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ScienceWithPlants Science with Plants is a collection of hands-on activities about the structure and function of plants. The interdisciplinary activities in this book were created for children ages 8-12 and are a nice blend of art, math, ecology, gardening and of course, botany. You won’t need fancy supplies to complete these activities. Most of the items you’ll need are common household items. The major themes of Science with Plants are outlined below.

Here is a brief overview of what you’ll find in this 24-page book:

Seeds
Art Activity

    • : Keep a Nature Diary

Supplies Needed

    • : Beans, lentils, rice, a glass jar, bean seeds

Concepts Addressed

    • : Seed morphology, how to conduct an investigation, germination, phototropism (a plant’s growth response to light), gravitropism (a plant’s growth response to gravity)

Also See

    • :

A Seed is Sleepy


Growing Plants

Art Activity: Create a growth chart for nature diary
Supplies Needed: Bean plants
Other Subjects: Math, measuring
Concepts Addressed: Seedling morphology, plant structure and function, plant needs, data collection
Also See: Drawings reveal children’s conceptual knowledge of plant structure and function


Plants and Water

Art Activity: Entry into nature diary
Supplies Needed: Celery, ink, any potted plant, a plastic bag, small 2” plants, a large bottle (I think one of those clear plastic containers used for mixed nuts or jelly beans from warehouse stores would work well.)
Concepts Addressed: Water conduction, plant tissues, transpiration, introduction to the water cycle


Plants Use Light

Art Activity: Leaf Print
Supplies Needed: House plants, foil, paper, crayons
Concepts Addressed: Phototropism, photosynthesis, leaf shapes, plant identification
Also See:
Comic book about photosynthesis
The chemistry of plants


Flowers

Art Activity: Entry into nature diary
Supplies Needed: Roses, common flowering plants (e.g., tulip, daffodil, iris), magnifying glass (or try a magnifying glass app)
Concepts Addressed: Flower morphology, plant-pollinator relationships, pollination


Trees

Art Activity: Observing Trees
Supplies Needed: Tree(s) in the yard or neighborhood
Concepts Addressed: Tree growth, tree canopies, deciduous vs. evergreen
Also See: Why Would Anyone Cut a Tree Down?


New Plants from Old Plants

Art Activity: Entry into nature diary
Supplies Needed: Onions, amaryllis, carrot tops, beet tops
Concepts Addressed: Bulb morphology, forcing bulbs, vegetative propagation
Also See: How to create a themed plant display


Seed Dispersal

Art Activity: Entry into nature diary
Supplies Needed: Dirt, plastic bag, assorted examples of seeds and fruit types
Concept Addressed: Seed dispersal
Also See: Seed pod project by Anna Laurent


Plants & Soil

Art Activity: Entry into nature diary
Supplies Needed: Soil, a clear glass (or plastic) jar, water, leaf litter, a plastic bag
Concepts Addressed: Soil, decomposition
Also See: A Log’s Life and the work of scientific illustrator, Robin Brickman


Useful Plants

Art Activity: Entry into nature diary
Supplies Needed: Assorted plant material from the panty and refrigerator, cotton balls, newspaper
Concepts Addressed: Recycling, economic botany
Also See: Colorful Edibles

Author Helen Edom does a wonderful job of filling this book with practical learning experiences and clear instruction. She closes her book with a section titled, Notes for Parents and Teachers, in which she provides additional information to help parents and teachers answer questions that may come up during the activities.

Science with Plants is a nice addition to any home or classroom library and will provide hours of fun and thoughtful observation.

Available from your local independent bookstore. ($5.99)

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Field journals are the most important tool for any biologist. Like artists, field biologists have definite opinions about what their journals should be like. I was taught how to keep a field journal in a 8.5” x 5.5” format. My field journal still has the Celsius/Farenheit temperature conversion chart I taped to it almost 30 years ago, as well as a graph of soil surface temperatures at which foraging occurs in three seed-eating ants (this is from my days of identifying ant heads in lizard scat).

In today’s world, gadgets with touch screens seem to be the new note taking tools while the handwritten journal is presented as more of a novelty. Today we give paper and pencil some well-deserved attention and learn how biologists teach students the value of learning from field journals.


What is the value of old-school style field journals?

This topic is discussed by professors John Farnsworth, Lyn Baldwin and Michelle Bezanson in An Invitation for Engagement: Assigning and Assessing Field Notes to Promote Deeper Levels of Observation. In their paper, the authors explore how their colleagues use field journals in college-level natural history classes. The authors also make a case for the inclusion of creative writing and drawing in science journals.


Within the meditative lines of a landscape drawing or a contour drawing of a plant, the marks on a page can move beyond a visual image to celebration. The science of ecology needs the joy of art.

— John Farnsworth, Lyn Baldwin and Michelle Bezanson


Farnsworth et al. (2014) believe field notebooks should be a component of all natural history courses because they help students pay attention to their surroundings, encourage deeper understanding and provide learners with a place to record their experiences with the natural world.

The authors suggest instructors use a rubric to help assess student journals and offer two examples of scoring rubrics in their paper. One of the rubrics is a straight-forward scoring guide and the second rubric is a scoring guide showing instructors how they can engage students in journaling on a deeper level. This second rubric is especially good and I recommend taking a look at it to see how it may contribute to what you do in your own classrooms or programs.


Natural History is About Connections, Not Memorization

With so much information coming at them, students often resort to memorization to “learn” in their classes. Farnsworth et al. (2014) propose correcting this behavior with field journals so students can better observe Nature’s patterns and processes. To help them provide examples of how journals can be used as tools for more meaningful learning, they contacted colleagues at the Natural History Network and invited them to send examples of journaling assignments and rubrics they use in their own classrooms. Using the materials they received, Farnsworth et al. (2014) created a list of best practices. This list of best practices includes ideas to help students record Nature’s patterns and to interpret what they observe. It also includes suggestions about how to encourage students to write for future generations and how to encourage students to draw what they see.

To read all of the best practices and to view the rubrics described above,
view An Invitation for Engagement online or download a copy. This article is available for free from the Journal of Natural History Education and Experience.


Literature Cited

Farnsworth, J.S., L. Baldwin, and M. Bezanson. 2014. An invitation for engagement: Assigning and assessing field notes to promote deeper levels of observation. Journal of Natural History Education and Experience. 8:12-20



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We have explored the topic of plant blindness often in this column and have learned about the many reasons why we need to take this topic seriously. One of these reasons has to do with the management of invasive plant species. Today we learn about an activity introducing students to invasive species and the biology behind how they “invade”.

In A Hitchhiker’s Guide to the Invasive Plant Universe, professor Richard H. Audet presents an activity about “alien invaders” that is based on the 5E learning cycle. This classroom activity requires students to think about seed dispersal and calls upon them to write about (and draw) the relationship between seed form and function.

Audet (2005) includes a list of online resources for teachers in his article. Some of the links he provides have changed over the years, so I looked for the current links. Update the resources in Audet (2005) with these links:

When it comes to drawing the form and function of seeds, Audet (2005) does not offer any guidance. This is okay because together we’ve learned about many drawing, painting and observation techniques from the wonderful guests who have stopped by this site to visit. To browse conversations with past guests, go to the “Featured Guests” section in the righthand column. If you are pressed for time and are looking for resources to use in your classroom or program right away, here are two resources you might want to consider:

Audet’s article and activity about invasive species was published in Science Scope, a journal for middle school science teachers. Audet (2005) can be purchased online at the NSTA Store for 99¢.


Literature Cited

Audet, Richard, H. 2005. A hitchhiker’s guide to the invasive plant universe. Science Scope. 29(1): 42-45



Related

Activities to Investigate Plant Ecology

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Each year the Pollinator Partnership hosts Pollinator Week, a weeklong event highlighting the “birds, bats, bees, butterflies, beetles, and other small mammals that pollinate plants (and) are responsible for bringing us one out of every three bites of food” (Pollinator Partnership). The Pollinator Partnership has been an advocate for pollinator awareness since 1996.

Although Pollinator Week is held in June each year, pollinator awareness and education is important year-round. If you live in southern California, here is an opportunity to learn about pollinators during the upcoming winter break.

This past weekend, a new exhibition about California pollinators opened at the Orange County Agricultural and Nikkei Heritage Museum at the Fullerton Arboretum in southern California. Pollinators: Keeping Company with Flowers is a traveling exhibition featuring educational displays about:

  • Pollination and Fertilization
  • Flowers & Their Pollinators
  • Mimicry in Pollinators
  • Bees & Wasps
  • Butterflies & Moths
  • Beetles
  • Flies
  • Observing Pollinators

Unlike exhibitions that take a purely scientific look at plants and pollinators, the current exhibition includes an artistic perspective on these topics by featuring the photography of plantsman and photographer, John Whittlesey, and the watercolor paintings of students in the Art department at California State University, Fullerton (CSUF). Whittlesey’s photographs of pollinators in wild and garden settings are at the heart of the exhibition. The paintings by CSUF students complement his photos and introduce visitors to some of the plants and landscape scenes they will discover as they explore the peaceful 26-acre arboretum.

When planning a visit to the Fullerton Arboretum to view Pollinators: Keeping Company with Flowers, consider participating in one or more of the learning opportunities offered during the exhibition. These opportunities to learn about native plants, nature photography and insects come just in time for springtime studies in your classroom or programs:


Learn about pollinators at the Fullerton Arboretum

(November 2 – December 28, 2014)


Literature Cited



Also See…


Natural Science Illustrators Promote Pollinator Awareness

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Plants really do receive less attention than animals.

This was determined in a study of attention “blinks” by Benjamin Balas and Jennifer L. Momsen. Experiments confirming this physiological component of plant blindness can be reviewed in Attention “Blinks” Differently for Plants and Animals.

Using an established research protocol in the study of visual cognition, Balas and Momsen investigated the ability of individuals to detect plant and animal images presented to them in rapid succession. The protocol they used is a measurement of “attentional blink” which they describe as a “phenomenon in visual perception in which detecting the first of two targets in a sequence of rapidly presented images compromises the ability to detect the second target for a short time” (Balas & Momsen, 2014). They go on to explain that this compromise occurs because the first image captures the visual attention of the viewer. Because it takes time for a viewer to disengage from the first image (and free up visual attention), subsequent images appearing too close to the first one tend to go unnoticed (Balas & Momsen, 2014). That is, “attention blinks” (Balas & Momsen, 2014).

Balas & Momsen (2014) recruited 24 psychology students to take part in this study. Half were asked to detect plant images and half were asked to detect animal images. Students were placed in a darkened room and viewed image sequences on a MacBook laptop computer. At the end of each sequence, participants were asked to respond to questions about what they observed. Specific details about the research procedure and statistical analyses used by Balas & Momsen (2014) are described in their paper.

Data collected by the authors indicate:

  • Attention is not captured by plants the same way it is captured by animals.
  • Participants are more likely to miss plant images.
  • Participants more often report seeing plant images when none were present in the image sequence.
  • Participants’ attention to plants is delayed, suggesting “attentional resources are deployed differently for plant targets” (Balas & Momsen, 2014).

These results demonstrate a measurable difference in how humans perceive plants and animals and suggest that plant blindness may be a result of delayed attention, instead of reduced attention (Balas & Momsen, 2014).

So what does this all mean for educators?

Because plant blindness has a physiological base, Balas and Momsen (2014) offer these suggestions to educators:

  • Explain to students that plant blindness exists.
  • Incorporate engaging active learning opportunities about plants into your lessons.
  • Integrate plants into life science lessons and stop treating botany as a separate subject.
  • Add auditory and visual learning components to your lessons. Do not rely only on text and images.

The article by Benjamin Balas and Jennifer L. Momsen is available for free through an Attribution-Noncommercial-Share Alike 3.0 Unported Creative Commons License. Click on the link below to download a PDF copy of this article.


Literature Cited

Balas, Benjamin and Jennifer L. Momsen. 2014. Attention “blinks” differently for plants and animals. CBE – Life Sciences Education. 13(3): 437-443. Retrieved from http://www.lifescied.org/content/13/3/437.full.pdf+html.

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Cutting edge research meets botanical art in a new exhibition at the Shirley Sherwood Gallery of Botanical Art at the Royal Botanic Gardens, Kew.

The exhibition Inspiring Kew offers a historical perspective about how scientists at Kew have inspired artists. The exhibition features botanical paintings from the 17th century, as well as artwork by contemporary artists Rachel Pedder-Smith and Laurence Hill.

Many of you are familiar with the work of Rachel Pedder-Smith. Today I would like to introduce you to artist Laurence Hill.

Laurence Hill takes a systematic photographic approach to botanical art. Hill’s life-size presentation of the genus Fritillaria is not only beautiful to look at, it is a lesson in biodiversity. Titled Fritillaria: A Family Portrait, the composite image he created is composed of 80 Fritillaria and provides “insight into the biodiversity of life” (Hill, 2014). His digital photographic image stretches across 5 panels and is 10 meters long and 1.4 meters high (~33 ft. x 4.5 ft.). Specimens in the image are arranged according to the molecular phylogenetic analysis of the genus as described by Peter D. Day, Madeleine Berger, Laurence Hill, Michael F. Fay, Andrew R. Leitch, Ilia J. Leitch, and Laura J. Kelly (2014).

In the color booklet accompanying his exhibit, Hill describes his collaboration with Dr. Ilia Leitch and her research team at Jodrell Laboratory. He also presents a dendrogram explaining the taxonomic relationships between Fritillaria species and includes a replica of the 10 meter-long image now on view in the Shirley Sherwood Gallery of Botanical Art (the fold-out image is 1/10 the size of the original). This booklet can be purchased at the Shirley Sherwood Gallery for £2.50. It can also be purchased from Laurence Hill for £2.50 plus shipping (convert currency). Transactions will be processed through PayPal. To order the booklet from the artist, please contact Laurence Hill.

Laurence recently presented the first of two gallery talks about his work. His next gallery talk will be on November 5, 2014 at 2 pm. Seating is limited and reservations are required. To reserve a seat, please contact the Shirley Sherwood Gallery.


About Laurence Hill

Laurence Hill manages Fritillaria Icones, a searchable photographic database assisting with the identification, research and conservation of Fritillaria. This very informative database is an Open Access Web-based resource.

Laurence maintains a living collection of Fritillaria and has worked on Fritillaria Icones for many years. He graciously took the time to discuss his project and what educators will find at Fritillaria Icones.

Over several years I have been building a living collection which I systematically photograph and post online. This new dataset provides a supplement to other taxonomic resources, e-vouchers for published work and insight for many other botanical disciplines.

My living collection of Fritillaria, a genus of about 160 taxa, has over 700 accessions which are photographed at four stages through their annual cycle:

  • The bulb just after root growth has starts
  • The whole plant and a dissected flower at dehiscence of the anthers
  • The capsule just before seed dispersal showing it both whole and dissected
  • The seed just after germination

These images are dated, scale bars added and then formatted into PDF’s with accession details. Each PDF is put online with the URL incorporating the accession number and not the species name. This acts as a form of DOI or universal identifier so in the event of any taxonomic revision the image specimen set will continue to be associated with any reference.

These image sets can be used for species identification, delineation and classification but they also show:

  • Root structure
  • Period of growth
  • Photosynthesis period
  • Flowering point relative to other species
  • Mode and tempo of bulb renewal
  • Vegetative growth
  • Reproductive output
  • Seed type

Most herbarium specimens record a plant in flower and botanical illustrations prioritise the parts thought to be taxonomically important by the consensus of the day. I have chosen these four time points with Fritillaria to record a wide set of non-prioritised data. As photographs the information they carry is constantly open to re-interpretation. As a record of a botanical collection they have a phenotypic value and also service the interests of disciplines. Many of my accessions have been sampled for genetic research, both DNA sequencing and genome size, and these PDFs act as e-vouchers both for published work and online databases.

By combining images and textural information including synonyms and common names plus appropriate embedded metadata, the images on Fritillaria Icones have an enhanced visibility to internet search engines. Information, no matter how valuable, that lacks visibility will be underutilized.

My project is an example of how living collections in botanical gardens should be systematically recorded with photographic protocols established for genera or families. Databases need to move beyond random single images to embrace a more structured approach using horticulturists specifically trained to record the plants in their care. This would be an additional resource both to the taxonomic community but also to physiologist, genetics’ and non-traditional uses of taxonomic information.

These two PDF’s have the complete compliment of images.
Fritillaria amabilis
Fritillaria pontica

The information found in Laurence’s beautiful and informative database is available for educational use and is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.



Literature Cited

    Day, Peter D. and Madeleine Berger, Laurence Hill, Michael F. Fay, Andrew R. Leitch, Ilia J. Leitch, Laura J. Kelly. 2014. Evolutionary relationships in the medicinally important genus Fritillaria L. (Liliaceae). Molecular Phylogenetics and Evolution. 80:11-19

    Hill, Laurence. 2014. Fritillaria: A Family Portrait.

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Plant projects can be overwhelming. I had a school plant project once that was, quite simply, a hassle. I did not think there was enough direction and many parents didn’t like it either.

Since then I have seen other people’s children struggle through plant projects. There must be a better way, I always think. I may have found a better plant project in the literature. What I like about it is that it encourages the exploration of different plant communities instead of requiring the collection of specific plant species. It also invites students to include a plant they find especially interesting.

Teacher Catherine Hibbitt writes about this plant project in
A Growth Opportunity. In her article, Hibbitt describes how her project is more than a traditional plant project and explains how her students also learn project management skills, learn how to conduct research, and learn about biodiversity, patterns in nature and ecology.

Hibbitt (1999) explains her project begins with students visiting a field site to record as many observations as they can. Students write and sketch about what they hear and see. After sharing observations with each other, students are led into the collection phase of the project during which they collect, study and describe tree leaves. Students also collect other plant types and eventually prepare herbarium specimens and present their collections to the class. The herbarium collections created at the beginning of the school year are used as a foundation for lessons in plant reproduction, plant behavior, plant chemistry, plant products, writing and natural science illustration (students create posters and postage stamps).

The instructions for this plant project can be found in Hibbitt (1999).
Get a copy of this paper at the NSTA Store for 99¢.


Example of an Ongoing Plant Project

Two years ago we learned about a plant project in the Chicago area dedicated to encouraging an interest in native plants. Scientific illustrator Kathleen Garness is completing the illustrations for this project. I am happy to pass along news about the plant guide she is helping to create.

Kathleen says the project team has updated the plant families’ page on the website of the Field Museum of Natural History. They added information about six plant families to the collection: the Cyperaceae, Iridaceae, Juncaceae, Poaceae, Polemoniaceae, and Violaceae, bringing the total up to twenty. The project team hopes to add five more families during the next year.

Botanists Linda Curtis (author of Woodland Sedges of Northeastern Illinois) and Morton Arboretum’s Andrew Hipp (author of Field Guide to Wisconsin Sedges) edited the Carex family page; Stephen Packard (founding director, Audubon Chicago Region) edited the Grasses page; Kay Yatskievych from the Missouri Botanic Garden edited the Iris page; Rebecca Collings from the Field Museum edited the Phlox family page; and Dr. Harvey Ballard Jr. edited the Violaceae.

The guide Common Plant Families of the Chicago Region is available online for free. The pages of this guide are standard 8.5″ x 11″ pages, fit easily into a 3-ring binder and are easy to laminate. Artists, naturalists and educators in the Chicago region are encouraged to bookmark the guide’s website.

Go to Common Plant Families of the Chicago Region


Literature Cited

Hibbitt, Catherine. 1999. A Growth Opportunity. Science Scope. 22(6): 34-36



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Kathleen Garness takes botanical art into the community

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