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New at Classes Near You > Tennessee:


Memphis Botanic Garden

www.memphisbotanicgarden.com
Boasting 23 specialty gardens, including a family garden called “My Big Backyard”, this 96-acre garden offers educational programs for adults and over 43,000 school-aged children.

  • Botanical Drawing: Exploring Light and Shadow – August 17, 2011; 9:00 AM – 12:30 PM. Memphis botanical artist, Sally Markel, will teach students how to explore the effects of light and shadow when drawing botanical subjects. Cost: $55 members, $65 non-members. All supplies provided. Register by August 15, 2011. Call (901) 636-4128.
  • Botanical Drawing: Exploring Light and Shadow – September 21, 2011; 9:00 AM – 12:30 PM. Memphis botanical artist, Sally Markel, will teach students how to explore the effects of light and shadow when drawing botanical subjects.
  • No-Risk Colored Pencil with Sally Markell – October 5, 2011. Students will learn about the types of colored pencils available and how to blend and layer colors. Cost: $55 members, $65 non-members. All supplies provided. Register by October 3, 2011. Call (901) 636-4128.

Do you have a favorite field guide?

Do you use the electronic guides available on the Web?

In Electronic Field Guides and User Communities in the Ecoinformatics Revolution, researchers R.D. Stevenson, William A. Haber and Robert A. Morris review the role of field guides and electronic field guides. They also discuss the history of field guides, who uses field guides and how citizen scientists can contribute to preservation efforts.

If you’ve used a dichotomous key, you have experienced what it is like to read a description of a plant that has nothing to do with the one you are holding in your hand. Identifying species using dichotomous keys can be a slow process for professionals and students alike. This is because keys are loaded with botanical terminology and it is very easy to make a wrong turn working through the couplets. Fortunately, there is an easier way.

Field guides are easier to use and are a reliable alternative to dichotomous keys. Called “browsable picture guides” by Stevenson, et al. (2003), field guides, unlike keys, are more likely to be written by naturalists than scientists and were created in a user-friendly format primarily for public consumption (Stevenson et al., 2003). Field guides work because they call upon the user to make comparisons between what is known about a specimen to images and written descriptions contained within the guide (Stevenson et al., 2003).

According to Stevenson et al. (2003), the first field guide was a guide to birds created by Florence Merriam Bailey in 1889. Last week we learned the first field guide was actually created 86 years earlier in post-Revolutionary France. Today, field guides about birds far out-number field guides about other subjects such as “nonbird vertebrates, plants and mushrooms, invertebrates, habitats and fossils weather and stars” (Stevenson et al., 2003).

In their paper, the authors spend a lot of time discussing electronic field guides (EFG) and the types of electronic guides available on the Web. They focus on EFGs because electronic guides are their specialty. They created the Electronic Field Guide Project to enable researchers to create their own fields guides and to bypass the limitations of published paper field guides — namely their focus on popular taxa, the poor quality of illustrations in regional field guides and the hard-to-find nature of guides produced by small publishers (Stevenson, et al., 2003). Many links to field guides are included in Stevenson et al. (2003). The electronic keys and databases linked to by the authors are worth exploring. Be advised that since this paper was published eight years ago, some of the links are no longer valid.

At the time this paper was written, Stevenson et al. (2003) were looking forward to the day when Personal Digital Assistants (PDAs) containing images for field use would replace paper field guides. Of course, today there is an app for everything and PDAs have been replaced by smartphones and tablets. What a short eight years it has been!

Do you have a favorite Web-based plant identification tool?
Share your favorite tools in the comment section below.



Literature Cited

Stevenson, R.D., William A. Haber and Robert A. Morris. 2003. Electronic field guides and user communities in the ecoinformatics revolution. Conservation Ecology. 7(1):3. Web. <http://www.ecologyandsociety.org/vol7/iss1/art3/>. [accessed 11 August 2011]

Rhonda Nass is teaching a class that is sure to make you see colored pencils in a new way. See what’s new at
Classes Near You > Florida
:


Florida Society of Botanical Artists

Colored Pencil with Rhonda Nass
November 11 – 13, 2011
9:00 AM – 4:30 PM

Discover a new layering technique that will allow you to capture drama and detail beyond what you thought possible with colored pencil. Bring your lunch and supplies. Cost: $250 members / $300 non-members. This special class will be taught at the Center for Arts & Humanity in Sarasota. Contact Susan Benjamin for more information and to register.

Rhonda Nass is a the co-author and illustrator of Gifts from the Earth: A Basketmaker’s Field Guide to Midwest Botanicals (1988). This book has beautiful examples of Rhonda’s graphite illustrations. If you are able to find a copy of this book, give it a special place in your library.

Visit Rhonda’s website at www.rnass.com to learn more about her. Be sure to also see her work in the ASBA Member Gallery.

According to reader response to news about distance learning courses in botanical art and direct inquiries I receive from readers, it is clear that there is a lot of interest in distance learning classes. This month, you have the opportunity to voice an opinion about distance learning classes and to participate in a conversation with an instructor who wants to know what you think about this style of learning.

    What is your impression of distance learning courses?
    What do you want a distance learning course to do for you?
    What type of format would be ideal for your style of learning?


Join the Conversation

You have until this Friday to send questions/comments about this topic to Anna Knights. All questions to Anna will be submitted and posted anonymously. Anna’s replies to your questions will be posted on August 22, 2011. To participate in Ask The Artist with Anna Knights, send your question(s) to education@artplantae.com.

Take advantage of the opportunity to ask Anna questions and to learn from this award-winning artist and teacher. You have read my interview with Anna, now it’s your turn to ask Anna questions.

Submit your questions to us this week and Anna’s replies will be posted on
August 22, 2011. Please send your question(s) to education@artplantae.com.

All questions are due by Friday August 12, 2011.

We look forward to hearing from you!

There is plenty to learn at UC Berkeley’s botanical garden this Fall. Learn how to draw, how to paint and how to compose a botanical drawing in classes taught by Catherine Watters and Lee McCaffree. Learn a bit about Latin, immerse yourself in economic botany and even learn how to make a bike out of bamboo.

The following has been added to Classes Near You > California:


University of California Botanical Garden at Berkeley

http://botanicalgarden.berkeley.edu/
This 34-acre garden was established in 1890 and is now a non-profit research garden and museum. The botanical art classes below are taught by Lee McCaffree and Catherine Watters. View a detailed schedule and register on the Garden’s website.

  • Sick Plant Clinic – First Saturday of Each Month, 9 AM – 12 PM. Free. No reservations required.
  • Monthly Butterfly Walks – Fourth Tuesday of each month (March – October); 3 – 4 PM. Garden volunteer, docent, and caterpillar lady, Sally Levinson, will lead walks through the garden in search of butterflies. Space is limited. Children welcome. Free with admission.
  • Garden Strollers – Second Wednesday of Each Month,
    11 AM – 11:45 PM. A 45-minute tour of the garden for adults with young children (3 and under). Tour will end on the lawn for play and snacks (bring your own). Children must be in a stroller or carrier during the tour. FREE with garden admission. Meet in front of the Garden Ship. For more information, call (510) 642-7082 or email garden@berkeley.edu.
  • Botanical Latin: It’s a dead language but it’s still aliiiiive – Tuesday, September 13, 2011; 10:30 AM – 2:00 PM. Back by popular demand! During this brief introduction to Latin, you will learn the names for plants and the way the names are constructed. You’ll also learn Latin and Greek word roots for plant names and botanical terms, and use some simple rules of thumb to pronounce plant names with confidence. Al Luongo originally developed this course for the New York Botanical Garden. Refreshments and a full copy of course notes included. Pre-registration required; $30, $25 members.
  • Botanical Art: Painting Apples, Pears, Quince – Friday, September 16, 2011; 10 AM – 4 PM. These beautiful fruits are wonderful botanical art subjects! Celebrated botanical artist Catherine Watters will teach you how to compose your painting and capture their elegant shapes and rich colors. Students will be instructed on the use of shadows, highlights and the mixing of colors. All levels are welcome and students may use graphite, colored pencils or watercolor. Pre-registration required; $80, $75 members.
  • Native Bees with Dr. Gordon Frankie – Sunday, October 2, 2011;
    11 AM – 1 PM. Dr. Frankie is a UC Berkeley professor, research entomologist and a native bee expert. His specialty is the behavioral ecology of solitary bees in wild lands and urban environments of California and Costa Rica. Dr. Frankie will discuss some of the more common species of native bees, as well as, the plants and gardening practices, that will encourage them to take up residence in your garden. He will talk about current projects and share stories from the field. Pre-registration required; $25, $20 members.
  • Foods of the Americas Exhibit Docent-led Tours – October 6 – 20, 2011, 9:30 AM & 11:30 AM. Pre-pre-registration required by September 15. Feast your eyes on the vibrant textures and colors of the fall harvest in our Foods of the Americas exhibit. Visit our marketplace filled with produce from ancient Indian cultures, from the well-known corn, tomatoes, potatoes, and chocolate to the less familiar amaranth, quinoa and oca. See them growing in our Crops of the World Garden, Tropical House, and the Mexico/ Central American and South American collections. Free with Garden admission. Schools may schedule a special 75 minute program for their classes.
  • Bamboo Workshop with Stalk Bicycles – Saturday, October 8, 2011;
    11:00 AM – 1:30 PM. Stalk Bicycles of Oakland will be on-site to show you how they hand-craft custom bicycle frames from bamboo and other sustainable materials. They will demonstrate how bamboo is a sustainable, versatile and sculptural material – perfect for bike construction and many other design projects. Join us as we learn about bamboo, sustainable manufacturing, bamboo construction, and see their one-of-a-kind, custom artisanal bikes. $15, $10 members; registration required.
  • Film Screening: Queen of the Sun – Wednesday, October 12, 2011;
    6:00 – 8:00 PM. Queen Of The Sun: What Are The Bees Telling Us? is a profound, alternative look at the global bee crisis from Taggart Siegel, director of The Real Dirt On Farmer John. Taking us on a journey through the catastrophic disappearance of bees and the mysterious world of the beehive, this engaging and ultimately uplifting film weaves an unusual and dramatic story of the heartfelt struggles of beekeepers, scientists and philosophers from around the world including Michael Pollan, Gunther Hauk and Vandana Shiva. Together they reveal both the problems and the solutions in renewing a culture in balance with nature. Pre-registration required; $12, $10 members.
  • Foods of the Americas Family Day! – Sunday, October 16, 2011;
    10:00 AM & 1:00 PM. Spanish and English Docent Led Tours of the Exhibit; 2 PM Native Food Tastings & Crafts. Free with Garden Admission.
  • Fall Bird Walk – Saturday, October 29, 2011; 9:00 – 10:30 AM. Observe resident, migrant and vagrant birds in the Garden’s many bird-friendly microhabitats with birding expert Phila Rogers and Associate Director of Collections & Horticulture Chris Carmichael. Pre-registration required; $20, $17 members.
  • Botanical Art: Autumn Leaves with Lee McCaffree – Sunday, November 13, 2011; 10 AM – 4 PM. Fall foliage offers a brilliant color palette to catch our eye, but a graphite drawing or green leaf can be just as fascinating. Expert Lee McCaffree will instruct students on the structure of leaves as students to draw and paint them. The class will consider many types of leaves from the Garden before drawing them and closely examine structure and detail. Students may use pencils or watercolor to create an original work using the colors and/or patterns of fall leaves. All levels are welcome. Pre-registration required; $80, $75 members
  • California Natives: Plants and People Tour for Kids – Saturday, November 19, 2011; 1:00 – 2:30 PM. How could people get everything they need from the natural environment without stores? Learn about the plants used by California Indians for food, shelter, clothing, tools, medicine, games, and music. Explore the varied customs and skills of California’s earliest inhabitants. Create your very own take-home project inspired by early Californian crafts. Pre-registration recommended; $15 for each adult and child, $12 members; $5 each additional person.

When we pick up a field guide, we make a lot of assumptions about its accuracy and take for granted it will tell us what we want to know. Even field guides we have never seen before seem familiar because they have that format we’ve come to expect — species names supported by descriptive text, backed up by an image confirming the accuracy of our observation.

Field guides are important tools and now that some come in e-book format, they are even easier to carry into the field.

Historians do not consider field guides to be scholarly texts, so the study of natural history books as identification tools has not been an area of special focus (Scharf, 2009). This makes Identification Keys, the “Natural Method,” and the Development of Plant Identification Manuals by Sara T. Scharf a particularly valuable reference.

It is easy to imagine modern botanical field guides evolving from early herbals, but according to Scharf (2009), herbals did not influence the development of field guides as much as the simpler, sparsely illustrated texts of the 18th century. These early texts lacked the visual appeal of herbals because botanists did not have money to hire illustrators (Scharf, 2009). Images created with woodcuts were too crude for botanists to use and copperplate engravings were too expensive, so Scharf (2009) says botanists had to make a choice — create illustrated books only the wealthy could afford or create instructional books in large quantities for amateurs and students and sell them at an affordable price. Botanists chose to create books for a general audience. What made these books predecessors to modern field guides was how they were organized.

Today we have the luxury of having botanists sort out a way for us to think about plants. But in the 18th century, the same level of organization did not exist. Plants were being discovered and described at a rapid pace and there were conflicting views about how plants should be organized (Scharf, 2009). Should they be organized in a “natural” way by grouping similar plants together or should an “artificial” organization be created by sorting specimens in some other way? Scharf (2009) tells interesting stories about several 18th-century botanists and the identification schemes they created. While these botanists made significant contributions to the field of botany, it was teachers in post-Revolutionary France who created the format of the modern field guide (Scharf, 2009). After the Revolution, botany became a required subject in school and teachers had to sort through existing identification systems to figure out how to satisfy this new requirement and how to teach botany to students who did not know Latin and whose lives had been interrupted by a revolution (Scharf, 2009). Seeing the flaws in each identification system, some teachers took it upon themselves to create books composed of a combination of systems that would be easy for students to use (Scharf, 2009). Their mixing of a dichotomous key (“artificial” system) with a broad grouping of similar plants (“natural” system) and an alphabetical index so users could look things up, laid the groundwork for the field guides we use today (Scharf, 2009).

The French were the first to create field guides for plants, with the first guide being created in 1803 by Canon Francois-Noel-Alexandre Dubois (Scharf, 2009). English botanists did not use field guides for another 20 years (Scharf, 2009). They were faithful to Linnaeus’ classification system and did not combine systems until after the death of Sir James Edward Smith, the President of the Linnaean Society in London and a staunch advocate for Linnaeus’ system (Scharf, 2009). It wasn’t until botanist John Lindley created introductory botany texts for his students that a “field guide” was written in English; they were normally written in Latin (Scharf, 2009). Lindley wrote his chapter about plant systematics using the format of French field guides and included a plant key, a section about plants arranged in the natural method, and an alphabetical index (Scharf, 2009).

To learn much more about the classification systems of 18th-century botanists, how each botanist contributed to the format of modern field guides, and how botanical field guides influenced guides to animals, obtain a copy of Identification Keys, the “Natural Method,” and the Development of Plant Identification Manuals at your local college library or purchase this paper online from the publisher ($34.95).



Literature Cited

Scharf, Sara T. 2009. Identification keys, the “natural method,” and the development of plant identification manuals. Journal of the History of Biology.
42: 73-117


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