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Let’s say your normal teaching assignment involves introducing adult audiences to plant morphology and botanical illustration. Then one day, you are invited to teach the same subjects to children under the age of five.

Easy enough, you think.

However, when you start sifting through your notes, you realize you talk too much and that it has been a while since you’ve had a conversation with a three-year-old. How do you transform an adult activity about botanical illustration and plant morphology into one suitable for children with a very short attention span?

Many books have been written about early childhood science education. Many children’s books have also been written about the botany of flowers, seeds, leaves, trees and plants.

But let’s say you need help NOW and are looking for one good resource to help you rework your usual lesson plan. Consider reading the paper The Early Years: First Explorations in Flower Anatomy by preschool science teacher and author, Peggy Ashbrook.

In her paper, Ashbrook (2008) provides detailed instruction about how to lead a flower morphology lesson that uses drawing as a learning tool.

Probably the biggest difference between interacting with children, compared with adults, is the extent to which you have to model behavior. Conducting a demonstration or a desk-side show-n-tell comes pretty easily to adults. But modeling is more deliberate and requires a bit of forethought. To do this successfully, Ashbrook (2008) recommends teachers talk about the specimens under observation when modeling how they want students to observe. She recommends teachers say things such as, “Look at the tiny petals on this flower. The stamen has a yellow dust on it called pollen. Do all flowers have pollen?” (Ashbrook, 2008). Modeling, of course, does not end here because teachers then need to act out each step of the activity. They need to draw the same flowers students draw, explain how sketches or “first tries” (Ashbrook, 2008) don’t ever look like the actual specimen, and so on.

Ashbrook’s plant morphology lesson relies heavily on drawing. She has students drawing up to 5 varieties of flowers, recording differences between flowers, and describing each flower’s color either visually or in a written statement. She also has students pulling flowers apart so they can view, draw and describe each flower’s innermost structures.

And just like in any botanical illustration class, students gather at the end to share their drawings with classmates. For this closing activity, Ashbrook (2008) groups drawings by flower type to make sure the class discussion focuses on flower diversity and not on the quality of her young artists’ drawings.

If you lead young children in botanical art-related activities, consider adding Peggy Ashbrook’s article to your reference library.


Literature Cited

Ashbrook, Peggy. 2008. The early years: first explorations in flower anatomy. Science and Children. 45(8): 18-20.

To obtain a copy of The Early Years: First Exploration in Flower Anatomy, search the stacks at your local college library or read this article online here. [accessed on Google Docs June 28, 2012]



Related

Here’s Your Chance!

A seat in the next Postcards from… workshop created by natural science illustrator, Marjorie Leggitt, has become available. The next installment of this popular workshop series will be held in Salida, Colorado from
September 12-16, 2012.

Marjorie Leggitt and Leon Loughridge will provide step-by-step instruction that artists of all levels can use to capture painted snapshots of the Colorado landscape.

Act now if you would like to attend. Click the image to download the details.

Yesterday an exciting thing happened for the team at The Sketchbook Challenge. A book based on their wildly popular website was published by Potter Craft.

Written by Sketchbook Challenge founder, Sue Bleiweiss, the book The Sketchbook Challenge: Techniques, Prompts, and Inspiration for Achieving Your Creative Goals is a collection of themes, techniques, and art that will inspire first-time artists and experienced artists alike.

Bleiweiss’ introduction to paper, sketchbook formats, mark-making tools, paints, adhesives, and loosening-up exercises is followed by twelve chapters of themes and specific instruction about thirteen techniques. The techniques receiving special attention by Bleiweiss are: screen printing, stenciling, digital printing, thread sketching, painted papers for collage, hand-carved stamps, hand-dyed fabric, soy wax resist, image transfers, foiling, silk fusion, moldable foam stamps, and a 4-step drawing technique.

While these techniques are presented in a special “spotlight” feature, this book is really about several techniques and features a rich selection of examples of how these techniques are used by the 21 artists who have contributed their knowledge and artwork to this mixed media guide for sketchbooks.

The Sketchbook Challenge is a wonderful resource for anyone who lets a blank sketchbook, with its white pages, suppress their creative urges. If this is you, then I encourage you to browse through several pages of this book online.


Join the Celebration!

To celebrate the publication of their new book, the artists at The Sketchbook Challenge website are hosting a blog hop and giving away over $1,200 worth of prizes. Learn more about this 10-day event and how you can win one of the prizes at The Sketchbook Challenge Blog Hop.



Did You Know…

  • That Jane La Fazio, ArtPlantae’s Featured Artist for January 2011, is a regular contributor to The Sketchbook Challenge?
  • Artists from all over the world share pages from their sketchbook on the Sketchbook Challenge Flickr page?

Drawn & Decorated
Watercolor Lettering

10 Lessons
Begins July 15
Cost: $50

Val Webb of The Illustrated Garden will teach an online lettering class beginning
July 15, 2012. Participants will learn how to create decorated letters using watercolor, Pigma Micron pens, pencils and a brush. Participants will have four months to complete ten projects. Class projects include:

  • Three easy methods for making decorative and illuminated initials.
  • Surprisingly simple techniques for Celtic knotwork.
  • Using “quickhand” techniques to make art journals or notebooks more beautiful.
  • Colorful, whimsical letters based on medieval alphabets (how to draw them, how to use them).
  • Creative page design that combines lettering and other images.
  • Vines and flourishes – watercolor letters inspired by Art Nouveau.
  • Guidelines for designing your own unique personal alphabet.
  • Combining color, form and attitude to make your letters sing.

Registered participants will receive access to:

  • Video demonstrations with step-by-step guidance for each technique.
  • A warm-up lettering exercise for each lesson.
  • Illustrated instructions (PDF)
  • Examples for each lesson, designed to guide and inspire you.
  • Personal help when needed and feedback when each lesson is completed.
  • Access to a private online discussion forum where you can communicate with other students taking the course and post images if you wish (participation in the forum is optional)

To enroll in this online learning opportunity, you will need a computer, an email account to receive assignments, a way to print warm-up exercises and instruction pages and a way to send completed projects to Val for feedback.

Cost: $50, payable by personal check, money order or through PayPal.

To use PayPal, please contact Val to let her know you want to join the class and she will send you an invoice with a “Pay Now” button.

This information can also be viewed at Classes Near You > Alabama.

Botanical artist, Jeni Neale, will take part in the Warwickshire Open Studios event and open her studio to the public June 30 – July 15, 2012. Each day her studio is open to the public, Jeni will demonstration botanical painting techniques and have original paintings, prints and cards for sale.

Jeni is a member of the Birmingham Society of Botanical Artists (BSBA) in England. In October 2011, the BSBA was the featured group at ArtPlantae.

Learn more about the Birmingham Society of Botanical Artists and see their
Ask the Artist session with readers.



Exhibition of Contemporary Botanical Art

Warwickshire Open Studios 2012
Jeni Neale Studio
Southam, England
June 30 – July 15, 2012
View studio hours

The popular coloring book,
Colorful Edibles, is back in stock!

A blend of botanical art and economic botany, Colorful Edibles is truly a coloring book for all ages. Garden teachers will find this activity book to be a helpful teaching tool because not only does it explain where familiar fruit and vegetables come from, it touches upon the subjects of botany, history, agriculture, and nutrition.

Colorful Edibles is available at ArtPlantae Books, your source for exhibition catalogs and activity books by the American Society of Botanical Artists (ASBA), a nonprofit organization dedicated to promoting public awareness of contemporary botanical art, to honoring its traditions, and to furthering its development. A portion of each sale is donated to the ASBA.

A wonderful activity book for summer, stock up before your next road trip with the kids!


Colorful Edibles
($8.99)
36 pen and ink drawings by contemporary botanical artists

Arts Central is the arts and culture council in central Oregon. Believing that “arts are essential….not an extra”, Arts Central is dedicated to bringing art to a three-county wide area and encouraging creativity every day. View the rich selection classes offered by Arts Central.

This summer Jeanne Debons will teach a botanical painting course for teens and adults at Arts Central. Information about this course, plus information about Jeanne’s two-day nature illustration workshop in the Wallowa-Whitman National Forest can be viewed at
Classes Near You > Oregon.


Botanical Painting

August 4-5, 2012
10 AM – 4 PM

Artists ages 14 and up will learn how to paint plants and other natural subjects. Participants will learn drawing and painting techniques, composition techniques, color matching, and color mixing. All levels welcome. Experienced students will work on specific advanced skills. Supply list will be provided. Cost: $110, plus a $10 materials fees to be paid to instructor.

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Register