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Readers looking for classes in the Chicago region have three opportunities to learn botanical art and colored pencil techniques this summer.

Kathleen Garness will teach three sessions of an introductory course about drawing plants in colored pencil. Participants will receive materials to take home with them, compliments of the Anne Ophelia Dowden grant awarded to Kathleen last Fall by the American Society of Botanical Artists.

Here is what’s new at Classes Near You > Chicago:


Kathleen Garness

www.gnsi.org/profile/kathleen-garness
Kathleen is a natural science illustrator whose illustrations are being used to illustrate a guide to common plant families in the Chicago region. Her work has been shown in many exhibitions and is also featured in the 2011 issue of Smithsonian in Your Classroom, an issue dedicated to botany, art and conservation.

Introduction to Botanical Colored Pencil

  • June 9, 2013: Volo Bog State Natural Area, Volo, IL: 9:30-3:00
  • June 22, 2013: Illinois Beach State Park Nature Center: 9:30-3:30
  • August 18, 2013: Lake County Museum, Wauconda, IL 9:30-3:30

Looking for classes near you?
Tell the teachers!

Earlier this spring, forty artists from southern California were selected to take part in an artist showcase benefiting Habitat for Humanity Riverside. Participating artists include Tania Marien of ArtPlantae.

Twenty-five of the artists will design doll houses and fifteen of the artists will design a wooden plaque supporting the theme, What does home mean to you?

Through their work artists will also respond to the question,
What would you build?

All art will go on a “Homes” tour that will begin in August. Artwork will be auctioned off and proceeds will help Habitat Riverside build new homes for local families. A website tracking the weekly progress of each artist is forthcoming. Until then, learn more about participating artists at the website of Habitat’s ReStore store in Riverside.


Related

Habitat for Humanity Riverside Restore

Teaching Plants

iStock_TeachingPlants_ExtraSmall copy This weekend it was announced that the featured topic for June is Teaching Plants. We’ll take a look at how educators from various disciplines teach the public about plants.

There is probably no better way to kick this month off than with the collection of presentations being featured this week on TED: Ideas Worth Sharing. Guerrilla gardening, biodiversity, house plants, growing clothes, food choice, and the ecosystem of tree canopies are all featured.

View this wonderful collection now at Plantastic!.

Here is the latest news at Classes Near You > Northern California:


Nina Antze
Drawing Nature in Colored Pencil

www.pcquilt.com/botanicals.htm
Nina received a degree in Fine Art from San Francisco State University and a Certificate in Botanical Illustration from the botanical art program at the New York Botanical Garden. For more information about the class below, contact Nina Antze or call (707) 237-7014. Nina’s teaching schedule can also be viewed on her website.


Pt. Reyes Field Institute

    Drawing Summer Flowers, Saturday, June 29th, 10 AM – 4 PM
    Learn botanical illustration techniques, color theory and explore flowers in the Asteraceae. Open to youths 10-17 (with attending parent).
    Cost: $80 nonmembers, $70 members. View Details/Register

Sonoma Community Center

    Drawing Summer Flowers, Saturday, July 20th, 10 AM – 3 PM
    Learn the colored pencil techniques used by botanical artists while learning how to draw the flowers of summer. Cost: $50 nonmembers, $45 members. Adults only. View Details/Register

Historic Filoli Gardens in Woodside, CA

  • Colored Pencil II, Thurs., Fri., Sat. June 20-22; 9:30 AM – 3:30 PM (open to anyone who has taken a workshop with Nina).
    View Details/Register
  • Drawing Zinnias and Other Composites, Friday and Saturday, July 26-27, 2013; 9:30 AM – 3:30 PM. Select your favorite composite flower and learn how to capture their bright colors using a variety of colored pencil techniques. Cost: $190 nonmembers, $160 members.
    View Details/Register

Are you looking for botanical art classes or natural science illustration classes in your area? Let’s get this information out there and try to resolve this for you.

If you are looking for classes, post your city and state (or province & country) below. If you do not want to post the name of your actual city or town, then post the nearest largest city — some place you don’t mind driving to attend a class.

Also, please remember that you don’t need to post your full name when you post a comment or question. You can use only your first name if this makes you more comfortable.

I receive inquiries from time to time and thought I would put this out to everyone to see who is looking for classes.

The most recent inquiry is from a reader looking for classes in the vicinity of Evanston, Illinois.

Take a look at the Classes Near You section to see if any new classes have appeared. If you don’t find anything even close to where you are, add your city and state (or province and country) below.

Instructors — Do you teach in any of the areas below?

If you do, send information about your classes and I’ll create a listing for you and post an announcement.

Drawing teaches the arithmetic of space, as figuring teaches the arithmetic of numbers.

— T. R Ablett, Esq.

How do you begin to use drawing as a learning tool in a classroom with 35 students?

Here is an approach that may be worth trying in today’s busy classroom setting.

What follows is a format proposed by T.R. Ablett, Esq. as it was explained in the January 1888 issue of the journal Science. The article, The Teaching of Drawing, is about a paper Ablett presented at the College of Preceptors. In this paper, Ablett argues that drawing must become a subject every student learns, regardless of their future vocation. He argues that incorporating drawing across the curriculum has many advantages, namely:

  • It helps students think about proportion and scale.
  • It makes students better at describing what they see when they combine writing with drawing.
  • It develops students’ “graphic memory”.

In his presentation, Ablett describes a way to teach drawing to different grade levels. Here is the approach he proposes:

    Class 1: Students should learn how to observe, how to create contour drawings of simple subjects, and how to “ward off color blindness”.


    Class 2
    : Students should learn about simple forms and curves, should learn art-related terms and continue to develop their “graphic memory.”


    Class 3
    : Students should learn how to draw the outlines of common objects.


    Class 4
    : Students should learn how to draw rounded objects.


    Class 5
    : Students should learn how to shade live subjects.


    Class 6
    : Students should learn about other branches of art.

Ablett also argues that public perception about drawing needs to be raised. He says teachers need to do their part to prove that drawing is “one of the bases of education”, equal to other subjects such as arithmetic. He says that if students are going to learn arithmetic, there is no reason they shouldn’t learn drawing at the same time.

To accomplish such a formidable task, Ablett says teachers must learn how to teach drawing in a group setting. He says they can do this by using drawing subjects large enough for all students to see, by ensuring that all students have the same view of a subject, and by demonstrating the principles they are teaching with lots of enthusiasm.

The Teaching of Drawing is available online through the American Association for the Advancement of Science. One-day access to this article costs $20. Alternatively, you can search for this issue of Science at your local college library.


Literature Cited

The Teaching of Drawing. 1888. Science. 11(259): 30-31. Published by the American Association for the Advancement of Science.

Get course schedule

View course schedule

Author and illustrator, Sarah Simblet, will lead a studio course in botanical drawing July 8-12, 2013 at the Ruskin School of Drawing & Fine Art at the University of Oxford.

Inspired by her book Botany for the Artist, this special learning opportunity includes:

    Learning how Sarah researches, collects and works with plants in her studio.

    A tour of the University of Oxford Botanic Garden.

    An opportunity to draw in the Garden and learn how to work outdoors.

    A study of lines, marks and gesture.

    A study of shape, length, volume and form.

    A study of light, tone, optical illusions, linear perspective.

    A study of paper and how to create a field sketchbook.

    An opportunity to view the original work of Ferdinand Bauer.

To download the course itinerary and to register, visit the Botanical Drawing page on the Ruskin School website.

Sarah’s intensive drawing course will inspire confidence in beginners and refresh the work of more experienced artists. No previous experience needed. Basic materials are provided. Participants completing the course will leave with a portfolio of experimental and traditional drawings and skills relevant to both fine art practice and botanical illustration.

Cost: £750.00 (convert currency)


More About Sarah Simblet

This information can also be found at Classes Near You > England.