Feeds:
Posts
Comments

Click for artist application

Click for artist application

In celebration of Habitat for Humanity’s 25th anniversary, the Riverside ReStore is celebrating 15 years of building partnerships by hosting the
Home is where our story begins… artist showcase. Organizers explain they “envision an event that spotlights our strong community partnerships and communicates our gratitude for the support we have received over the years. It is a celebration of these unions; a grand recognition of efforts to eliminate substandard housing and make adequate shelter a matter of conscience.”

This showcase event is open to all artists 16 years or older. Forty artists will be selected to participate. Event organizers reserve the right to give selection preference to artists living or working in the communities served by Habitat for Humanity Riverside. These communities are Riverside, Moreno Valley, Jurupa Valley, Norco and Corona.

Artists chosen to participate will be provided with either a dollhouse kit and a $100 Riverside ReStore gift card or a wood plaque and a $25 gift card. Entry specifications are explained in the application. Applications must be completed and submitted by April 13th, 2013 to be considered. Interested artists should contact Artist Coordinator Kristii MacEwen to receive an application. Artist applications are also available online at www.RiversideReStore.org/15years.

Interested in sponsoring a dollhouse or wood plaque?
Please contact Sponsor Coordinator Cindy Tyrolt.


Also See

Riverside ReStore – Retail with a Mission

Free Shipping Specials

Free Shipping Specials

A new category of resources has been created at the store.

The new Free Shipping category features items that qualify for free shipping. The selection of items in this category will change frequently, so check this new section often.

All items qualifying for free shipping will be sent via USPS Standard Post or the most economical shipping option available. This free shipping offer applies only to orders sent to an address within the contiguous United States. Please allow extra time for delivery.

Are you viewing this on a mobile device? Visit the mobile store.

Shawn Sheehy will teach his pop-up classes at several locations this year. Here is the latest at Classes Near You for California, Illinois and Minnesota.


Shawn Sheehy

www.shawnsheehy.com
A Chicago book artist and paper engineer whose work incorporates ecological principles observed in nature. Sheehy’s art reflects his interests in ecosystems, natural resources, population biology and evolution. Shawn was the featured guest for September 2012. Here is what we learned when he stopped by to visit.

    Chicago Botanic Garden
    Create pop-up cards featuring native wildflowers of the Midwest.
    April 5: Pop-Up Wildflowers, Beginners (View Details/Register)
    April 12: Pop-Up Wildflowers, Advanced (View Details/Register)


    California Chapter of the Guild of Book Workers

    May 4-5: Pop-Up Wildflowers
    The venue for this workshop will be announced at a later date. Check back for this update.


    Grand Marais Art Colony

    Create a pop-up book featuring North American wildflowers.
    Grand Marais, MN
    August 9-11: Pop-Up Wildflowers (View Details/Register)


    Chicago Botanic Garden

    August 24-25: Pop-Up Heirloom Vegetables
    (check the calendar for details)

Visit my Shawn’s redesigned website at www.shawnsheehy.com to see images of the vegetable pop-ups for his workshop, to learn about his new book and to view his workshop schedule for 2013.

Enjoy the spring season and plan ahead to summer. Here is an update to
Classes Near You > England.


Lewisham Arthouse, London

www.lewishamarthouse.co.uk
The Lewisham Arthouse once served as the central library of Deptford. Designed by architect Sir Alfred Brumwell Thomas (1868-1948) and funded by Andrew Carnegie (1835-1919), this former library is now features a public gallery and studio space for professional artists. Artist studios are open to the public once per year. Exhibitions in the gallery are open to the public year-round, free of charge. Ten-week botanical illustration classes are taught by Alison Day. Watch for information about her next class.

    Drawing from Plant Life
    Mondays, April 15 – June 24, 2013 (10 weeks)
    Cost: £95/90 concessions

    This introductory course aims to provide an opportunity to explore the art and science of botanical Illustration. Students will have the opportunity to explore both drawing and painting plants whilst learning a range of graphic techniques used to represent plant material. Some basic theory is taught and where relevant historical and contemporary practice is referenced.

    The course is taught by a practicing artist who has a background in the science of botany and the practice of fine art.

    Students are asked to bring their own ideas and specimens to the course. Basic materials and reference literature are provided, students must provide their own sketchbook pencils and colours.
    All are welcome, no experience needed.

    This is a small class and provides a supportive and relaxed environment in which to draw. Places are limited so booking is required. Please contact Alison Day.

    The Lewisham Arthouse is located at 140 Lewisham Way, New Cross, SE14 6PD.

    Transport: BR/overground. New cross/New Cross Gate.
    Bus 136, 21, 436, 321
    Disabled access

Keep Plants Simple

Two weeks ago we considered how we can help children experience plants differently. This topic sparked a conversation about teaching ideas that ranged from how to see leaves differently to how to help kids relate to invisible processes.

Today let’s revisit this topic and consider adult learners and learning that occurs outside of a traditional classroom setting.

Informal learning is learning that occurs outside of traditional formal learning environments, such as a classroom or a lab. Examples of informal learning environments include nature centers, visitor’s centers, botanical gardens and museums. In these places of learning, scientific information is presented to the public in meaningful and easy-to-digest ways.

Building a bridge between experts and non-experts can be a perilous activity and can come with criticisms about dumbing down content (Davis et al., 2013).

Do informal science educators water down information too much when presenting it to the public? Do they encourage misconceptions or enable the formation of new misconceptions?

Pryce R. Davis, Michael S. Horn and Bruce L. Sherin address this issue in
The Right Kind of Wrong: A “Knowledge in Pieces” Approach to Science Learning in Museums.

Every single one of us is a teacher. It doesn’t matter that we do not have a physical classroom to call our own. Through our interest in plants, nature and the wonderful world of natural science illustration, we teach and communicate information about plants and nature in many ways.

When you are teaching, do you ever worry about being wrong? About making the wrong impression, about using the wrong analogy or about stretching the truth a bit too much just to make a point?

The article by Davis and his colleagues might put your mind at ease. In their article, Davis et al. (2013) argue that simplifying content does not necessarily lead to problems and they present an approach that can lead general audiences to meaningful understanding of content.

Expertise in a subject is great, but it can also be a problem because it can get in the way of teaching. Experts in their field have mastered the technical jargon of their discipline, are quick to point out the mistakes of non-experts, want to replace wrong knowledge with correct knowledge, and have forgotten what it was like to be a learner in their field (Davis et al., 2013).

To make the gap between experts and non-experts smaller, Davis et al. (2013) recommend that museum educators take non-experts on a gentle and winding path to expert knowledge by putting the misconceptions they bring with them to good use and by using the assorted bits of prior knowledge they each possess. The approach they encourage is called the “Knowledge in Pieces” approach.

Davis and his colleagues explain that the “Knowledge in Pieces” approach to science communication in informal learning environments isn’t about making grand leaps of understanding within the small space of a museum exhibit. Instead, it is about making small learning gains that engage learners by allowing them to relate the new knowledge to what they already know and how they have come to know it in their daily lives. By doing this, the learner remains comfortable and confident along the path to “expert” knowledge. To do otherwise (i.e., to replace what a learner thinks they know with a fresh batch of expert knowledge in one swift movement), would be to create a situation that leaves a learner bewildered and unsure of what they know because their new “expert” knowledge isn’t based on prior personal experiences.

Communicating science has never been easy. Davis et al. (2013) provide an interesting look at the history of science communication and how it has changed in the 21st century. Did you know there was once a belief that respected scientists did not “go public” with their research (Goodfield, 1981 as cited in Davis et al., 2013)?

Learn more about the “Knowledge in Pieces” approach. The article by
Davis et al. (2013) is available online for free. Click on the link below.


Literature Cited

    Davis, Pryce R. and Michael S Horn, Bruce L. Sherin. 2013. The right kind of wrong: A “Knowledge in Pieces” approach to science learning in museums. Curator: The Museum Journal. 56(1): 31-46. Web. <http://onlinelibrary.wiley.com/doi/10.1111/cura.12005/full>
    [accessed 22 March 2013]

    Goodfield, J. 1981. Reflections on Science and the Media. Washington, DC: American Association for the Advancement of Science.



Also See

Science Communication Through Art

A fellow artist has a question for you…

I am thinking ahead to the 2013 holiday season and would like to create some postcard sets for gifts. Does anyone have any good references as to sizes? I’d love to create squares. Do you have any advice about photographing images for printing? Where to purchase the blank cards? Best type of printing? Where to have them printed? I am planning a small run of boxed or bagged sets, maybe only 50-100 sets to start. Thank you.

Do you create your own stationery? What have you learned through your experiences of making your own cards? Share your experiences below.



Related

The conversation among readers is gaining momentum!

The Eastern Metropolitan Regional Council (EMRC)
www.emrc.org.au
Provides environmental services, waste and recycling services, and other management services in Perth, Australia. Host of Bush Skills for the Hills, free community workshops connecting people to their natural environment. This program includes classes such as:

  • Native Tree Decline – May 18, 2013; 9:30 am – 12 pm. Learn about keystone species Corymbia calophylla, a woodland and urban tree whose numbers are declining. How will the loss of this tree affect the local ecosystem?
  • Botanical Drawing – August 3, 2013; 10 am – 12 pm. Learn how to create and maintain a nature journal and how to make observations in the field. For individuals with little or no experience in drawing.
  • Secret Life of Plants – October 16, 2013; 7-9 pm. Hidden secrets. Interesting characteristics.Learn about the secret life of plants!
  • Bushtucker Walk – October 19, 2013; 10 am – 12 pm. Learn about food plants and traditional hunting and gathering techniques.
  • Native Grasses: Walk and Talk – October 26, 2013; 9 am – 12 pm. Lean about local native grasses and how to tell them apart from introduced species.
  • Native Grasses Advanced – Bring your hand lens and take an in-depth look at native grasses.

View all workshops in the Bush Skills program.

Pre-registration for these free workshops is required. Contact EMRC to register.

This information has also been posted at Classes Near You > Australia.