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At the recent conference of the American Society of Botanical Artists, one of the exhibitors in the Exhibitors’ Hall presented a service making it possible to place original botanical art on porcelain. This process enables artists to produce tiles, mugs, plates, and ornaments featuring their artwork. Artwork by botanical artists has been featured on items such as greeting cards, fine textiles, dish towels, and scarves. How have you applied your skills as a botanical artist? How have you chosen to feature your personal artwork?


Sandra Wall Armitage

I have worked for many years as a greeting card illustrator for companies and surface pattern designer. Products include: china, home wares, furnishing fabrics, enamel boxes, gift wrap and greeting cards. Personal art work is exhibited or sold as prints and cards on my website.


Susan Christopher-Coulson


As well as greetings card & wrapping paper commissions, I produce my own range of greetings cards and fine art prints from my work.


Susan Dalton

I have produced greetings cards of some of my paintings. These have been printed either by myself or occasionally I have asked for a printer to print them for me. I sell these when I exhibit at exhibitions that allow artists to sell cards.


Brigitte Daniel

I have produced work for greetings cards, but the style required is very different from that required for botanical illustration.  I have also produced prints.  The most important thing to do is to understand the market and ensure that you produce the appropriate type of work for the product you have been asked to design.  Some of the objects you describe require a stylised design rather than an exacting reference piece of artwork.  Are you working for a mass market or are you painting for the enthusiast, plant breeder, collector or museum collection?  As my background is botany, I am drawn to how the plants work and what their individual characteristics are and how best to represent them.


Susan Hillier

I have worked as a book illustrator and packaging designer.


Jennifer Jenkins

My work has been produced on Welsh slate products, greeting cards, calendars, brochures and I have been featured in the book The Botanical Palette.  I have worked on commissions, including monochrome pen and ink work, produced on postcards and mounted prints ready for framing. I exhibit annually at the Westminster Hall, London with the SBA, and at the Florum exhibition in Kent.  I also exhibit work from Spring through to Autumn at a Manor House with gardens open to the public.


Kay Rees Davies

My artwork is featured in greeting cards which I publish myself and limited edition Gicleé prints.


Margaret Stevens

Over the last 25 years my work has been used for numerous greetings cards, calendars and in books. It has also been reproduced on porcelain by Franklin Mint – The Chelsea Plate for one thing – and The Bradford Exchange for collectables including plates, musical boxes, clocks, figurines, Wedgewood vases etc. I have numerous private commissions including one which is ongoing, painting old roses.  I started that about 15 years ago and I have so far done around 55. As they mostly only flower once in the season it means that I can only do about 5 in a year and some years – depending on circumstances, health, bad weather etc., it is not possible to do any.  The last two summers have been particularly bad and although I did two extra ones required as gifts, I could only add 1 to the main collection.

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Continue to Teaching Botanical Art to Children

Return to Grounds for Various Media

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Do you teach botanical art to children? If so, think about what you have observed in your classes to date. Which approach(es) engage(s) children the most when teaching them botanical art?


Brigitte Daniel

No.


Susan Hillier

I would not teach botanical art to children.


Jennifer Jenkins

I do not teach.


Margaret Stevens

I only teach adults.

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Continue to What’s Your Day Job?

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Few people are able to make their living as a botanical artist. Do you make your living as a full-time botanical artist? If not, what’s your day job?


Sandra Wall Armitage

For many years I worked freelance and also taught part at Universities and Colleges of Art. I taught plant drawing and textile design. I still do the occasional commission for greeting cards and home wares, but mostly do botanical paintings for exhibition or run workshops.


Kathleen Baker

I used to be a full-time teacher of Biology. Since retirement I have spent much time doing botanical watercolour paintings. I would like to make a living from my botanical paintings.


Susan Christopher-Coulson

Teaching botanical work/coloured pencil has become an important parallel to working as a botanical artist and the two work symbiotically – but it is necessary to keep a balance between the two aspects so that there is sufficient time to create the original artwork!


Susan Dalton

I do not make my living as a full-time botanical artist – my day job is doing all the secretarial work and book keeping for my husband’s Carpentry & Joinery Company – I have to fit my painting in as and when I can!


Brigitte Daniel


Yes, I do.  But I have a medical condition and I have to work from home.  Botanical art is the only real choice I have since I could no longer continue my botanical career and it is my way of keeping in touch with the botanical world.


Susan Hillier

I have made a living as a full time artist for nearly 40 years, mainly but not exclusively botanical,
I also teach botanical painting.


Jennifer Jenkins

I am not a full-time artist.  I  am retired.


Kay Rees Davies

I have retired from teaching music as my botanical art took over. I teach at many venues and am a tutor for the Distance Learning Diploma Course for the SBA. I’m not sure that this would entirely make my living, but it helps!


Margaret Stevens

For over 20 years I have made my living by painting and teaching, supplemented by a small widow’s pension.  At this point I feel it is necessary to say that talent alone will not enable you to earn a living.  Artists by their very nature are not terribly organised and that is what lets some of them down.  You need a certain amount of business acumen and above all NEVER miss a deadline.  If you take on a job it must be completed on time regardless of your personal circumstances.  I have worked with a raging temperature doing an hour at my desk and an hour or two in bed alternately in order to get a job out.  That is when you hate it and wonder why you chose such  a means of earning a living.  Whilst waiting for two hip replacement operations I could not sit down for 2 years, dependent on a perching stool for rest – or flat out in bed. Still I had to carry on and knowing it is one’s livelihood is a great spur!

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Continue to Blocking Watercolor Paper

Return to The Society of Botanical Artists Answers Your Questions

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Margaret Stevens and members of the Society of Botanical Artists have received your questions. The complete Ask The Artist Q&A session will be posted on November 20, 2008.

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Fourteen members of The Society of Botanical Artists will participate in the Ask The Artist Q&A. Below is a list of participating artists, their websites and references to their work. View and study their work and think about what you would like to ask them. You will be able to submit your questions beginning next week and will have a two-week window during which to submit questions.

Study. Think. Ask.

Get your list ready!
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Participating Artists & References to Their Work:

A = The Art of Botanical Painting
B = The Botanical Palette: Color for the Botanical Painter

Sandra Wall Armitage
www.watercolourflowers.co.uk
B: Poppy, p. 84
B: Echinops, p. 132

Kathleen Baker
B: Acanthus Seed Heads, p. 102

Susan Christopher-Coulson
www.floraleyes.co.uk
A: Leucadendron, p. 34
B: Iris, p. 62
B: Tulip, p. 112
B: Kitchen Garden Purples, p. 140

Sally Crosthwaite
www.sallycrosthwaite.co.uk
A: Hatfield Tulips, p. 6
A: Agapanthus, p. 76
B: Nerines, p. 131

Susan Dalton
A: Paeonia lutea x Delavyi Group, p. 135
B: Flowering Teasel, p. 128
B: Garlic Braid, p. 141

Brigitte Daniel
A: Sulphur Tuft, p. 64
A: Pelargonium, p. 68
A: Snowdrop, p. 137
B: Primula auricula ‘Old England’, p. 9
B: Himalayan Poppy, p. 52

Paul Fennell
A: Orange Parrot Tulip, p. 72
A: Ornamental Corn, p. 139
B: Sunflower, p. 28

Susan Hillier
SBA Member Gallery
B: Peony, p. 92

Jennifer Jenkins
B: Cyclamen, p. 80

Annie Morris
www.anniemorris.uk.com
B: Blue Hydrangea, p. 51

Kay Rees Davies
www.nwsfa.org.uk
A: Ivy, p. 50
A: Scotch Bonnet Pepper & Long Sweet Pepper, p. 113
A: Onions, p. 113
B: Rhododendron, p. 24
B: Camellia japonica ‘Anemoniflora’, p. 133

Janet Whittle
www.janetwhittle.co.uk
B: Peonies, p. 10

Valerie Wright
SBA Member Gallery
A: Surinam Rainforest, p. 118
A: Rosa rugosa, p. 128
B: Red Hemerocallis, p. 78

Margaret Stevens
SBA Member Gallery
A: Bird of Paradise, p. 38
A: Hybrid Himalayan Poppy, p. 43
B: Lily, p. 16

UPDATE: Q&A published on November 20, 2008. Read it here.
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Available at ArtPlantae Books

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Ask the Artist: Margaret Stevens & The Society of Botanical Artists
October 9 – November 20, 2008

You have read about how they work and have seen the step-by-step development of their paintings. Now you have the opportunity to submit questions to Margaret Stevens and members of The Society of Botanical Artists (SBA) during the Ask The Artist event for Fall 2008. Here is how this event will progress:

October 16, 2008
A list of artists participating in the Ask The Artist session will be published. Study their work in The Art of Botanical Painting and The Botanical Palette: Color for the Botanical Painter get your questions ready!

October 20 – 30, 2008
Submit your questions to asktheartist@artplantae.com.
Will you be attending the 14th Annual Meeting and Conference of the American Society of Botanical Artists? Visit us in the Exhibitors’ Hall and submit your questions in-person. We’d love to meet you!

November 3 – 14, 2008
Margaret Stevens and SBA members read and respond to your questions. Their responses will be posted at ArtPlantae Today on November 20th.

November 20, 2008
The Ask The Artist session is published at ArtPlantae Today.
Read, Learn, Comment.
Contribute to our gathering place!

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Available at ArtPlantae Books

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Written by Margaret Stevens, in association with the Society of Botanical Artists (SBA), this book complements The Art of Botanical Painting (2004) also published by Stevens and the SBA. In their first book, the SBA provided instruction on drawing techniques, colored pencil techniques, watercolor techniques, and gouache painting techniques. Stevens and SBA contributors gave instruction on the painting of fruit, vegetables, and foliage. In their follow-up work, they focus on colors specific to the botanical palette. They give special attention to the following colors: white, yellow, green, blue, purple, red, brown, and black.

Each chapter is dedicated to one color and contains instruction on how to create this color and how to apply this color in a painting. Instruction is supported by example as Stevens leads artists through step-by-step demonstrations in each chapter. No detail is left out and the methodical processes narrated by Stevens are easy to understand. Each chapter includes a line drawing artists can transfer to paper to immediately apply what they’ve learned. In response to the growing interest in colored pencil, five demonstrations address the creation of colored pencil paintings.

The five colored pencil demonstrations included in this book are:

  • Day Lily (yellow; demonstrator Ann Swan)
  • Madagascar Jasmine (green; Ann Swan)
  • Iris (blue; Susan Christopher-Coulson)
  • Red Rhododendron (red; Susan Martin)
  • Tulip (black; Susan Christopher-Martin)

Watercolor demonstrations featured in this book include:

  • Lily (white; demonstrator Margaret Stevens; how to create form)
  • Rhododendron (yellow; Kay Rees-Davies; how to work with a plant whose flowers fade quickly)
  • Sunflower (yellow; Paul Fennell; how to create highlights and the spiral pattern of disc flowers)
  • Plantain Lily (green; Janet Wood; how to paint variegated leaves)
  • Himalayan Poppy (blue; Brigitte E. M. Daniel; painting multiple stamen, leaf hairs)
  • Delphinium (blue; Vicky Mappin; how to build an inflorescence)
  • Columbine (purple; Valerie Baines; how to use grey and violet)
  • Clematis (purple; Brenda Watts; how to create glowing purple)
  • Cyclamen (red; Jennifer Jenkins; how to create leaf patterns and distinguish between old flowers & new flowers)
  • Poppy (red, orange; Sandra Wall Armitage; how to make orange from red; painting flat hairs)
  • Peony (red, burgundy; Susan Hillier; how to make burgundy using four shades of red)
  • Bearded Iris (brown; Barbara McGirr; how to make brown)

The eight watercolor projects included in this book are:

  • Lily (how to work with white)
  • Sunflower (how to work with yellow)
  • Hosta (how to work with green)
  • Delphinium (how to work with blue)
  • Clematis (how to work with purple)
  • Poppy (creating orange with reds)
  • Peony (creating burgundy with reds)
  • Bearded Iris (how to work with brown)

Stevens’ chapter about color charts is an invaluable tool that will help artists resist the urge to buy every tube of color they see on every materials list they receive in every class they take. Artists can save money by consulting these charts comparing and contrasting yellows, greens, reds, blues, purples, and browns produced by the following manufacturers: Daler-Rowney, Schmincke, Sennelier, and Winsor & Newton.

Stevens closes this book with a gallery of artwork created by members of the Society of Botanical Artists.
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The Botanical Palette: Color for the Botanical Painter
Margaret Stevens, in association with the Society of Botanical Artists
9780061626678
September 16, 2008
$29.95, Hardcover

http://www.soc-botanical-artists.org/

Now Available at ArtPlantae Books

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