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Archive for the ‘Special Events’ Category

New at Classes Near You > England:


Royal Botanic Gardens, Kew

www.kew.org

  • Drop-in Art Workshop at the Shirley Sherwood Gallery
    Monday August 30 – 10 a.m. to 4 p.m. Create a collaborative piece of art with artist Stuart Simler and fellow artists. This workshop will be taught in conjunction with the exhibition, Bulbmania – Flowers from the Kew Collection (August 28, 2010 – January 3, 2011).
  • Distance and Detail: Drawing and Painting Plants
    September 6 – 10, 2010. Draw trees, shrubs, or flowers in this class emphasizing the basic techniques of botanical illustration (drawing and watercolor). Read More


More About Bulbmania
:
The beauty of bulbs is celebrated in a new exhibition at the Royal Botanic Gardens, Kew’s Shirley Sherwood Gallery of Botanical Art. Comprised of over seventy paintings, the exhibition focuses on the different forms of bulbs. From onions and asparagus to tulips and lilies, we eat bulbs, admire them, and use them for medicine (snowdrops, Galanthus species, are used in the treatment of Alzheimer’s), but rarely appreciate just how diverse and important they are.

Professor Stephen Hopper, Director of the Royal Botanic Gardens, Kew, says:

“This exhibition will allow visitors to see the splendor and richness of one of our most well loved plant groups. In the UN’s International Year of Biodiversity, Kew’s scientists, conservationists and horticulturists continue to combine forces to understand and conserve the remarkable diversity of bulbs and other plants.”

Accompanying Bulbmania will be an exhibition of the work of the Brooklyn Florilegium Society. In celebration of the 10th anniversary of the group, the exhibition will show some of the many paintings created by contemporary botanical artists to document the Brooklyn Botanic Garden’s living collections.

Visit Bulbmania – Flowers from the Kew Collection online!



VISITOR INFORMATION
:

  • Gallery Hours (until October 30, 2010): Monday – Friday:
    9:30 am – 5:30 pm / Weekends: 9:30 am – 5:30 pm
  • Gallery Hours (October 31, 2010 to January 3, 2011):
    Monday – Friday: 9:30 am – 3:45 pm / Weekends: 9:30 am – 3:45 pm
  • Admission: Adults £13.50, Concessions £11.50, FREE for children under 17 (accompanied by an adult). Admission includes free entry to all Galleries, Glasshouses, and the Rhizotron and Xstrata Treetop Walkway
  • Galleries, Glasshouses and Treetop Walkway all close an hour before the Gardens.

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Losing Paradise? Endangered Plants Here and Around the World opens at the Smithsonian National Museum of Natural History on Saturday August 14. Organized by the American Society of Botanical Artists, this traveling exhibition brings attention to plant diversity, the fragile state of endangered species, and the efforts by botanists and botanical artists to document and describe thousands of species of plants.

The Smithsonian will host many interactive learning opportunities during the exhibition. One opportunity to learn from botanists and illustrators is through the Ask The Expert forum. Submit your questions through the museum’s website and your questions will be answered and posted online on specific dates. The first installment of answers will be posted on September 13, 2010.

Museum visitors will have the opportunity to watch illustrators work as part of The Illustrator Is In program featuring scientific illustrators from the Washington D.C. area. Ten illustrators are participating in this demonstration series and they will discuss everything from traditional botanical art techniques to digital illustration techniques. View the calendar of events for this exhibition for details and to schedule email reminders so you don’t miss your opportunity to learn from this group of accomplished scientific illustrators.

If a you want to experience botanical illustration yourself, you may be interested in the following workshops:

  • The Art and Science of Botanical Illustration – Thursday, October 14;
    3:00 PM – 5:00 PM. Smithsonian botanist, Gary Krupnick, will teach you how herbarium specimens are used in conservation research. Botanical illustrator, Alice Tangerini, will give participants a behind-the-scenes look at how she works with botanists to document plants. Members $45 / General Admission $55
  • Introduction to Creating Botanical Art (3-sessions) – Sundays, October 17 – 31; 10:00 AM – 4:30 PM. introductory course in the techniques of botanical illustration. Participants will learn how to prepare a sketch for painting while receiving detailed step-by-step instruction from botanical artist, Doreen Bolnick. Members $215 / General Admission $261

The Losing Paradise website is a must-see. Visit the site and you will be able to…

  • Experience first-hand, the assessment technique used by the Plant Conservation Unit when determining the conservation status of plant species.
  • Learn how the Smithsonian’s botanical illustrator applies a four-step approach to creating botanical plates.
  • Study paintings of endangered plants and view herbarium specimens up-close. The zoom-in feature will get you a front row seat even though you are miles away!
  • Share your own botanical illustrations with others online.
  • Send a painting of an endangered plant to a friend via e-postcard.
  • Learn how you can become involved in plant conservation.
  • Browse the Smithsonian’s extensive collection of botanical illustrations.
  • Learn more about the Smithsonian’s Department of Botany.

The Losing Paradise? exhibition will be at the Smithsonian National Museum of Natural History August 14 – December 12, 2010. For visitor information, visit the museum’s website at http://www.mnh.si.edu.

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Jane Pinheiro’s Watercolors:
A Collection Lost and Re-Found

Now through September 30, 2010
Thursday to Saturday
8:30am to 4:30pm
Directions


By John Wickham, President
The Theodore Payne Foundation

In the early ‘90s, the Foundation had to make some tough choices to keep the nursery open. One of the toughest was the decision to sell most of our collection of 100 botanical watercolors by Jane Pinheiro.

The collection came to us in 1960, shortly after the Foundation was formed, thanks to a donation arranged by Tasker and Beula Edmiston of the Nature Conservancy and Bonnie Templeton from the Natural History Museum of Los Angeles County. “The Poppy Lady,” as Pinheiro was called, was well known for her watercolors depicting the flora of the Antelope Valley. She was a self-taught artist and botanist who took great pride in the accuracy of her illustrations, and her work was collected widely.

Born Jane Seymour, Pinheiro was raised in Salt Lake City and lived in Pasadena for years, helping her mother run a boarding house. One of the guests was Joseph Pinheiro, a native of the Azores. He and Jane married in 1930. In 1940 they moved to the Antelope Valley, where Jane became enamored with the desert flora. She was deeply involved in the civic affairs of the Antelope Valley region and instrumental in establishing the California Poppy Reserve. Though she did not survive to see the opening of the visitor center at the Reserve, 163 of her paintings are displayed there each spring.

Upon her passing in 1982, Pinheiro’s family donated dozens of additional paintings to the Foundation, providing a rich body of work for our art program. The original 100 paintings and several of the later acquisitions were large paintings depicting species in a natural landscape setting. Most of her later works were smaller unfinished studies and drawings.

A decade later, financial woes at the Foundation forced us to sell about 70 of the initial 100 paintings. It was a difficult decision, and one not taken lightly.
The Foundation is in a much better place today, and we’ve been able to recover several of these paintings from generous individuals. In 2005, seven Pinheiro works from our original collection were offered at auction, and we placed the winning bid!

Enter our newest heroine, Helen Moore, who had purchased 34 of our Pinheiro paintings during our very lean times. Sadly, Helen passed away in 2009. In May of this year, her family chose to return those paintings to the Foundation. And so it was that this group of remarkable botanical illustrations made its way back to Sun Valley. Most are still in their original frames with the original, though slightly faded labels, on their glass.

This season the Theodore Payne Art Gallery once again is proud to share with you the unique watercolors of Jane Pinheiro—thanks to Helen Moore, whose purchase helped us through a trying period and whose donation now helps rebuild our wonderful art collection. The exhibit runs through September 30, 2010.

We are also proud to have a dedicated corps of volunteers, the Theodore Payne Arts Council, who are working to develop new exhibits that celebrate our extraordinary native flora. Your support for the Foundation and the Arts Council helps us bring you new and inspiring exhibits each quarter. Times have changed at the Foundation, and we are thriving like never before.

And remember! There are still many Pinheiro paintings waiting to make their way back to the Foundation. Please keep your eyes peeled!


For more information, contact info@theodorepayne.org or call (818) 768-1802. Visit the Theodore Payne Foundation online at www.theodorepayne.org.

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Botanical artists from all over the world will gather in Pittsburgh, PA in September to celebrate the 16th Annual Meeting of the American Society of Botanical Artists. The ASBA conference will be held September 23 – 25, 2010. Three busy days of learning and networking, plus pre- and post-conference workshops, await those eager to learn more about contemporary botanical art. Every third year, this weekend conference is held in Pittsburgh and coincides with the international exhibition of botanical art held at the Hunt Institute for Botanical Documentation at Carnegie Mellon University. The 13th International Exhibition of Botanical Art & Illustration will be on view September 24 – December 17, 2010 and will include 110 watercolor paintings, drawings, and prints by 72 artists from 15 countries. The Hunt Institute established this International series of exhibitions in 1964 to support and encourage contemporary botanical artists.

Artists participating in the 2010 exhibition are: Martin J. Allen (England), Yara Anderson (United States), Sara Bedford (England), Karen Bell-Brugger (United States), Diana Carmichael (South Africa), Diana Carneiro (Brazil), Deb Chirnside (Australia), Karen Coleman (United States), Jackie Copeman (England), Caroline Cottingham (England), Joanna Craig-McFeely (England), Rachael Dawson (England), Rosemary Donnelly (Australia), Wilna Eloff (South Africa), Akiko Enokido (United States), Guy Eves (England), Paul Fennell (England), Noriko Fujii (Japan), Yoko Furukawa (Japan), Leigh Ann Gale (England), Linda Gist (United States), Eiko Hamada (Japan), Wendy Hollender (United States), Sarah Howard (Scotland), Hiromi Hyogo (Japan), Yuko Inujima (Japan), Stephen T. Johnson (United States), Kyoko Katayama (Japan), Heeyoung Kim (United States), Kazuko Kohga (Japan), Hildegard Könighofer (Austria), Kumiko Kosuda (Japan), Chika Kunou (Japan), Asako Kuwajima (Japan), Eun Joo Lee (South Korea), Barbara Lewis (United States), Miriam Macgregor (England), Sally Markell (United States), Joan McGann (United States), Sue McLean (Australia), Angeline de Meester (England), Annie Morris (England), Edd Morrison (England), Maki Nishimura (Japan), Kate Nuttall (England), Lyudmila N. Pavlova (United States), Margareta Pertl (Ireland), Kandis Vermeer Phillips (United States), Sunitsorn Pimpasalee (Thailand), Janie Pirie (England), Thomas Reaume (Canada), Dorothee de Sampayo Garrido- Nijgh (Netherlands), Mary Ann Scott (Italy), Keiko Sekiya (Japan), Andrew Seward (Australia), Michiko Shibata (Japan), Billy Showell (England), Klei Sousa (Brazil), Ian Stephens (England), Sally Strawson (England), Fiona Strickland (Scotland), Noriko Tobita (Japan), Lidia Vanzetti (Italy), Sue Vize (England), Catherine M. Watters (United States), Kerri Weller (Canada), Sue Wickison (New Zealand), Sue J. Williams (England), Esmée L. C. Winkel (Netherlands), Yoko Yokoyama (Japan), Herman Zaage (United States), and Fátima Zagonel (Brazil).

The exhibition will be on display on the 5th floor of the Hunt Library building at Carnegie Mellon University. Viewing hours are as follows:

  • Monday–Friday, 9 a.m.–12:00 p.m. and 1–5 p.m.
  • Sunday, 1–4 p.m. (except November 25 & 26; December 10)
  • Saturday, November 6 (1–5 p.m.), during Carnegie Mellon’s homecoming

The exhibition is open to the public free of charge. For further information, contact the Hunt Institute at 412-268-2434.

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What kind of online experience would help you find and give support for learning botanical art?

This was one of the questions posed by Mark Granlund last night during his Thursday office hours. The conversation focused on how to engage learners in an online community. What inspires you to engage in conversation as you surf the Web? Please share your thoughts with us and contribute to this ongoing conversation.

Also, a poll was launched yesterday. The question being asked is:

Would you take an online class in botanical art?

Reply Here

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Wendy Hollender’s new book, Botanical Drawing in Color: A Basic Guide to Mastering Realistic Form and Naturalistic Color, is a book for all artists. To celebrate the release of this wonderful guide to drawing plants, ArtPlantae will host a live Ask The Artist session with Wendy on
August 18, 2010.

Wendy will discuss her artistic journey from surface designer to botanical artist. She will discuss her favorite botanical paintings and how they inspired her to learn about botanical illustration. She will also explain the “well-kept secrets” of realism she was not taught in college as a Fine Arts major. Find out how this detailed guide to botanical drawing and color was created for artists at all levels.


DID YOU KNOW…

  • Our April 2008 “Ask The Artist” with Wendy Hollender is the most read article of all time at ArtPlantae Today?
  • Botanical Drawing in Color sky-rocketed to the #2 position on the Nielsen Bookscan Ratings during its first week?
  • Botanical Drawing in Color is already in its second printing?


Learn from Wendy during a special Web broadcast.
Reserve Your Seat Today!

    Event: Botanical Drawing in Color with Wendy Hollender
    Date: Wednesday, August 18, 2010
    Time: 4:30 p.m. – 5:30 p.m. PDT
    Where: Online at ArtPlantae
    Cost: $10
    Bonus: Attendees will receive a coupon to save $10 on Wendy’s new book at ArtPlantae Books.

Can’t attend the live event because you’ll be in rush-hour traffic on a freeway somewhere? No problem. Registered attendees will be able to view a recording of this event.


Please note these system requirements
:

    PC-based attendees
    Required: Windows® 7, Vista, XP, 2003 Server or 2000

    Macintosh®-based attendees
    Required: Mac OS® X 10.4.11 (Tiger®) or newer

REGISTER HERE


Updated: August 13, 2010

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Moments in Time: A Botanical Exhibition of Habitats and Species
Leighton Art Centre, Gallery and Museum

Botanical artist, Rayma Peterson, is one of three artists whose work is now on view at the Leighton Art Centre, Gallery and Museum. Sixteen of Rayma’s paintings capturing the plants of Alberta’s foothills, mountains, and wetlands in their native habitats will be on display through July 31, 2010. When asked how she documents plants in their natural environment, Rayma replied:

Exploring and botanizing in the spring, summer, and fall are my favorite activities. I look for close up scenes that almost jump out at me with their uniqueness and beauty, and try to share my visual experience of these scenes with the viewer. I want to show people the exquisite beauty that is underfoot in western Canada. I also take pains to ensure that the painting is botanically correct; that is, I only show plants growing together that would normally do so in a given habitat. I enjoy painting flowering plants, but also enjoy depicting their more humble relatives that may be easily overlooked, such as fungi, lichens, mosses, and even algae. My favorite habitats are calcareous springs and fens, foothills, grasslands, sub-alpine and alpine areas, wetlands, and tide pools.

I sometimes paint a habitat with my botanical subject prominent, and leave a white or very faint background towards the top. Thus I combine the habitat painting with the plant portrait to create my own style or genre. I will explore an area, taking extensive photographs, composing with my camera. Later in the studio, I combine elements and plants from various photographs, as long as they could be found in close proximity with each other in a microhabitat.

Rayma has a BSc. in botany and a BEd. in art and science. She has spent much of her life in the field, primarily in central and western Alberta. Her work is featured in Today’s Botanical Artists, by Cora B. Marcus and Libby Kyer (2008), as well as in Trees of Wagner Natural Area by the Wagner Natural Area Society, text by Patsy Cotterill (2010).

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