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Archive for the ‘drawing’ Category

New botanical art and nature painting classes in the Seattle area!

Here is what’s new at Classes Near You > Washington.


Kathleen McKeehen, Scientific Illustrator

Kathleen is a teacher and freelance illustrator. Her work has appeared in Organic Gardening Magazine and The Herb Companion. View Kathleen’s artwork in the ASBA Members’ Gallery or at the Guild of Natural Science Illustrators’
Science-Art.com.

  • Botanical Drawing/Painting at Oil & Water Art Supply, Bainbridge Island – Ongoing on Tuesdays. Learn how botanical artists portray botanical subjects using pencils and watercolor. Oil & Water Art Supplies, Winslow, Bainbridge Island. Students pay per session. For additional details, contact 206-842-0477.
  • Botanical Drawing at Gage Academy – Fridays,
    January 20 – March 23, 2012; 9:30 AM -12:30 PM. Learn the techniques of line and shading to portray botanical subjects accurately. All levels welcome. Students with previous experience can work on their choice of subject with supervision. Contact: (206) 323-GAGE or www.gageacademy.org.
  • NEW Painting Nature in Watercolor at Gage Academy – Fridays, January 20 – March 23, 2012; 1:30-4:30 PM. Use dry-brush watercolor technique to portray natural subjects such as birds, animals, shells, skulls, and plants. Students will be able to choose their own subjects. All levels welcome. Contact: (206) 323-GAGE or www.gageacademy.org.
  • Botanical Watercolor at Poulsbo Parks & Recreation – Mondays,
    January 23 – March 12, 2012 (no class Feb. 20); 7:00-9:30 PM. Using washes and dry-brush technique, learn to paint botanical subjects that are realistic, accurate, and beautiful. All levels welcome. Students with previous experience can work on their choice of subject with supervision. Contact: (360) 779-9898 or View Class & Activity Brochure.
  • Botanical Illustration at Winslow Art Center – Starting in January 2012. Tuesdays 1:00-4:00 PM. Learn about the botanical drawing and botanical painting techniques used by botanical artists. Beginners are welcome. Students with previous experience can work on their choice of subject with supervision. Contact: Martha. A new website for Winslow Art Center will be launched soon at www.winslowartcenter.com.
  • Botanical Watercolor at Bloedel Reserve, Bainbridge Island
    Winter classes will be announced soon. Please visit the Bloedel Reserve Course Schedule for updates. Until then, please direct all questions to Kathleen McKeehen. This class is usually scheduled on Thursdays.
  • Studio Classes
    Botanical drawing and watercolor classes in Kathleen’s Indianola studio. Contact Kathleen for more information.

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A steward of the environment, especially California’s Sierra Nevada, John Muir Laws, has dedicated himself to revealing the natural world through art and science.

John (Jack) Laws has been an environmental educator for 30 years. He recently collaborated with the California Native Plant Society and with English instructor, Emily Breunig, to create a wonderful curriculum integrating art, science and the language arts.

I am thrilled to introduce John Muir Laws and Opening the World Through Nature Journaling, the Feature Curriculum for December.

John has kept a sketchbook since elementary school. Challenged by dyslexia, he found that keeping a journal was the easiest way to record his experiences. Drawing and sketching helped him see things he had never noticed before. John’s mom gave John his first sketchbook. One year during a family trip, John and his family met a woman who was keeping a wildflower sketchbook. John’s mom noticed how he followed this woman and her sketchbook throughout their trip. On the next family vacation, John’s mom gave him a sketchbook and colored pencils so he could document their vacation. Little did she know that years later, John would use sketchbooks as a teaching tool.

While working as a naturalist group leader at Walker Creek Ranch in northern California, John led activities designed to connect children to nature. He decided to incorporate journaling into his activities to help students slow down and focus in the same way his own journals helped him to slow down and become a better observer. He soon began to notice differences between his journaling audience and the groups of children who ran through the ranch without stopping to see what was really there. John began to expand upon his journaling exercises. The Marin County Outdoor School at Walker Creek Ranch became a great testing ground. It took about four years for John to develop his activities. He wrote up his observations, began sharing them with other naturalists and teachers, and over a period of 10-15 years, his activities were tested hundreds of times and refined. This collection of journaling exercises eventually became Opening the World Through Nature Journaling.

The response to Opening the World Through Nature Journaling has been “amazing”, according to John. He says “(the curriculum) has been well-adopted in California and across the country. Teachers get this is authentic student-driven education.”

While John was developing and testing journaling activities, he was also launching the program Following Muir’s Footsteps and working on his book, The Laws Field Guide to the Sierra Nevada (2007).

Following Muir’s Footsteps is a conservation project for schools in the Sierra Nevada region whose aim is to encourage local youth to become citizen stewards of the Sierra. Encompassing an eighteen-county area around the Sierra Nevada, Following Muir’s Footsteps connects youth to nature through firsthand experiences and journaling. Through this program, John provides in-service training for teachers about how to use field guides and how to use science journals in their classrooms. He also sponsors one mentor teacher from each school so they can attend the Sierra Nevada Teacher Institute, a summer program where teachers learn about the biodiversity of the Sierra Nevada. School libraries also benefit from this fantastic program. The library of each participating school receives 25 copies of The Laws Field Guide to the Sierra Nevada.

The idea to create his comprehensive field guide to the Sierra Nevada was hatched when John was in high school. One day, while hiking the John Muir Trail and juggling many field guides, he thought how wonderful it would be to have all of his field guides packaged into one portable book. By the time he finished high school, John says he could visualize the pages, the layout — everything. John’s grandmother encouraged him to begin working on his dream. At about this same time, he came across a poem by Mary Oliver called The Journey. The first line of this poem read:

One day, you finally knew what you had to do, and began.

So John quit his job and says he “filled my backpack with paper and granola.” He spent the next six years documenting the flora and fauna of the Sierra Nevada. In the early stages of this full-time project, he drew whatever he encountered. At the end, he went into the field with species lists. John says the last few species on his list were a particular challenge and that locating them was a true “scavenger hunt.”

How did John take on the expansive Sierra Nevada? He started at the lower elevations in the south and, as plants bloomed in the Spring, he followed the bloom hopping back and forth between the west side and the east side. Every 1-2 weeks, John hiked out to pick up fresh supplies, get more paper, bathe and shave.

In The Laws Field Guide to the Sierra Nevada, you will find descriptions of over 1700 species and 2,700 watercolor paintings. John drew each plant from life and each illustration was started and completed in the field. Illustrations of birds, insects and mammals began as quick gesture sketches in the field. They were then finished in the studio after a careful study of museum skins, reference materials, and the collections at the California Academy of Science.

When asked how it is he can make so many big things happen, John says none of his programs were launched as big complete packages. He explains, “It was an accumulation of a lot of little pieces coming together organically. This is what makes it possible to do something big.”



Ask The Artist with John Muir Laws

John received a Bachelor of Science in Conservation and Resource Studies at UC Berkeley and a Master of Science in Wildlife Biology at the University of Montana. He is also a graduate of the scientific illustration program founded at UC Santa Cruz, that is now taught at California State University Monterey Bay. In 2011, John received the TogetherGreen fellowship from Audubon/Toyota and this enabled him to deliver the Following Muir’s Footsteps program to 10 schools in the Sierra Nevada. This month, we have the extraordinary opportunity to discuss art, science and education with John.

To take advantage of this opportunity, post your questions or comments in the comment box below. John will respond to questions throughout the month of December.

Teachers, do you know of other teachers who might like to join in the conversation? Please send them the link to this article. The conversation will happen right here on this page.


Request a copy of Opening the World Through Nature Journaling

To request your own copy of the nature journal curriculum written by John Muir Laws and Emily Breunig in collaboration with the California Native Plant Society, click here.


Drawing Plants: Tutorials by John Muir Laws

John recently posted tutorials about how to draw plants on his website. These tutorials were created specifically for teachers. The demonstrations are easy for teachers to recreate in their own classrooms. Leaf and flower templates are available for download. View John’s instructional videos in the Nature Drawing section of his website.


Get “The Laws Field Guide to the Sierra Nevada”

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Learn to sketch with a paint brush. Artist and author, Brenda Swenson, has announced her teaching schedule for 2012.

This information can also be found at Classes Near You > Southern California.


Brenda Swenson, Los Angeles

www.swensonsart.net
Brenda Swenson, WW, NWWS is the author of Keeping a Watercolor Sketchbook and Steps to Success in Watercolor. She is a very popular, award-winning artist who teaches across the U.S. and abroad. See Brenda’s new section about tips, techniques, and tools for artists on her blog.

  • Watercolor Sketching Techniques – January 13-15, 2012. Schroeder Studio Gallery, 112 East Maple Avenue, Orange, CA 92866. Contact Schroeder Studio for more information. (714) 633-0653
  • Negative Painting with Watercolor – January 27-29, 2012. Associated Louisiana Artists, 106 W. Pryce, Lake Charles, LA 70601.
    Info: Sue Zimmerman
  • Negative Painting with Watercolor – February 17-19, 2012. Montrose, CA. Info: Brenda Swenson
  • Watercolor Sketching Techniques – May 18-20, 2012. Montrose, CA.
    Info: Brenda Swenson
  • Sketching in Southern France – June 23-July 7, 2012. Montfaucon Tours, Limoux, France. View details at www.montfaucontours.com.
    Info: Brenda Swenson
  • Negative Painting in Watercolor – August 10-12, 2012. Montrose, CA.
    Info: Brenda Swenson
  • Negative Painting in Watercolor – September 14-16, 2012. Schroeder Studio Gallery, 112 East Maple Avenue, Orange, CA 92866. Contact Schroeder Studio for more information. (714) 633-0653
  • Learning & Product EXPO – October 19-21, 2012. Pasadena Convention Center, Pasadena, CA.Registration begins August 1, 2012. www.learningproductexpo.com
  • Negative Painting with Watercolor – November 6-9, 2012. Plantation Art Guild, Plantation, FL Info: Karen Brauerman.
    www.plantationartguild.org

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Here are new updates for Sibley Nature Center in Midland, Texas:


Sibley Nature Center, Midland

www.sibleynaturecenter.org
This 49-acre site is home to programs educating the public about the southern Llano Estacado and surrounding area. Museum specialist and scientific illustrator, Michael M. Nickell, teaches the Center’s courses about nature drawing and journaling. He has been a professional practicing scientific illustrator and nature artists for over 30 years. He clients include National Geographic, Texas Parks and Wildlife, The Museum of Texas Tech University, Lubbock Lake Landmark, The University of Texas at Austin, The University of Oklahoma, the Carnegie Museum of Natural History, The Square House Museum, Encyclopedia Britannica, and others.

  • Introduction to Nature Drawing – September 12 & 26,
    October 10 & 24 and November 7, 2011; 6:30 – 8:30 PM.
    Cost $50 members, $80 nonmembers.
  • How to Use Your Digital Camera – September 12 & 14, 2011; 6-8 PM. Cost: $25 members, $35 nonmembers. Instructor: Richard Galle
  • Natural Dyes – October 20, 2011; 7-8 PM. Learn how to dye cloth or yarn using plant material such as onion skin, agarita root, broomweed leaves and more. This special presentation is free for Sibley members, $10 for nonmembers. Instructor: Ethel Matthews

This information can also be viewed at Classes Near You > Texas.

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It’s a new school year.

Are you tossing around the idea of incorporating drawing into your curriculum? Wondering how you should start?

Consider the approach taken by Harry Weekes in Drawing Students Out: Using Sketching Exercises to Hone Observation Skills. Instead of treating drawing activities as special projects, Weekes treats drawing as an act no different than breathing or looking across the room at the chalkboard. Drawing (excuse me, observing) is simply an expectation he has of all his students. He establishes the drawing culture in his classroom by calling “drawing exercises”, “observation exercises” (Weekes, 2005) and by reminding the students in his 9th grade biology class that observing and recording are what biologists do.

Drawing is a priority in Weekes’ class for the following reasons:

  • Drawing improves observation skills.
  • Drawing requires students to sit still and look.
  • He wants students to stop thinking they are “nonartists” (Weekes, 2005).
  • He wants to slow students down as they “navigate the social river that is adolescence on a current of hormones” (Weekes, 2005).

Because Weekes’ objective is to make “better observers” not “better drawers” (Weekes, 2005), he uses drawing as a learning tool whenever he can throughout the school year, regardless of the subject matter. Doing so not only reinforces the drawing culture he creates in his classroom, it also satisfies Standards.

The way he assesses the visual journal required of students contributes to its success as a learning tool and helps to downplay the “art” students are asked to create. Since students’ sketchbooks are used as tools for collecting observations, it is the quality of the observations recorded that is graded, not the quality of the artwork. Weekes (2005) states he is always surprised by the quality of student observations and the illustrations they produce.

By making students “better observers” (Weekes, 2005), Weekes is making better biologists and, as a result, scientifically literate citizens.

This article is available for purchase online for 99¢. See link below.



Literature Cited

Weekes, Harry. 2005. Drawing students out: using sketching exercises to hone observation skills. The Science Teacher. January. Web. <http://learningcenter.nsta.org/product_detail.aspx?id=10.2505/4/tst05_072_01_34>. [accessed 25 August 2011]



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The new Fall 2011 schedule at Lasdon Arboretum has been posted to
Classes Near You > New York.


Lasdon Park and Arboretum

Lasdon Park Brochure
Located in Somers, NY, the 234-acre Lasdon Arboretum is home to the botanical art program directed by botanical artist Laura Gould. Laura is a botanical artist who works primarily in colored pencil, graphite, and watercolor. Detailed course descriptions, supply lists, registration information, and Laura’s online gallery can be viewed at Barking Dog Studio.

  • Wednesday Watercolor Class & Advanced Colored Pencil – September 7 – October 5, 2011; 9:30 AM – 12:30 PM. Participants will learn color theory and the use of a limited palette. Pre-requisite: Foundation classes in graphite, foundation work in colored pencil. If you already work with your own color palette, this is all you need to bring to class. If you would like to work in both watercolor and colored pencil, please see supply list online. Cost: $200.
  • Thursday Graphite and Beginner Colored Pencil – September 8 – October 6, 2011; 9:30 AM – 12:30 PM. Establish a strong foundation in drawing and discover the beauty of graphite. After your foundation skills have been honed, begin your study of colored pencil techniques. For beginning and experienced students. Cost: $200. View supply list
  • Saturday Graphite and Colored Pencil – September 10 – October 8, 2011; 10 AM – 1 PM. Students of all levels are welcome to join the class. Learn at your own pace while enjoying the company of fellow artists. Cost: $200
  • Watercolor/Colored Pencil Fall Session
    (October 12 – November 2, 2011)
  • Graphite/Colored Pencil Fall Session
    (October 13 – November 3, 2011)
  • Saturday Mixed Fall Sessions
    (October 15 – November 5, 2011)
  • Watercolor/Colored Pencil Late Fall Session
    (November 9 – December 14, 2011)
  • Graphite/Colored Pencil Late Fall Session
    (November 10 – December 15, 2011)
  • Saturday Mixed Late Fall Sessions
    (November 12 – December 17, 2011)

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Many new classes about art and nature can be viewed at
Classes Near You > Minnesota:


Minnesota Landscape Arboretum

www.arboretum.umn.edu
The Minnesota Landscape Arboretum invites you to connect your life with nature! The Arboretum features plant-related classes pertaining to the botanical arts, crafts, and literature.

  • Watercolor Journaling Summer Workshop: Bennett-Johnson Prairie – Saturdays, July 9, 16, 3, 30, 2011; 9:45 AM – 1:00 PM. Learn how to use a variety of media to record your observations at the Arboretum’s 25-acre reconstructed prairie. Participants will learn how to use watercolor, ink, colored pencils, markers, mono-printing, and collage. Cost: $95 members/$110 nonmembers.
  • Summer Plein-air Watercolor Workshop: Bennett-Johnson Prairie Saturday, August 13, 2011; 9:45 AM – 1:00 PM. Paint accurate images of the prairie’s trees, grasses and flowers. Create quick value studies and then learn how to apply color to paint the golden summer prairie. Some experience required. Cost: $40 members/$50 nonmembers.
  • Watercolor Journaling Fall Workshop: The HRC – Saturdays, September 10, 17, 24 and October 1, 2011; 9:45 AM – 1:00 PM. Document the harvest season at the University’s Horticultural Research Center. Participants will learn how to use watercolor, ink, colored pencils, markers, mono-printing, and collage. Cost: $95 members/$110 nonmembers.
  • Plant Dyes: Color from the Garden – Saturday, September 17, 2011; 10 AM – 4 PM. Learn the essentials of plant dyes and how to identify plants used to produce color. Participants will prepare fibers and cook up dyestuffs. Participants will take home two skeins of dyed wool, a color card for reference, and recipes for dye making. Cost: $85 member/$90 nonmember
  • Treasures from the Andersen Horticulture Library:; Empress Josephine’s Garden – Saturday, October 29, 2011; 9:30 AM – 2:00 PM. Examine botanical illustration with librarian Karen Allen. Learn about Empress Josephine Bonaparte and how she called upon Pierre Joseph Redouté to document her garden. View examples of Redouté’s work in rare books from the library’s collection. Cost: $30 member/$40 nonmember
  • Fall Plein-air Watercolor Workshop – Saturday, October 15, 2011; 9:45 AM – 1:00 PM. Create images of apples and grapes at the Horticultural Research Center. Dress for painting outdoors in the orchard and vineyard. Create quick value studies and then learn how to apply color to paint the golden summer prairie. Some experience required. Cost: $40 members/$50 nonmembers.


Minnesota School of Botanical Art at the Bakken Museum

www.minnesotaschoolofbotanicalart.com
The Minnesota School of Botanical Art was founded by Marilyn Garber. The school’s website has a refreshing design and is a treat to visit. View student accomplishments in the Student Gallery and flip through the pages of photo albums highlighting past Master Classes taught by Jean Emmons, Katie Lee, Kate Nessler, George Olson, Sunitsorn Pimpasalee, Margaret Saul, Alice Tangerini, Alexander Viazmensky, and Wendy Zomelefer. School instructors also have photo albums of their work on display. The current 2010/2011 school schedule can be viewed in detail here. The schedule includes:

  • Farmer’s Market with Marilyn Garber – Mondays, June 6, 13, 20, 27, (skip July 4), July 11, 18, 2011; 1:00 PM – 3:30 PM. Illustrate and paint produce from the farmer’s market. Bring your own specimen. Cost: $235
  • Colored Pencil II with Denise Walser Kolar – Mondays, June 6, 13, 20, 27, (skip July 4), July 11, 18, 2011; 1:00 PM – 3:30 PM. Students will build upon skills learned in Colored Pencil I. Cost: $235
  • Field Sketching with Tim Voigts – Mondays, June 6, 13, 20, 27, (skip July 4), July 11, 18, 2011; 9:30 AM – Noon. Sketch trees, flowers, seed heads, landscapes and more using graphite and fiber-tipped pens. Cost: $235
  • Beautiful Beetles: Jewels of the Plant World with Julie Martinez – Saturdays, June 11, 18, 25, 2011; 9 AM – 3 PM. Students will receive a beetle specimen and learn illustration techniques utilizing watercolor, gouache and colored pencil. Cost: $235

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