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Years ago when I was teaching in grad school, the SimLife game was used as an activity in the Bio 101 labs to teach non-majors about population biology. Students had control of an assortment of variables and could watch generations of their sample population change over time. Students enjoyed the exercise and it helped them understand how the traits they assigned to their sample population resulted in either their population’s survival or eventual demise.

One of the objectives of incorporating botanical drawing into studies about the environment is to use it as a way to tell Nature’s story. Botany’s story is more than complicated terminology, labels with arrows and expensive textbooks.
In today’s column, we move beyond look-see-draw and engage in a bit of storytelling.


Botanical Illustration in the Lab

How does botanical illustration fit into a lab about population biology?

How about as a game?

Educators Erik Lehnhoff, Walt Woolbaugh and Lisa Rew explain how to do this in Designing the Perfect Plant: Activities to Investigate Plant Ecology.

What Lehnhoff et al. (2008) do first is lead students in a conversation about plant ecology. They show students photographs of whole plants, leaves, seeds, growing situations and other imagery related to plant ecology (Lehnhoff et al., 2008). They then ask students to consider the advantages and disadvantages of the growth forms, growing conditions and plant traits observed in the photographs.

Student observations become the foundation of a class conversation about plant ecology. With this conversation fresh on students’ minds, Lehnhoff et al. (2008) call upon students to design a plant with traits they think will ensure their plant’s long-term survival. Instead of creating a plant using a computer program, students are asked to draw their plant and to include in their drawing every trait they assigned to their plant. The authors ask students for a detailed drawing because they have observed that the “act of drawing the plant characteristics allowed students to better comprehend each of them, and to recognize how the plant may fit into its environment.” (Lehnhoff et al., 2008).

With their plants drawn, students then engage in a competitive game of cards. The game they play enables them to live with their plants through 10 generations. The custom deck of cards they play with contains four categories of cards. These categories are Weather, Dispersal Mechanisms, Disturbance Factors and Predation/Disease. Each card drawn exposes the carefully designed plants to conditions that could impact their survival. The cards in this custom deck each have a point value. Plants with the highest points per generation survive. Plants receiving negative points in repeated generations spiral towards extinction. After living through ten generations with their plants, students are asked to write about their plant’s fate.

This clever activity provides a way to introduce botanical illustration as a tool to learn about broad ecological concepts and to move it beyond its use as a tool to learn plant morphology. Included in this paper by Lehnhoff et al. (2008) are examples of the playing cards they use in their game.

Designing the Perfect Plant is available for purchase from the National Science Teachers Association (NSTA) at the NSTA Science Store (99¢). You can also search for this article at your local college library.


Literature Cited

Lehnhoff, Erik and Walt Woolbaugh, Lisa Rew. 2008. Designing the perfect plant: Activities to investigate plant ecology. Science Scope. 32(3): 29-35.



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TheTradescantsOrchard There is a book about fruit that is surrounded by mystery and intrigue.

Is it a book?
Is it a catalog?
Is it a teaching tool about fruit trees?

The Tradescants’ Orchard is more catalog than book and, according to evidence of how often each painting has been handled, was also a teaching tool, according to authors Barrie Juniper and Hanneke Grootenboer.

Juniper and Grootenboer, together with the Bodleian Library, have published The Tradescants’ Orchard: The Mystery of a Seventeenth-Century Painted Fruit Book — a fascinating look at plantsman John Tradescant the elder, his son John Tradescant and their contributions to horticulture and the development of fruit orchards in 17th century Europe.

Originally called A Book of Fruit Trees with their Fruits (Juniper & Grootenboer, 2013), a photograph of this 400-year old manuscript is included in their book.

You are most likely already familiar with the Tradescants. The Spiderwort plants bear their family name (Tradescantia). Does this houseplant look familiar?

The Tradescant father and son team were responsible for introducing and raising many familiar garden plants (Juniper & Grootenboer, 2013). John Tradescant the elder was a sought-after plantsman in elite circles, operated a large nursery and, because of his extensive traveling, built an impressive cabinet of curiosities (Juniper & Grootenboer, 2013). When he died in 1638, John Tradescant the younger took over the family business and eventually became acquainted with Elias Ashmole.

This is where the story of the colorful manuscript containing 66 paintings of fruit and imaginary arthropods, frogs, birds, snails, a lizard and a squirrel gets very interesting.

Thought to be created somewhere around the 1620s or 1630s, The Tradescants’ Orchard was published when interest in growing fruit and when creating horticultural information for the public became popular (Juniper & Grootenboer, 2013).

Who commissioned the manuscript?

How did it end up at the Ashmole Museum?

What is unique about the paintings?

Much is explained in the forty-one pages of text leading up to Juniper & Grootenboer’s reproduction of The Tradescants’ Orchard. Their book is yet another wonderful chapter about the history of botanical art.


Literature Cited

Juniper, Barrie and Hanneke Grootenboer. 2013. The Tradescants’ Orchard: The Mystery of a Seventeenth-Century Painted Fruit Book. Oxford: Bodleian Library.

Available at independent bookstores. ($65)

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Click to download itinerary.

Click to download itinerary.

Plan now for a peaceful, creative and rejuvenating Autumn!

You are invited to join Andie Thrams in Yosemite National Park to learn how to capture the sounds, scents and landscape of this special place in your sketchbook.

Here is the latest at
Classes Near You > No. California:


Andie Thrams

www.andiethrams.com
Andie is a painter and book artist devoted to creative work in wild places. She teaches in California, Oregon, Alaska and Hawaii. Her work is widely exhibited and honored, and is held in many private and public collections. Get the latest news about Andie’s popular classes on her website.

    Autumn in Wawona with Andie Thrams
    Yosemite National Park
    October 10 – 13, 2013
    Upon arriving at Yosemite, meet with Andie and fellow classmates on the Grand Porch at the Wawona Hotel to enjoy an evening of sunset painting. Then get ready for daily walks through meadows and forests to learn how to make marks, create images and capture colors using watercolor, gouache, ink and pencil. Cost: $440 for the retreat, includes boxed lunches. Not included in the course fee are: lodging, transportation, food & drink (except lunch). Download itinerary


    Private Creativity Coaching & Artist Mentoring

    In addition to the workshops listed here, Andie also works privately with a limited number of students. Contact Andie Thrams

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Ask and the answer might arrive sooner than you think!

Readers looking for classes in the Chicago region have three opportunities to learn botanical art and colored pencil techniques this summer.

Kathleen Garness will teach three sessions of an introductory course about drawing plants in colored pencil. Participants will receive materials to take home with them, compliments of the Anne Ophelia Dowden grant awarded to Kathleen last Fall by the American Society of Botanical Artists.

Here is what’s new at Classes Near You > Chicago:


Kathleen Garness

www.gnsi.org/profile/kathleen-garness
Kathleen is a natural science illustrator whose illustrations are being used to illustrate a guide to common plant families in the Chicago region. Her work has been shown in many exhibitions and is also featured in the 2011 issue of Smithsonian in Your Classroom, an issue dedicated to botany, art and conservation.

Introduction to Botanical Colored Pencil

  • June 9, 2013: Volo Bog State Natural Area, Volo, IL: 9:30-3:00
  • June 22, 2013: Illinois Beach State Park Nature Center: 9:30-3:30
  • August 18, 2013: Lake County Museum, Wauconda, IL 9:30-3:30

Looking for classes near you?
Tell the teachers!

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iStock_TeachingPlants_ExtraSmall copy This weekend it was announced that the featured topic for June is Teaching Plants. We’ll take a look at how educators from various disciplines teach the public about plants.

There is probably no better way to kick this month off than with the collection of presentations being featured this week on TED: Ideas Worth Sharing. Guerrilla gardening, biodiversity, house plants, growing clothes, food choice, and the ecosystem of tree canopies are all featured.

View this wonderful collection now at Plantastic!.

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Here is the latest news at Classes Near You > Northern California:


Nina Antze
Drawing Nature in Colored Pencil

www.pcquilt.com/botanicals.htm
Nina received a degree in Fine Art from San Francisco State University and a Certificate in Botanical Illustration from the botanical art program at the New York Botanical Garden. For more information about the class below, contact Nina Antze or call (707) 237-7014. Nina’s teaching schedule can also be viewed on her website.


Pt. Reyes Field Institute

    Drawing Summer Flowers, Saturday, June 29th, 10 AM – 4 PM
    Learn botanical illustration techniques, color theory and explore flowers in the Asteraceae. Open to youths 10-17 (with attending parent).
    Cost: $80 nonmembers, $70 members. View Details/Register

Sonoma Community Center

    Drawing Summer Flowers, Saturday, July 20th, 10 AM – 3 PM
    Learn the colored pencil techniques used by botanical artists while learning how to draw the flowers of summer. Cost: $50 nonmembers, $45 members. Adults only. View Details/Register

Historic Filoli Gardens in Woodside, CA

  • Colored Pencil II, Thurs., Fri., Sat. June 20-22; 9:30 AM – 3:30 PM (open to anyone who has taken a workshop with Nina).
    View Details/Register
  • Drawing Zinnias and Other Composites, Friday and Saturday, July 26-27, 2013; 9:30 AM – 3:30 PM. Select your favorite composite flower and learn how to capture their bright colors using a variety of colored pencil techniques. Cost: $190 nonmembers, $160 members.
    View Details/Register

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Are you looking for botanical art classes or natural science illustration classes in your area? Let’s get this information out there and try to resolve this for you.

If you are looking for classes, post your city and state (or province & country) below. If you do not want to post the name of your actual city or town, then post the nearest largest city — some place you don’t mind driving to attend a class.

Also, please remember that you don’t need to post your full name when you post a comment or question. You can use only your first name if this makes you more comfortable.

I receive inquiries from time to time and thought I would put this out to everyone to see who is looking for classes.

The most recent inquiry is from a reader looking for classes in the vicinity of Evanston, Illinois.

Take a look at the Classes Near You section to see if any new classes have appeared. If you don’t find anything even close to where you are, add your city and state (or province and country) below.

Instructors — Do you teach in any of the areas below?

If you do, send information about your classes and I’ll create a listing for you and post an announcement.

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