos at Botanical Art Holidays in Italy 2019.

    Choose from the following themed programs:

    • Early Summer Flowers/Vegetables (June 3-10, 2019)
    • Botanical Textures (June 11-18, 2019)
    • Autumn Fruits and Vines (September 2-9, 2019)


Elaine Searle discusses how students learn botanical art

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Hydrangea, ©2018 Paetra Tauchert, all rights reserved

By Botanical Dimensions

Join us to spend a delicious day dropping in to deeply observe nature and to draw what you see. Instructor Paetra Tauchert will lead us through making sketches, doing color studies, and then drawing a final piece. We will work in graphite and then add color using a limited palette of colored pencils. Paper, drawing boards, erasers, and sharpeners will be provided for use during the class. Students will need to purchase their own colored pencils in advance (list provided upon registration). Working with a limited palette is the easiest way to really get to know your pencils and what they can do. You will take home a piece of your own art, some new skills, and deeper ways of seeing plants.

    Summertime Botanical Illustration

    Sunday, August 5, 2018
    10 AM – 3 PM

    Class will be held in the remarkable Ethnobotany Library of Botanical Dimensions, surrounded by books of beautiful botanical illustrations and plant lore. Located at the Occidental Center for the Arts, in West Sonoma County, at 3830 Doris Murphy Ct., Occidental, CA (map).

    This class is appropriate for beginners and intermediate students, ages 14-101. Maximum number of participants is 12.

    : $80, includes most materials

    Register online

    Instructor Bio
    Paetra Tauchert is a lifelong artist of many mediums. She has spent the past five years focusing her art practice on the study of botanical illustration, working in colored pencil, pastel, watercolor and gouache. She is a Master Gardener and keeps a big garden in west Sonoma County, from which she draws much of her inspiration. She is also a consulting astrologer, and writes a lavishly illustrated, bi-monthly newsletter based around the new and full moons, ‘heirloom magic’, and nature.

About Botanical Dimensions

Botanical Dimensions is dedicated to ethnobotanical knowledge in all its forms. Projects include the Ethnobotanical Research library, reforestation in Hawaii, native plants in Northern California, the Amazonian Digital Herbarium Project, and the Mazatec Project in Mexico.

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Left, F for the Fox, watercolor and shell gold on sheepskin parchment by Kandis Vermeer Phillips (1954–), ca.2010, 20 × 15 cm, HI Art accession no. 7891.08, reproduced by permission of the artist and right, Setaria faberi Herrm. [Setaria faberi R. A. W. Herrmann, Poaceae alt. Gramineae], ink on paper by an unknown artist for Albert S. Hitchcock (1865–1935), Manual of the Grasses of the United States, ed. 2, rev. by Agnes Chase (Washington, D.C., U.S. Government Printing Office, 1950, p. 725, fig. 1106), Hitchcock-Chase Collection of Grass Drawings, on indefinite loan from the Smithsonian Institution, HI Art accession no. 2496.0187.

By Hunt Institute for Botanical Documentation

The Hunt Institute for Botanical Documentation presents Alphabetum Botanicum, which runs from 13 September through 14 December, 2018. This exhibition features Kandis Vermeer Phillips‘ illuminated letters, which are intertwined with plants, mammals and insects. Each letter is paired with a botanical artwork from the Institute’s collection to create a literal or amusing relationship between the two, such as the connection of ants with an aardvark and a peony bud, the sunflower as a food source for a cardinal or the similar shapes of a fox’s tail and foxtail grass.

Opening reception

The reception on Thursday, 13 September (5:00-7:00 p.m.) is open to the public.
At 5:30 p.m. the curators and Phillips will give a short introduction to the
exhibition in the gallery.

Artist demonstration

Phillips will give a demonstration on drawing letterforms in silverpoint in the
gallery on Friday, 14 September (10:00 a.m.-noon and 2:00-4:00 p.m.). She will
have available sketches showing the metalpoint process along with various metals
and prepared papers with which visitors may experiment. In addition, she will
discuss informally the history of illumination and metalpoint during the

Find out how Kandis Vermeer Phillips created her letterforms and view additional images on The Hunt’s exhibitions page.

About the Hunt Institute for Botanical Documentation

The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora.

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