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Regular readers of this blog are familiar with the art and photography tour to Costa Rica led by Mindy Lighthipe and Nancy Richmond.

Recently Mindy and Nancy announced a new tour for 2016. The new tour is a trip to Honduras (May 21-30, 2016)! This adventure includes relaxing accommodations at one of the top 50 eco-lodges in the world, a rating assigned by National Geographic.

Sketching, hiking, rafting, snorkeling, mangrove forests, butterflies and waterfalls are a part of this new experience.

Find out more

When living in an urban environment it is easy to ignore nature, even when we do encounter it within our city limits.

A flattened opossum on the road isn’t nature. It’s roadkill.
That Venus flytrap at the cash register isn’t a plant. It’s a novelty item that will be dead in two weeks.
And that coyote dodging traffic? Well, he is just crazy!

Is there enough “nature” in the urban landscape to warrant spending a lot of time on environmental education?

Dr. Katie Lynn Crosley says there most definitely is, however, ​to be successful, environmental educators need to address certain issues. Crosley discusses these issues and presents a solution in Advancing the Boundaries of Urban Environmental Education through the Food Justice Movement.

For environmental educators to be successful in the urban landscape, Crosley (2013) says they need to acknowledge their field’s history and how it tends to work. She says educators need to recognize the following:

  • Environmental education’s strong affiliation with wilderness and non-urban environments.
  • Environmental education’s strong association with the lecture-based pedagogies of the science classroom.
  • The lack of attention the field of environmental education gives to issues related to race, culture, politics and economics.

Crosley (2013) explains that urban learners often view science as “irrelevant to their lives or identities.” This is a problem for environmental education (EE). Crowley (2013) suggests that environmental education needs to stop being a sub-component of the field of science. She goes on to say that other avenues need to be explored because staying within a field with rigid “scientific ways of knowing” (Crosley, 2013) limits the field’s ability to address social and cultural issues not usually addressed in traditional science education. To make the field more culturally responsive, Crosley (2013) proposes integrating environmental education with the food justice movement. Crosley (2013) proposes integrating EE with food justice because doing so shifts the focus from non-urban wilderness and science education to food, a subject more meaningful to urban audiences. Food is a part of everyone’s identity and is “applicable to human-dominated landscapes” (Crosley, 2013). Wilderness is not.

In a global economy that supports over 6 billion humans, the entire concept of nature or ‘wilderness’ as a pristine exterior is a romantic and potentially dangerous fiction that denies reality.

— Moffatt and Kohler (2008), excerpt from a quote cited in Crosley (2013)


Food Justice and Botany Education

What does food justice have to do with ArtPlantae’s mission of encouraging an interest in plants?

Food security is one of the fields discussed in the Botanical Capacity Project as being at risk in light of fewer colleges offering coursework and degrees in botany and in light of fewer people expressing interest in the plant sciences. If you recall from my previous article about this project, the Chicago Botanic Garden, the U.S. Office​ of Botanic Gardens Conservation International and several partners conducted a one-year project to assess the weaknesses of plant science education, research, and habitat management in the United States. These organizations identified gaps in society’s ability to manage issues in which plants play a role. Issues such as climate change, biodiversity, biofuel production and food security. I think Crosley’s proposal is relevant to this conversation and this is why I have chosen it to launch the Plants Everyday column. Unlike the art-specific and location-specific columns I write, this column will feature the casual ways plants weave in and out of our lives, whether we think about plants everyday or not.

To learn more about Dr. Crosley’s proposal and to learn more about the history of environmental education and the food justice movement, download her article.


Literature Cited

    Crosley, K. (2013). Advancing the boundaries of urban environmental education through the food justice movement. Canadian Journal of Environmental Education, 18: 46-58.

    Moffatt, S. & Kohler, N. (2008). Conceptualizing the built environment as a social-ecological system. Building Research & Information, 36(3):248-268.


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Urban gardens and the environment

Make drawing a habit

Wendy Hollender will show you how.

She will also spend the next year supporting you on your journey.

Wendy Hollender is a botanical artist, illustrator, author and instructor. She is the author of Botanical Drawing in Color: A Basic Guide to Mastering Realistic Form and Naturalistic Color and Botanical Drawing: A Beginner’s Guide. She is the co-owner of Botanical Arts Press, LLC and the co-creator of a wildly successful crowdfunding campaign. Wendy has years of experience introducing botanical illustration to new audiences. Now she is ready to help you make nature drawing a habit.

The meditative and relaxing effects of observing and drawing nature have long been known. Making it a part of your life practice, however, has always been a challenge and it seems to get worse with every technological advancement and with every holiday release of a new gadget.

So how can you slow things down a bit?

Consider Wendy’s new subscription program A Year of Botanical Drawing. Announced only two days ago, Wendy’s one-year program provides students with the structure and support to learn botanical illustration, to develop their new skills and to make drawing a life-fulfilling habit. Enrollment is now open. The program begins in January 2016.

When registering for this program, students can choose between two options. For Option One, students receive a printed hard copy lesson with an easel-style binder in the mail each month. This easel-style binder keeps the current lesson propped up while working. For Option Two, students receive their monthly lesson as a PDF document. The only difference between the two options has to do with the format in which students receive their lessons. Other than this, both options include the following:

  • Online monthly instructional video
  • Mid-month online group meeting with interactive features allowing for group participation and the review of student drawings.
  • A private page for students enrolled in the program. This page features the current lesson, instructional video and a place for students to communicate with each other and with Wendy.
  • Private image and comment sharing with Wendy.
  • Regional student drawing groups (when possible)
  • Option to take part in a summer drawing retreat (not included in subscription price)
  • Year-end online exhibition of student work.
  • Private critique available (not included in subscription price)

Give the gift of inner peace and stress relief this holiday season.
Learn more about this exciting new program at Drawing in Color.


Related


This new program has been added to the resource page Classes Near You > Online. Visit this page to view distance learning options in natural science illustration and botanical art.

Gretchen Kai Halpert
www.gretchenhalpert.com
Gretchen Kai Halpert is the founder and instructor of a new online program in scientific illustration. A graduate of the Rhode Island School of Design, Gretchen has many years of experience working as a scientific illustrator and teaching programs about natural science illustration.

Learn more about the distance learning program in scientific illustration at http://www.gretchenhalpert-distanceprogram.com.


    Scientific Illustration, Session I, Graphite

    January 26-March 29, 2016
    7:00-9:00 EST or email
    On-Line
    Session I includes basic drawing skills that are the background to any and all illustration. We cover lighting, scientific conventions, proportion, perspective and value, working from life and from a variety of natural history objects. Students work in graphite, and are introduced to crow quill with ink. This class is appropriate for both beginners and intermediate students. Advanced students should talk with Gretchen before enrolling.
    Go to www.gretchenhalpert-distanceprogram.com to view application on home page.


    Scientific Illustration, Session II, Pen and Ink

    January 18-March 28, 2015 (no class Feb 16)
    Session II focuses on composition, technical accuracy, how to conduct research, and producing portfolio pieces. In this class, we become adept with crow quill and ink on paper and scratchboard.

    Go to www.gretchenhalpert-distanceprogram.com to view application on home page.


This information has been added to Classes Near You > Online Classes.

Wild in the City Wild in the City: Fauna and Flora of Colorado Urban Spaces
Heidi Snyder & Dorothy DePaulo
Big Earth Publishing
November 2015

Wild in the City is a new book by
Heidi Snyder and Dorothy DePaulo. It is an urban field guide to the sights and sounds of Colorado’s Front Range. For those of us who do not live in Colorado, it is a fine example of what an urban field guide can be.

What makes this book special are the everyday discoveries and surprises the authors share with readers. Without their personal comments, the 91 species descriptions would be similar to the kind of information we’re accustomed to seeing in field guides. Because Heidi and Dorothy share their experiences as city-dwelling naturalists, Wild in the City is more than a regional resource, it is an invitation to explore the suburbs.

Complementing the inviting text are the authors’ true-to-life colored pencil paintings. Both authors are signature members of the Colored Pencil Society of America and have exhibited their work in many international exhibitions. Their colored pencil paintings are so engaging, you feel as if you could fall into them. Wild in the City is not packaged with sound, but if it were, we would hear waves lapping at the edge of a stream, hear the splashing sound water makes when ducks swim and hear the rustling of wind through cattails. On page 103, we would definitely hear the song of the Black-capped Chickadee. It would sound something like this (click “Typical voice”).

Here is a small sample of the flora and fauna featured in Wild in the City, plus a small tantalizing fact about each plant and animal:

Cottonwood Tree
The “cotton” seed production of this species may become a new source of biofuel.

Ring-billed Gull
The plumage of this species was once used to make ladies’ hats.

Northern Leopard Frog & Water Lilies
This species of frog was once collected by the food industry (frog legs).

Northern Leopard Frog and Water Lilies, ©2015 Dorothy DePaulo, all rights reserved

Northern Leopard Frog and Water Lilies, ©2015 Dorothy DePaulo, all rights reserved

Quaking Aspen

The wood from this tree has been used to make chopsticks.

American Avocet
Day-old avocets can walk, swim and dive.

White Ash
A favorite wood to use for baseball bats.

Want to learn more?

Get Wild in the City!


You might also like:

The origin of botanical field guides



Note

In 2014 Dorothy DePaulo and Heidi Snyder were awarded the Julius I. Brown Grant by the American Society of Botanical Artists. Wild in the City: Fauna & Flora of Colorado Urban Spaces was made possible in part by a grant from the American Society of Botanical Artists. (More about ASBA grants)

International Orders & PayPal too!

International Orders & PayPal too!


Dear All,

This past week I created a new website for the store. If you helped test the website, allow me to once again thank you for your help. This week has been a “soft” opening. Some of you have already seen and used the new store. This tells me links outside of this website are working.

This change means the store has some new capabilities. Here is a summary:

  • International orders can now be placed online. All you need to do is select your country during checkout.
  • The store speaks 45 languages! That is to say, the store and the receipts it produces can be presented in up to 45 different languages.
  • Payment through PayPal is now an option at checkout.
  • Do you prefer to pay with a credit card? Credit card transactions will continue to be processed through Square.
  • Shipping rates are real-time from the US Postal Service.
  • Domestic orders will continue to ship by USPS Media Mail.
  • International orders will be shipped using USPS First-Class Mail International or USPS Priority Mail International.

The store’s new Web address is https://artplantae.ecwid.com.

Please update your bookmarks and websites.

Thank you!

Event News Fall 2015

This Weekend

    Pockets of Creativity
    Association for Environmental & Outdoor Education
    Southern Section Fall Conference
    Angelus Oaks, CA
    November 6-8, 2015
    Engage children and adults in creative conversation about nature and the environment. Tania Marien will discuss how she has used artists’ trading cards and will explore a technique to encourage storytelling. Pocket-sized art supplies and materials will be provided.

Past Events

Photo credit: Robin Stewart, La Quinta Museum

Photo credit: Robin Stewart, La Quinta Museum

Last week I had the opportunity to talk about the work of Henry R. Mockel, an East coast artist whose illustrations of California desert plants have received much recognition. Thank you to the La Quinta Museum for the invitation to tell Mockel’s story. Also, many thanks to Henry R. Mockel’s, The Hunt Institute for Botanical Documentation and the Riverside Metropolitan Museum for their contributions to this presentation.

Visit the La Quinta Museum and learn about pollinators, seeds and fungi. The following exhibitions are on view in the museum’s gallery through December 13, 2015:

  • Mushrooms: Keys to the Kingdom Fungi
  • Pollinators: Keeping Company with Flowers
  • Seeds: Nature’s Artful Engineering