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Archive for the ‘Education’ Category

New at Classes Near You > California:

Los Angeles County Arboretum & Botanic Gardens

www.arboretum.org
Courses in introductory botanical drawing, beginning and intermediate watercolor, colored pencil, sketching and Chinese brush painting are taught throughout the year. Go to the Events & Classes for more information. The Arboretum is located in Arcadia, CA. To register, contact Jill Berry or call (626) 821-4624.

    Introduction to Chinese Brush Painting – 4 Thursdays, October 28-November 18, 2010; 1-3PM / Oak Room. In this introductory course, students will learn the difference between Chinese brush painting and other watercolor painting. Students will learn how to use Chinese brushes and ink to create beautiful paintings on rice paper. Students will end the course with a completed painting ready for framing and display. Instructor Gloria Whea-Fun Teng, is a botanical artist who has taught a variety of courses over the years. Cost: $120 members / $130 non-members. Pre-registration required.

    Week One
    : Introduction to Chinese brush painting. Discussion and demonstration will address: how to mix color, brush painting style and techniques, how to use the brush on rice paper, the use of newsprint to practice strokes, and how to paint a bamboo branch. Assignment #1: bamboo branch

    Week Two
    : Bamboo branch with leaf. Discussion and demonstration will address: using black ink, how to paint a bamboo leaf, a single leaf, a double leaf and how to paint a set of leaves. Students will learn how to control water with their brush. Assignment #2: bamboo branch and leaf

    Week Three
    : Flower (Rose). Discussion and demonstration will address: how to paint flower stems and buds; how to start using color, how to include different angles and shapes; how to paint multiple layers of petals and different leaves. Students will also practice painting a single petal flower. Assignment #3: Rose

    Week Four
    : Final Critique of bamboo painting in black ink and colored rose. Students will complete one painting in the class.

    Download course syllabus/flyer here

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This month we will learn from graphite artist, author, and teacher, Diane Cardaci. Diane began her professional career as a natural science illustrator. She now focuses on portrait work and is a Signature member of the American Society of Portrait Artists. Diane has authored three books for Walter Foster Publishing, Inc. Two books are dedicated to rendering realistic forms and textures in graphite. Her most recent book, How to Draw from Photographs, is a handy reference about how to use reference photos to create detailed illustrations. Diane is also a co-author of two titles in Walter Foster’s Step-by-Step Studio Series. The books she co-authored are Drawing Concepts and Drawing Lifelike Subjects.

Today’s post will focus on the books Realistic Textures, How to Draw from Photographs, and Flowers & Botanicals, with a special emphasis on how botanical illustrators can benefit from these resources.

In Realistic Textures, Diane leads readers through a progression of exercises involving mark making and the creation of pencil washes using water-soluble graphite and smudging techniques. Diane’s demonstrations illustrate clearly that a pencil is more than a simple note-taking tool. While it may seem you’re playing around with pencil marks that will never be used on botanical subjects, Diane demonstrates otherwise when she shows artists how to apply tonal values and pencil marks to create form. Eight pages of Realistic Textures are dedicated to the creation of botanical textures. In this section, artists learn how Diane creates…

  • The hard surface and pattern of croton leaves
  • The glossy surface of holly leaves
  • The thickness and textured surface of cactus pads
  • The polished surface of an apple
  • The bumpy texture of orange peel
  • The achenes and shiny surface of a strawberry
  • The rough texture of a cantaloupe
  • The patterned surface of gourds

Of special interest to botanical illustrators is Diane’s eight-step demonstration in which she develops an illustration of a bellflower from line drawing to finished pencil painting. Illustrators will also find the sections about wildlife textures, landscape textures and animal textures helpful to their work.

In this book, Diane provides many helpful tips, exercises, and pencil drawings to demonstrate how digital cameras can assist artists with their drawings. Diane shows artists how to recognize distortion, how to create distortion intentionally in their photographs, and how to correct for distortion in a drawing. She also demonstrates how to set up a value scale and how to identify a subject’s core value. Instruction in composition, lighting, how to work with several photo references, and how to capture details is also provided.

In this book about our favorite subject, Diane explains how botanical illustrators can use different techniques to create texture and values. Botanical artists will learn about graphite powder, graphite washes, and carbon pencil — tools not normally discussed in a botanical art class. Artists will also learn the value of creating a reference collection of flowers, flower heads, stems, leaves, leaf attachments, and reproductive parts for each specimen before combining these elements into a single composition. Eleven projects are presented by Diane, each one bringing attention to a different aspect of drawing. The projects and the key skills learned in each are as follows:

  • Calla Lily – Blocking geometric shapes, the process of shading to create form
  • Tulip – Blocking shapes, working with ellipses
  • Hibiscus – Using graphite powder to create dark accents
  • Heliconia – How to translate color as a tone in graphite, use of water-soluble graphite pencils
  • Ornithogalum – How to approach drawing an inflorescence
  • Water Lily – Using horizontal strokes to depict flatness
  • Clematis – Drawing a vining plant & trellis
  • Hydrangea – Using texture to create the illusion of many small florets
  • Window Box Exercise – How to make plants a focal point in a scene
  • Sunflower – How to simplify a drawing
  • Mixed Media Exercise – Using ink washes and graphite

These titles are available at ArtPlantae Books.

Diane has so much more to teach us. Be sure to stop by on Monday!

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Mary Ann Scott’s Botanical Sketchbook is an open journal in which she describes her experiences as a student in the Distance Learning Diploma Course administered by the Society of Botanical Artists in the UK. Scott presents actual assignments, as well as the marks she earned for each assignment. Readers are given a front row seat to Scott’s insecurities, decisions, mistakes and successes. This book’s format is unique and provides a level of insight into the SBA diploma program that is not available anywhere else.

Botanical Sketchbook is a rich resource of information for artists at all levels. Mary Ann’s experiences will teach artists a lot about:

  • Line drawings and pencil studies
  • Drawing and painting leaves, color mixing
  • Drawing and painting flowers, composition
  • Single flower studies
  • Fruit studies
  • Vegetable studies
  • Creating a classic botanical illustration
  • Turning field notes into a formal sketchbook pages
  • Working with photographs to create commercial work
  • Composing a painting of mixed flowers
  • Creating a diploma-worthy portfolio addressing all techniques

Botanical Sketchbook is available at your independent bookstore.
(Paperback, 2015; $17.95)



Related

Drawing as a Learning Tool in Biology

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The Lewis Ginter Botanical Garden (LGBG) in Richmond, VA is home to 2,500 botanical watercolor paintings by cartographer and artist, Alexandre Descubes. While much has been researched by the garden’s research staff, there is still a lot to learn about Descubes and his paintings. The garden is asking for your help. Learn more about this research project and how you may contribute here.

New classes for Fall and Winter have been announced. The information below has been added to the Garden’s listing at Classes Near You > Virginia:

  • Plants and Pollinators for Botanical Artists – September 8, 15, 22, 29, 2010; 10:00 AM – 2:30 PM. Select a plant in the garden and learn about its pollinators. Cost: $175 members, $225 non-members
  • Photographing Colors, Textures, and Patterns – 2 Thursday evenings (6-8 pm), 2 Saturday mornings (9-11 am), 1 Tuesday evening (6-8 pm); September 9, 11, 16, 18, 21, 2010. Instructor: Lynda Richardson, nationally recognized nature photographer.
  • Nature Journaling – September 11, 2010 – FULL
  • Learn to Use Your Digital Camera – 5 meetings, September 23, 25, 30, October 2, 5, 2010. A combination of lectures and field trips. Designed just for you, your camera, and your user’s manual. See details
  • An Introduction to Photographing Birds – 5 meetings, October 7, 9, 14, 16, 19, 2010. A combination of lectures and field trips. See details
  • Beginning Botanical Art and Illustration – Wednesdays, October 13, 20, 27 and November 3, 10, 2010. Introduction to botanical illustration and plant morphology. Materials will be provided. Students will complete assignments in pen & ink and graphite. Cost: $195 member, $245 non-member
  • Anatomy of a Flower for Botanical Artists (Monocots), Part 2 – Wednesday, December 1, 8, 2010; 10:00 AM – 2:30 PM. Students will create a painting or drawing of a monocot to present to the class in botanical terms. Cost: $96 member, $115 non-members

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New at Classes Near You > International > England:


The Wagon House

Lost Gardens of Heligan, Cornwall
www.thewagonhouse.com
A bed-and-breakfast in the English countryside where you can eat breakfast at a time that is convenient for you, visit the gardens in Cornwall, and take botanical art classes too!

  • Four-Day Botanical Painting Course – September 3-6, 2010. Classes are taught in a renovated, well-lit studio. The studio building itself is a 250-years old. Cost: £270.00, includes lunch each day.
  • Five-Day Botanical Painting Course – September 29 – October 3, 2010. Cost: £335.00 including lunch each day during the course. One day per week Termly Fees: £250.00 bring your own packed lunch.

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The Plant Parts series by Vijaya Khisty Bodach is a collection of six books addressing plant morphology. Each book is dedicated to a single topic. The topics Bodach writes about are roots, stems, leaves, flowers, fruit, and seeds. Each book in the series follows the same format, so a pattern emerges that unites the books and builds on the theme. Young readers learn why roots, stems, leaves, flowers, fruit, and seeds are required by plants. They also learn about the parts of plants we eat as food.

Large color photographs are paired with descriptive text that is easy to read. Word count for the books in this series ranges from 114 to 130. Each book ends with a glossary of terms and suggestions for further reading. On the last page of each book, a unique identification code is provided giving young learners access to FactHound.com, a portal to 1,600 pre-selected, age-appropriate websites about many different subjects.

The books in the Plant Parts series are available at your local independent bookstore or from the publisher ($6.95).

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Puget Sound Mycological Society 3rd Annual Art Exhibition

    Location: University of Washington Center for Urban Horticulture
    Show Dates: October 16 – 17, 2010
    Entries Due: September 30, 2010
    Contact: Doug Birkebak

Click on the poster above to view details and to download entry form.

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