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New at Classes Near You > England:


Marianne McPhie, Nottinghamshire

A full-time botanical artist and instructor, Marianne teaches in the UK and abroad. She has announced her Spring 2011 schedule in her new newsletter. Download the current issue of Botanical Painting Today to read about her upcoming classes and to read tips about how to draw and paint leaves.
www.botanicalpaintingtoday.com

  • Botanical Painting – March 8-10, 2011. Students choose their own subjects and what they would like to learn. Students have the option of completing this course as a 2-day or 3-day course.
  • An Introduction to Botanical Painting – April 5-7, 2011. Learn the skills of observation, drawing, and painting.
  • Botanical Painting – May 10-12, 2011. Students choose their own subjects and what they would like to learn. Students have the option of completing this course as a 2-day or 3-day course.
  • Botanical Painting -June 14-16, 2011. Students choose their own subjects and what they would like to learn. Students have the option of completing this course as a 2-day or 3-day course.
  • Drawing & Composition – July 12-14, 2011. Learn how to measure, how to create perspective using scale and tone, and how to compose a plant portrait.
  • Botanical Painting – August 16-18, 2011. Students choose their own subjects and what they would like to learn. Students have the option of completing this course as a 2-day or 3-day course.

Welcome to the new Teaching & Learning column at ArtPlantae. This column celebrates the link between drawing and knowing. Articles related to the teaching and learning of plants, art, and nature will be published every Friday. Subscribe to this site by clicking on the “Follow” tab in your browser’s window to be notified when new articles are published or join the email list to receive weekly updates.



SEEING WITH GRAPHITE EYES

When student Samuel Scudder, an aspiring entomologist, told Harvard University professor Louis Agassiz that he wanted to study entomology, Agassiz handed him a fish to observe. After looking at this boring pickled fish for a period of time, Scudder began to draw it. When Agassiz re-entered the room he said to his student, “That is right, a pencil is one of the best eyes.”

No one reading this post needs to be convinced that you learn more about a subject when you draw it. We’ve all experienced it ourselves. Today we take a look at what sixth graders at three Vermont schools experienced as they engaged in a year-long curriculum designed to enhance their observation skills and their appreciation for trees.

Three teachers began this year-long project by spending a day with an environmental educator/illustrator to learn how to use nature journals as tools for observation. Environmental educators then visited each school to work with groups of students and to help them select the trees they would observe during the school year.

Throughout the year, students recorded observations in their sketchbooks. As the year progressed, they recorded more than simple morphological features and simple updates. They began to record and describe the growth patterns they were observing and began to formulate hypotheses based on their observations.
Students’ record keeping started as simple pictures, became pictures with labels, and evolved into written observations. Students were given the freedom to label their illustrations using their own words, thereby making each illustration a unique record of their understanding. Teachers then taught students the technical botanical terms of the morphological features recorded in their journals.

Changes in student observation skills were assessed using a rubric — a set of defined criteria used to evaluate performance. In this study, the criteria assessed included the amount of written and visual details present in a student’s journal, as well as a student’s demonstrated improvement of fine motor control as observed in student drawings. A thorough evaluation of student journals uncovered that students began the project drawing simple tree symbols. At the close of the project, student observation skills had improved, as did their enthusiasm for their respective trees.

Upon the conclusion of this year-long activity, the three teachers involved with the project felt their students learned from the drawing experience and each proclaimed they would continue their use of journals in the classroom.



How to obtain a copy of A Pencil is One of the Best Eyes
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Related Info

What are readers asking Jane LaFazio? Here are some topics that will be discussed on February 24th when Jane replies to your questions. You have through Friday January 14th to submit questions. Please write “Ask Jane” in the subject line. Send your question today!


To date, questions to Jane revolve around:

  • The creation of one’s “signature style”
  • The struggles of working in more than one medium
  • Pen & ink vs. Pencil
  • Observing movement
  • Community Outreach
  • Creative resources
  • Sketchbooks
  • Endurance
  • Surface design

What do you want to ask Jane?
Ask It Here



Also See…

An Interview with Jane LaFazio

Download Catalog

Distance learning comes to Denver Botanic Gardens’ Botanical Art Program!

If you have always wanted to enroll in a certificate program in botanical art, but live too far away from existing programs, here is a new option to consider. The Denver Botanic Gardens has created a distance learning program that combines in-class instruction with weekly sessions taught over the Internet.

Students are still required to put in some on-site class time for the program, however the classes are not spread out over several weeks like they are in the traditional certificate program. The new program is comprised of weekend classes during which students receive intensive instruction, learn new techniques, and receive one-on-one tutoring.

The following on-site courses are required and are taught entirely in the classroom (Friday through Sunday):

    Botanical Illustration in Pencil I
    Botany for the Botanical Illustrator
    Composition for Botanical Illustration
    Perfecting Perspective
    Color Layering for Colored Pencil

The courses below are also required and are taught both on-site and online (two days of in-class instruction followed by three weekly Internet sessions):

    Botanical Illustration in Pencil II
    Botanical Illustration in Colored Pencil I
    Botanical Illustration in Colored Pencil II
    Color Mixing for Artists
    Botanical Illustration in Pen and Ink I
    Botanical Illustration in Pen and Ink II
    Botanical Illustration in Watercolor I
    Botanical Illustration in Watercolor II

When completing a course with an online component, students must use a scanner or digital camera to record their work. All correspondence between student and instructor occurs by e-mail. To receive credit for an online course, a student must send a Giclée print of final artwork to their instructor and to the program’s manager within 30 days of the conclusion of the on-site portion of a class in order to receive credit for a course. The completion of a final piece marks the end of each distance learning course.

Students accepted into this new program must live more than 150 miles away from Denver Botanic Gardens.

There is much more to learn about this new option in distance learning. Please download the Spring 2011 catalog to read descriptions of all required courses.

Information about this program has been added to
Classes Near You > Colorado.


Do you have a question about this new program?

You are invited to write your question in the comment box below. Please submit your questions by Friday. Program Manager, Mervi Hjelmroos-Koski, has offered to stop by to answer your questions.

Note:
You only need to use your first name (or a screen name). Last names are not necessary.

Download Brochure

In 2009, the Denver Botanic Gardens began working collaboratively with El Charco del Ingenio, a nature reserve and botanical garden in San Miguel de Allende, Guanajuato, Mexico. The 167-acre reserve is dedicated to the restoration and conservation of native ecosystems. Images of the reserve can be viewed here.

Courses completed at El Charco qualify for credits at Denver Botanic Gardens’ certificate program.

Class size is limited to 14 students. For more information, to register, or to sponsor a Mexican student for a class, contact elcharcocomunicacion@gmail.com.

The courses scheduled for 2011 will address the creation of realistic textures, the use of mixed media, and the painting of El Charco’s wildflowers.

    Succulents: Texture and Form in Colored Pencil
    Capture the colors and textures of succulents with Libby Kyer
    February 7 – 11, 2011 (Monday – Friday)
    10 AM – 1 PM

    Nature Illuminated: Ink and Mixed Media
    Combine drawings and illumination techniques with Renee Jorgensen
    July 25 – 29, 2011 (Monday – Friday)
    10 AM – 1 PM

    Wildflower in Watercolor
    Paint the wildflowers of El Charco with Constance Sayas
    December 5 – 9, 2011 (Monday – Friday)
    10 AM – 1 PM

    This information has also been added to Classes Near You > Colorado.

The Denver Botanic Garden’s Botanical Art & Illustration Program is leading an Arts & Archives Tour to London and Madrid, March 31 – April 11, 2011. There is room for two more adventurous travelers. Two critical travelers, in fact. If you are interested in this tour, please email the Program Coordinator or call 720-865-3653 as soon as possible.

Here is a quick look at the itinerary. A more detailed itinerary can be viewed here.


LONDON: Accommodation at Royal Gardens Hotel

April 1:

  • Arrive in London

April 2:

  • Hampton Court Palace: Botanical Archives including the Florilegium 
  • Royal School of Needlework and the floral treasures (2-hour tour)

April 3:

  • Visit Ann Swan and her studio in Wiltshire
  • Visit Avebury Henge, Avebury

April 4:

  • Kew Gardens
  • Viewing of Beatrix Potter Collection at the Blythe House
  • Westminster Abbey organ concert 17:45 p.m (free 30 min. organ recital).

April 5:

  • Natural History Museum and  its library collections

April 6:

  • Victoria and Albert Museum
  • Viewing of SBA (Society of Botanical Artists) 2011 Exhibit at Westminster Central Hall (press preview)
  • Flight to Madrid


MADRID: Accommodation at Hotel Agumar

April 7:

  • Royal Botanic Gardens and their archives and collections
  • Parque del Retiro
  • National Archaeological Museum

April 8:

  • Visit and tour of the Royal Tapestry Factory
  • Prado Museum
  • Mercado de San Miguel

April 9:

  • Museo de America
  • Centro de Arte Reina Sofia

April 10:

  • El Rastro, Europe’s biggest flea market next to Europe’s biggest stamp and coin market, both open on Sundays only.
  • Palacio Real
  • Plaza Mayor
  • Flamenco (e.g., Las Tablas) or Bullfight

April 11:

  • Last minute shopping or sight-seeing on your own
  • Those extending their trip start their explorations (e.g., Toledo, Spain’s former capital and the home town for El Greco and with a magnificent cathedral)
  • Flight home

Tour is limited to 13 participants.

Price without the airfare is $2,775US (includes hotel accommodation with breakfast daily, London Travel pass, Madrid Travel pass, private day excursion to Wiltshire, group travel insurance, and entry tickets where applicable). For more information, please call 720-865-3653 or email Program Coordinator.

Curled Leaf (watercolor on veiny vellum) © Corinne Lapin-Cohen. All rights reserved

StoneHouse Studio
www.corinnelapincohen.com
Corinne Lapin-Cohen’s StoneHouse Studio in Katonah, NY is the new location for all of her classes. Each twelve-week course costs $450. Morning sessions occur from 9:15 am – 12:15 pm. Afternoon sessions occur from 12:30 pm – 3:30 pm.

    Botanical Drawing (Beginning & Intermediate)
    Wednesday mornings
    January 19 – April 20, 2011
    No class February 9 and March 2

    Botanical Watercolor (Advanced)

    Thursday mornings
    January 20 – April 21, 2011
    No class February 10 and March 3

    Botanical Watercolor (Beginning & Intermediate)

    Thursday afternoons
    January 20 – April 21, 2011
    No class February 10 and March 3

Registration is limited. Early registration is strongly encouraged. Registration by mail only. Instructor reserves the right to cancel any class that does not have adequate registration. If class is canceled, all fees will be refunded. No refunds after classes begin. For more information and to register, click here.

This information can also be viewed at Classes Near You > New York.