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At Monash University in Australia, the interdisciplinary journal Colloquy was created to present new work in literary and cultural studies and to encourage discussion among postgraduates and others in the literary community. In 2003, Judy Dyson published an article in Colloquy about the cultural and sexual imagery observable in botanical illustrations. In Botanical Illustration or Flower Painting: Sexuality, Violence and Social Discourse, Dyson states that botanical illustrations contributed to “cultural concepts of aesthetics, religion, and society” before becoming scientific tools. In her article, Dyson calls for a more thorough analysis of botanical illustrations to identify the role botanical illustrations play in “social and medical discourses concerning sexuality, race, and psychology.” She argues that a critique of botanical illustrations has not occurred because of their use in plant classification. Dyson suggests that, as an art form, botanical illustration is not as cut-and-dried as it may seem. Dyson is certain there is more than data in these illustrations and that here is more to learn about those who obsess over their creation. In order for a thorough analysis to be completed, Dyson proposes ending the protective status botanical illustrations are provided “within the privileged discipline of science.”

The work of Carl Linnaeus, Ferdinand Bauer, Walter Hood Fitch, Pierre-Joseph Redouté, Celia Rosser, Stanley Kelly, Georgia O’Keefe, and others are discussed. Dyson also refers to Shirley Sherwood’s A Passion for Plants and Keith West’s How to Draw Plants: The Techniques of Botanical Illustration as she builds her case about the sensual and suggestive imagery of botanical illustrations.

What do you think?

Read Judy Dyson’s article online



Literature Cited
:
Dyson, Judy. 2003. Botanical illustration or flower painting: sexuality, violence, and social discourse. Colloquy. Issue Seven. Web. <http://colloquy.monash.edu.au/issue007/dyson.html>

Sherwood, Shirley. 2002. A Passion for Plants: Contemporary Botanical Masterworks from the Shirley Sherwood Collection. Weidenfeld & Nicolson. London.

West, Keith. 1996. How to Draw Plants: The Techniques of Botanical Illustration. Timber Press in association with The British Museum (Natural History). Portland, OR.


Both A Passion for Plants and How to Draw Plants are available at ArtPlantae Books.

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Updates at Classes Near You > California:


Nina Antze

www.pcquilt.com/botanicals.htm
Nina received a degree in Fine Art from San Francisco State University and a Certificate in Botanical Illustration from the botanical art program at the New York Botanical Garden. For more information about the classes below, please contact Nina Antze or call (707) 237-7014.

Drawing Autumn Leaves
– One-day workshops working with colored pencil while drawing the beauties of autumn.

Nature Drawing Classes – Learn to capture the forms and colors of nature at two locations: El Dorado Nature Center in Long Beach, CA (3rd Saturday of the month) and Sebastopol Center for the Arts in Sebastopol, CA (Tuesday mornings).

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New at Classes Near You > California:


University of California Botanical Garden at Berkeley

http://botanicalgarden.berkeley.edu/
This 34-acre garden was established in 1890 and is now a non-profit research garden and museum. The classes below are taught by Lee McCaffree and Catherine Watters . Download a detailed Fall schedule here.

  • Creating Botanical Art with Native Plants – August 26 & 27, 2010
  • Fall Leaves & Seed Pods – September 9 & 10, 2010
  • Orchids – October 28 & 29, 2010
  • Sketch in the Garden to Begin a Botanical Art Painting – November 13 & 14, 2010
  • Winter Botanicals as Paintings – December 10 & 11, 2010
  • Introduction to Botanical Art – January 29 & 30, 2011

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Now at Classes Near You > Pennsylvania:

    Joan Frain Studio
    www.joanfrain.com
    Joan Frain is a professional botanical illustrator and instructor. For over 30 years, Joan has taught in Pennsylvania and in Delaware. Her work can be viewed in galleries and online. Private instruction and pay-as-you-go classes are available. Upcoming classes include:
    Botanical IllustrationJenkins Arboretum, Devon, PA. Fridays, October 15 – November 19, 2010; 9:30 a.m. – 12:30 p.m. Illustrate plants from the arboretum’s gardens, the arboretum greenhouse, or bring your own. Students will be able to ask a horticulturist questions at each meeting. Course emphasis will be on watercolor techniques, however other media may be used. All levels of experience welcome. Please join us!


And coming this Fall to The Delaware Center for Horticulture!

    Joan Frain Solo Exhibition
    Joan Frain will have a solo exhibition of her original botanical watercolors at The Delaware Center for Horticulture. Subjects range from native wildflowers and bulbs, to exotic orchids. Joan’s artwork will be in The Community Gallery during the month of October. You are invited to attend a wine and cheese reception on Friday October 1, 2010 from 5:30 p.m. to 8:00 p.m. Gallery Hours: Monday – Friday, 9:00 a.m. to 5:00 p.m.

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Now at Mindy Lighthipe’s Studio 16 at Classes Near You > New Jersey:


Studio 16

www.studio16online.com
Custom classes, individual instruction, art tours, and self-published instructional books can be found at Studio 16, the classroom and art studio of natural science illustrator, Mindy Lighthipe. To register for classes, contact Mindy or call
(908) 769-7417.

  • Painting Butterflies – Tuesday October 19 – Thursday October 21, 2010. McGuire Center for Lepidoptera and Biodiversity at the Florida Museum of Natural History. A very special behind-the-scenes visit to learn about butterflies, the process of metamorphosis, and biodiversity in the order Lepidoptera. Participants will be able to draw and paint specimens from the Center’s collection. Cost: $327, includes admission to the Butterfly Rainforest for 3 days, behind-the-scenes tour, specimen access, and instructor’s fee. Limit: 15 students. Visit Studio 16 for more information and to register.
  • Ten-day Adventure to Costa Rica – January 21-30, 2011. Travel to the south Pacific region of Costa Rica. Learn about chocolate production in Costa Rica, explore the mountain landscape, visit research stations and more! View full itinerary, including links to hotels, here.

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New at Classes Near You > California:


Virginia Robinson Gardens, Beverly Hills

www.robinsongardens.org
Read about the Friends of Robinson Garden Botanical Art Group and the Robinson Garden Florilegium here. Download the current class schedule here.

  • Botanical Art Composition I – August 4, 5, 6, 2010.
    How to inject strong eye appeal into a botanical art painting is often challenging from subject to subject, no matter how skilled the artist. Margaret Best will lead students through exercises designed to train the eye on how to plan and create visually appealing and natural compositions. Traditional compositions and contemporary works will be studied to expand the students awareness of how to influence the viewer. The impact of color placement, areas of dark and light, positive and negative spaces will all be covered.
  • How and When to Add Details – September 1-3, 2010. Margaret Best will show you how to build washes to get the right intensity and how to give value to your subject. She will also teach you how to avoid creating muddy colors and how to avoid destroying your paper through overworking.
  • Botanical Art Composition and Final Flower Drawing – October 6, 7, 8, 2010. Final class in a series taught by Margaret Best. Students will apply what they have learned about form, composition, color mixing, and watercolor techniques to create a finished painting.
  • Botanical Painting with Anne-Marie Evans – Session #1: February 21-24, 2011; Session #2: February 28 – March 4, 2011. Anne-Marie will teach her five-step approach to botanical painting using a subject direct from the garden. Students may attend both sessions.
  • Watercolor with Elaine Searle – March 28-31 and April 1, 2011. In this five-day class, Elaine will teach students how to compose a painting and how to capture those inspiring details. Visit PaintBotanical.com to learn more about Elaine.
  • Watercolor on Vellum with Elaine Searle – April 4-5, 2011. Take on the challenge of painting on vellum. Elaine is one of the few artists who teaches how to paint on vellum.

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New at Classes Near You > Washington:


University of Washington Professional & Continuing Education

Certificate Program in Natural Science Illustration
This nine-month program is designed for artists, illustrators, and scientists with some art experience. Students will graduate with a portfolio of work suitable for publication and for use in educational exhibits. The instructional fee for this program is $4,074. This excludes certificate program fees, registration fees, and textbooks. The first-term instructional fee of $1,330, plus a $35 nonrefundable registration fee, is due September 22, 2010. Courses scheduled for the 2010-2011 term are:

  • Intro to Natural Science Illustration
  • Mondays, October 11 – December 13, 2010; 6:30 PM – 9:30 PM. This key course is focused on understanding principles related to anatomical, cellular, and physical form and function when rendering illustrations for scientific purposes. Digital illustration techniques will also be taught in a Mac computer lab.

  • Zoological Illustration – Wednesdays, October 13 – December 15, 2010; 6:30 PM – 9:30 PM. Students will develop an understanding of principles and procedures for a systematic approach to the production of scientific illustrations. Life histories and metamorphic stages will be the focus. Digital illustration techniques will also be taught.
  • Vertebrate Illustration – Wednesdays, January 12 – March 16, 2011; 6:30 PM – 9:30 PM. Comparative biomechanics of animal movement is introduced to understand the musculoskeletal system. Students will learn how to depict both internal and external structures. Black & white, color, and digital techniques will be taught.
  • Wildlife Illustration – Mondays, January 10 – March 14, 2011;
    6:30 PM – 9:30 PM. Students will develop field sketches and wildlife drawings based on a firm understanding of ecosystems, biomechanics and adaptation. Includes a field trip to draw birds and wildlife in their natural environment. Digital techniques will be taught.
  • Applied Techniques of Natural Science Illustration – Mondays,
    March 28 – June 6, 2011; 6:30 PM – 9:30 PM. Students will learn techniques to enhance their presentation of finished work. Business issues such as contracts and copyright will be discussed. Digital illustration techniques will be taught.
  • Botanical Illustration – Wednesdays, March 30 – June 1, 2011;
    6:30 PM – 9:30 PM. Students will learn about the classification and identification of plants while continuing to develop their drawing and composition skills. Projects will be completed in pen and ink, watercolor, or gouache.

Detailed information about this program can be viewed on the program’s homepage on the University of Washington website.

If you are interested in learning more about natural science illustration as a career, visit the Guild of Natural Science Illustrators at www.gnsi.org.


Related
:
The Artists Behind Your Elementary School Science Textbooks



Reader Question
:
We learn from scientific illustrators almost daily, even though we may not realize it. Where have you encountered scientific illustrations?

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