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Archive for the ‘Education’ Category

Moments in Time: A Botanical Exhibition of Habitats and Species
Leighton Art Centre, Gallery and Museum

Botanical artist, Rayma Peterson, is one of three artists whose work is now on view at the Leighton Art Centre, Gallery and Museum. Sixteen of Rayma’s paintings capturing the plants of Alberta’s foothills, mountains, and wetlands in their native habitats will be on display through July 31, 2010. When asked how she documents plants in their natural environment, Rayma replied:

Exploring and botanizing in the spring, summer, and fall are my favorite activities. I look for close up scenes that almost jump out at me with their uniqueness and beauty, and try to share my visual experience of these scenes with the viewer. I want to show people the exquisite beauty that is underfoot in western Canada. I also take pains to ensure that the painting is botanically correct; that is, I only show plants growing together that would normally do so in a given habitat. I enjoy painting flowering plants, but also enjoy depicting their more humble relatives that may be easily overlooked, such as fungi, lichens, mosses, and even algae. My favorite habitats are calcareous springs and fens, foothills, grasslands, sub-alpine and alpine areas, wetlands, and tide pools.

I sometimes paint a habitat with my botanical subject prominent, and leave a white or very faint background towards the top. Thus I combine the habitat painting with the plant portrait to create my own style or genre. I will explore an area, taking extensive photographs, composing with my camera. Later in the studio, I combine elements and plants from various photographs, as long as they could be found in close proximity with each other in a microhabitat.

Rayma has a BSc. in botany and a BEd. in art and science. She has spent much of her life in the field, primarily in central and western Alberta. Her work is featured in Today’s Botanical Artists, by Cora B. Marcus and Libby Kyer (2008), as well as in Trees of Wagner Natural Area by the Wagner Natural Area Society, text by Patsy Cotterill (2010).

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New updates at Classes Near You > Virginia:


Linda C. Miller

http://lindacmiller.blogspot.com
Based in Virginia, Miller is a talented, experienced botanical artist and a member of The American Society of Botanical Artists. Visit Linda’s blog to view examples of her work and to learn how she began her career as a botanical artist.

  • Art in the Park: Three-Day Nature Sketching and Journaling Workshop – Saturdays, September 25, October 2 and 9, 2010;
    10:00 AM – 3:00 PM. Develop your own approach to drawing in this workshop that will help you observe and draw the natural world. The first day of class will be at the Quarter Path Recreation Center. The remaining two days will be out in the field at Waller Mill Park. Open to artists of all levels of experience (18 years & older; children under 12 must be accompanied by an adult). Cost: $75. Registration closes April 14, 2010. Please register at Waller Mill Park or by calling (757) 259-3778. View course itinerary and materials list here.

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Billy Showell is known for her attention to detail and the wonderful step-by-step instruction she provides in her books. When Billy published Watercolor Flower Portraits and Watercolor Fruit & Vegetable Portraits, she created instructional DVDs to go with each book. Billy’s Watercolor Flower Portraits DVD and Watercolor Fruit & Vegetable Portraits DVD are now available at ArtPlantae Books.

In Watercolor Flower Portraits, Billy provides 120 minutes of instruction and demonstrates the watercolor techniques she uses to paint a tulip, an Arum Lily, and a Phalaenopsis orchid. She also provides tips about how to compose a painting.

In Watercolor Fruit & Vegetable Portraits, Billy demonstrates how to turn a sketch into a finished painting. See how to use strong colors to paint an apple, how to maintain light areas when painting red grapes, how to create form on a turnip, and how to add texture to bean pods.


NOTE:
*** These DVDs are in the PAL format and are viewable on a computer that reads DVDs. They are not viewable on a DVD player hooked up to a television set. ***


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When the botanical art program at the Como Park Zoo and Conservatory in St. Paul, MN ended late last year, it marked the end of arts programming at the conservatory. Mark Granlund began the art education program there and taught in the program for 15 years. This event could have been the end of botanical art instruction for Mark, but instead was opportunity in disguise. During the last week of class, Mark received an email from a woman in British Columbia, Canada asking if Como’s classes were taught online. Mark entertained the idea and began investigating what it would take to teach a botanical art class online. Curiosity turned into action. Mark developed an online curriculum and launched his new course this past Spring. The pilot course went well and the second class is also going well. How did he do it?

Mark drew upon the classroom experiences he had while teaching at Como. This helped him figure out the format of the class. To bring his traditional classroom curriculum online, he had to break activities down and breakdown the stages of the drawing process. By doing so, he identified the bits of information he could explain as text and the elements of his class that could only be taught through demonstration. This analytical evaluation of his classes resulted in a drawing course for beginners incorporating the combined use of video demonstrations, quizzes, critique sessions, and a class blog.

To teach online, Mark had to change his approach to teaching. Because he could no longer respond to questions in-person, he had to write everything down and deliver his information to students in advance. He spent a lot of time breaking things down into small steps — a lot of time. While incredibly time-consuming, he enjoyed the process. Mark says he likes that he can provide links and various resources to his students; resources he might not have provided to students in his classes at Como. Connecting students to a variety of resources helps to counter-balance the lack of face-to-face classroom interaction.

Mark uses Moodle to create his online classes. Moodle is a course management system designed specifically for online courses. The technical issues he has had to troubleshoot have been primarily PC vs. Mac issues. Students like the Moodle platform and find it easy to navigate.

Assessing student work is done efficiently through the Class Portfolio into which students upload their work. Mark can offer feedback on an individual basis through the class portfolio. There is also a Class Forum where students can ask questions of Mark and their classmates. The forum provides a learning environment like that of a physical classroom. Students can also participate in live chats, however neither class has taken advantage of this feature. Student schedules vary so much that chatting live has not been possible.

Student scheduling is one element of an online class that has proven to be difficult to manage. When students enroll in a traditional botanical art class, they participate according to a set schedule. In an online class, students participate when they can. The luxury of flexibility can be an issue sometimes. But as with traditional classroom learning, life happens and if a student has to miss a class or postpone participation, both Mark and his students roll with the changes. Mark tells his students he will always be available to answer their questions, even if they do not finish a class with their classmates. The nice thing about an online class is that students always have information available to them and have the resources to catch-up on their own.

When asked about the biggest difference between an online class and a traditional class, Mark cites accountability and student interaction as the biggest differences. Accountability and interaction occur at a different pace online. Everyday he struggles with these two questions: How do you get people to engage? How do you coax the people on the edge to interact?

Another difference between online and traditional botanical art classes is advertising. With an online class, Mark does not have to print flyers and drive all over town to post them onto bulletin boards. He advertises his classes on his blog and through social media channels.

Mark’s current drawing class for beginners is almost complete. During summer, he will continue writing curriculum for the intermediate drawing class he will teach in September. This class will be followed by a watercolor course for beginners in mid-Fall. Mark’s advanced drawing class will begin in 2011. Details about Mark’s classes will be posted in Classes Near You > Minnesota when they become available.


Office Hours with Mark Granlund

Do you want to learn more about Mark’s online classes? Mark will respond to your questions directly through ArtPlantae Today. Enter your questions or comments below and check the “Notify Me” box so you can follow the conversation about Mark’s classes as it develops. Mark will respond to questions every Thursday evening through the month of July. So if you don’t have a question today, you will have the opportunity to ask your question anytime during this month.



About Mark Granlund

When Mark is not working tirelessly creating his new classes, he is beautifying the city of St. Paul, MN as the Arts & Garden Program Coordinator. In this position, Mark tends to 150,000 square feet of public gardens, 60 public sculptures, and 570 hanging baskets. He also works as a liason between government agencies and community groups. Mark is currently assisting in a project that will bring healthy, locally-grown food to the residents of St. Paul. He is also involved with the Blooming St. Paul project dedicated to greening up neighborhoods and the installation of public art. One of his projects is related to a light-rail line that will connect downtown St. Paul to downtown Minneapolis. This rail line will run down a major street and its construction will be very disruptive to the area. Mark is working with other groups to turn this huge disruption into a positive experience by creating planted medians and a sustainable landscape around the finished rail line.

Mark’s most engaging project at this time is writing and illustrating The Book of Bartholomew. This book is a collection of short stories about young adults and their experiences managing careers and relationships. Mark is posting a sentence or snippet of his book daily on the his Facebook page. When the book is released, readers will be able to view the short stories in their entirety. The book has been designed to be an online experience. When the book’s website launches, a new short story will be unveiled every two weeks. The overall theme of the book is about supporting local artists and local growers. Mark is working on The Book of Bartholomew with five other artists. An exhibition about this book will be held at Homewood Studios, October 1-18, 2010.

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The botanists and botanical illustrators who have worked tirelessly to document rare plants in the Grand Canyon will share their work with the public beginning Friday July 2, 2010. Fifty drawings and paintings will be on view at Kolb Studio on the Canyon’s South Rim.

This exhibit is already receiving a lot of attention. It can be found in the Travel section of the Arizona Republic newspaper and is online at azcentral.com. It is also in the Summer 2010 issue of the South Rim Guide, one of the newsletters published by the U.S. National Park Service. An article about the Grand Canyon’s herbarium is also in the current issue of The Guide. This article provides insight to the accomplishments of former park botanists and links their accomplishments to the research projects of current botanists and botanical illustrators.

The Phemeranthus validulus (Tusayan Flameflower) by botanical artist, Joan LaMoure, is the signature piece for the exhibition. This painting, as well as the drawings and paintings of other participating artists, will illustrate a new edition of a field guide dedicated to the special status plants of the Grand Canyon.

Grand Canyon’s Green Heart: The Unsung Legacy of Plants will be at the Kolb Studio from July 2 – August 31, 2010. Admission is free. Kolb Studio is open daily.



Related

Researchers and Artists Document Grand Canyon’s Plant Jewels

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Write Your Own Story

Have you ever thought about writing a book? How about creating a book about your work as a botanical illustrator?

Many people think about writing a book and publishing it themselves. Today authors have many services available to them to make the bookmaking process easier and faster. But how do you write your own book? How do you get it published? Where do you start?

On Tuesday July 13, 2010, Lydia Inglett of Lydia Inglett, Ltd. Publishing, Design & Marketing will teach a one-hour online class in which she will explain the bookmaking process and give you the tools you need to launch your career as a published author. Lydia and her team publish and produce high quality books for authors, artists, and museums in the U.S. and abroad.

Recently, Lydia Inglett, Ltd. has produced Vanishing Light, a large format book of the fine art photography of Ben Ham, and The Art of a Sporting Life: The Wildlife Art of David Hagerbaumer by John Orrelle. Her latest publication, Response to Nature, is a stunning book featuring the orchid paintings and natural history art of botanical illustrator Pam Kessler.

In this one-hour class, Lydia will discuss:

  • What makes a beautiful, salable book
  • What a book will do for you and how it will further your career
  • How to prepare for the publication of your book
  • What to expect during the bookmaking process
  • How to evaluate the many options presented by providers of consumer and commercial book designers
  • How to market your book
  • How to begin your book project

If you have entertained thoughts about creating a book highlighting your artwork or a special project, join us on July 13th and ask the questions you have always wanted to ask about the bookmaking process.


The Details

    When: Tuesday July 13, 2010
    Time: 10:00 a.m. – 11:00 a.m. (PDT)
    Where: Online
    Cost: $35
    Extras: Registered attendees will have the opportunity to send questions to Lydia before her presentation. Attendees will also receive a task checklist to guide them during their book project.
    Bonus: Worried you cannot attend the live session? Stop worrying! This event will be recorded and will be made available to registered attendees so they can learn from Lydia at a time that is convenient for them.


REGISTER TODAY

(Registration closes Sunday July 11, 2010)

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Eight new classes for summer and fall announced at Classes Near You > International > England:


Elaine Searle

http://paintbotanical.com
Elaine’s plant portraits have been exhibited in the UK and the US, and can be found in the permanent collection of the Hunt Institute for Botanical Documentation at Carnegie Mellon University and in Prince Charles’ Highgrove Florilegium. Elaine publishes a beautiful and informative newsletter that is available for download on her website. View detailed information about the courses below and download the current brochure and order form (Botanical Art Courses, July – November 2010) here.

  • Beginners – Stanford Bridge, Worcestershire; July 27-29, 2010
  • Roses – Blakeney, Norfolk; Aug 3-5, 2010
  • Beginners – Blakeney, Norfolk; August 18-20, 2010
  • Autumn Harvest – Blakeney, Norfolk; Sept 15-17, 2010
  • Pumpkins & Gourds – Blakeney, Norfolk; Oct 18-20, 2010
  • Fascinating Fungi – Blakeney, Norfolk; Oct 21-23, 2010
  • Next Steps in Botanical Painting – London; Oct 25-28, 2010
  • Seasons Greeting Card – Blakeney, Norfolk; Nov 18-20, 2010

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