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Archive for the ‘Learning Opportunities’ Category

“Ask The Artist” goes live next week and this is very exciting. If you haven’t signed up yet for this event, please consider doing so. The book Botany for the Artist is a treat. Sarah’s live presentation will make the book extra special as you will be able to bundle it with memories of learning live from Sarah as she speaks to us from the UK. During her presentation, Sarah will discuss how she created the book and how materials were collected. She will also discuss her technique and share her preparatory sketches as she refers to pages in the book.

There is still time to register for this event. Sarah’s inspirational presentation will occur on Thursday May 27, 2010 at 12 pm (PST). Yes, you could just buy the book. However, with so many options to learn, why not choose the live version when you can?



UPDATE: Read a post-event review and learn how you can view a recording of this event.

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Introduction to Paleobotanical Art (botanical fossil art)
Derwent Pencil Museum
July 6 & 7, 2010
10 a.m. – 4 p.m.

Stephen Caine trained as a museum natural history conservator. His duties included drawing illustrations of specimens, diorama building and the painting of backgrounds. While working for museums and universities, Stephen had the opportunity to study plant fossils, as well as 18th and 19th century botanical art. This led to Stephen specializing in paleobotanical art.

Stephen’s subjects are obtained at fossil sites and from museum storerooms. Working as the main artist for the Rhynie research group at Aberdeen University, he created illustrations and models of this unique group of Devonian plants.

Now living in northeast Scotland, he maintains strong ties with Aberdeen University and has been commissioned to design a new diorama about the extinct plants found as fossils in this area. As part of this project, Stephen will work for various museums and universities and will reconstruct extinct flora. He will also teach botanical painting and drawing to researchers and students.

During his demonstration at the Derwent Pencil Museum, Stephen will use graphite and watercolor pencils to introduce museum visitors to paleobotanical art. To learn from Stephen as he demonstrates his techniques, please obtain a ticket at the museum entrance. This ticket entitles you to one hour of free instruction.

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Botanical artist and natural science illustrator, Cynthia Padilla, will teach a sketching class in Guatemala this summer. Information about this adventure and other workshops have been added to Classes Near You > New Mexico. In case you did not know, Cynthia is the founder of the Botanical Art & Naturalist Illustration group on Yahoo!

  • Nature / Botanical Sketching in Guatemala with Cynthia Padilla – July 22-31, 2010 (10 days); Guatemala – Antigua Central America. Immerse yourself in the beauty of the tropical flora and fauna of Guatemala. Spend unhurried time, workingmen plein air, lulled by the gentle breezes of “the land of eternal spring.” Days begin with intro of materials and demo of technique (pastel, pencil, pen & ink, acrylic, colored pencil, watercolor). Participants welcome to document whatever catches your eye and imagination….ancient structures, tropical landscapes, colorful markets. We’ll base out of lovely Antigua, but spend three nights at Posada Santiago, overlooking gorgeous Lake Atitlan. Join us and begin a lifelong habit of journaling in nature and return home with a collection of sketches, tiny vignettes, notes & notations, measurements & musings, and frameable works of art in breathtaking detail. All levels. To register, contact Liza Fourré, Director, Art Workshops in Guatemala or at 612-825-0747. More details & video
  • Drawn from the Collection – Thursday & Friday, Sept 9 – 10, 2010; 9 AM – 3 PM. Learn how to draw while examining a fascinating collection of museum treasures at the New Mexico Museum of Natural History & Science, such as minerals and fossils, bones and casts, moths and butterflies, bird and small mammal study skins and mounts, etc. Gather with other enthusiasts — complete beginners to professional artists. Emerge with quick scribbles, convincing renderings, sparkling watercolors, notes and notations, measurements and musings. The workshop includes a private behind-the-scenes tour of the museum’s Geosciences Collection and specimens hand-selected from the Bioscience Collection for your artistic investigation and documentation. Contact August Wainwright, Projects Coordinator, or call (505) 841-2861. Cost: $200 nonmembers. Members receive 10% discount. Lunch provided both days. A certificate will be presented upon completion.
  • Field Sketching: Watercolor Nature Journal– Tuesday & Wednesday, Sept 21 & 22, 2010. 9 AM – 3 PM. Try your hand sketching like an early naturalist, combining a scientific eye with artistic beauty! Field sketches are simple but accurate drawings executed out-of-doors in situ to document sightings, identify specimens, or simply capture the landscape, flora and fauna of a special place. Ramble trails and fields of the Sandia Mountain Natural History Center, sketchbook journals in hand. Moving indoors, as conditions dictate, to draw from nature specimens. Along the way botanical artist/natural science illustrator Cynthia Padilla instructs and demos technique. This class will be taught at the Sandia Mountain Natural History Center for the New Mexico Museum of Natural History & Science. Contact August Wainwright, Projects Coordinator, or call (505) 841-2861. Cost: $200 nonmembers. Members receive 10% discount. Lunch provided both days. A certificate will be presented upon completion.

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Now at Classes Near You > California:


The Getty Center, Los Angeles

www.getty.edu
Free to all visitors, The Getty Center in Los Angeles is home to the famed Getty research library and an expansive collection of Western art. In 2008, the Getty hosted a fantastic exhibition about natural history artist, Maria Sibylla Merian.

    Getty Drawing Hour (Botanical Illustration) – Sundays, May 16, June 6, June 20; 3:30 PM – 5:30 PM. Learn how to observe and to sketch plants in the Getty’s Central Garden. Artist Deborah Shaw will be your guide. Bring your own pad of paper and a pencil. Sign up for this free workshop at the Museum Information Desk. Workshop registration begins at 2:30 PM on the day of each workshop.

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Go to summer school at home!

New classes at Classes Near You > New York:


Cornell University Department of Horticulture

http://hort.cals.cornell.edu/
Two six-week botanical illustration classes are taught online through this department. A course syllabus for each class is available online. Click on the links below for complete details.

  • Botanical Illustration I: Basic Drawing Techniques – June 7 – July 25, 2010. For beginning artists of all ages. Students will work in pencil and pen-and-ink. Topics include: observing nature, drawing, composition, perspective, shading. Cost: $500. Limit: 20 students. View detailed description and syllabus.
  • Botanical Illustration II: Working with Watercolors – June 7 – July 25, 2010. In this introductory course about color, students are encouraged to continue their discovery of plants. Emphasis will be on simpler subjects such as a single-stem flower, fruit, and vegetables. View detailed description and syllabus.


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© Jeanne Debons. All rights reserved

Botanist and artist, Jeanne Debons, began her botanical art career after reading an article about contemporary botanical art while waiting at Heathrow Airport. Today she teaches classes at her Oregon studio and shows her work in local exhibitions. Next month, Jeanne will participate in A Brush with Nature in The Library Gallery near the Chelsea Flower Show.


Two-Day Botanical Painting Workshop with Jeanne Debons
– Saturday & Sunday, choose from the following sessions: May 15-16, 2010; June 12-13, 2010; September 11-12, 2010; October 9-10, 2010; November 13-14, 2010. Cost: $120 for a two-day workshop (or $65/day). Learn the fundamentals of botanical painting in watercolor. Experienced students will work on more advanced skills. Drawing and painting techniques, color mixing, and composition will be discussed. Supplies will be provided for beginners. Lunch is included for all students. Click on the image to download course flyer.

This information has been added to Classes Near You > Oregon.

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Now at Classes Near You > Colorado:


Marjorie Leggitt, Leggitt Design & Illustration

http://www.science-art.com/leggitt

  • The COLORADO CHAUTAUQUA: Architecture in the Landscape – Saturday, June 26 & Sunday, June 27 (2 days); 9 a.m.–3:30 p.m. Chautauqua Park, 900 Baseline Road, Boulder, CO. Cost $185. www.chautauqua.com
    At the foot of the picturesque Flatirons in Boulder, Colorado, Chautauqua Park offers one of the most spectacular landscapes on the Front Range! In addition, 40 acres of landscaped parks, historic cottages, and century old buildings provide the perfect setting for a 2-day workshop on linear perspective. Starting from the ground up, and using a few simple tools, students learn how to draw both one and 2-point perspective by sketching simple structures and architectural features on location, out-of-doors. Additional instruction and demonstrations provide guidance for including various landscape features and plants into the sketch. A final assignment, provides students with the knowledge to take their new skills of linear perspective with them where ever they go! This is a MUST workshop for the local and world traveler alike!
  • BACK TO BASICS: Drawing with ConfidenceALMOST FULL. Tuesday, July 6 – Friday, July 9 (4 days); 9 a.m.– 2:30 p.m. (half-hour lunch). Volunteers for Outdoor Colorado (VOC), Dos Chappell Room, Washington Park, Denver, CO. Cost: $380
    You draw the “subjects” for your artwork, but it’s slow, you avoid difficult views, and still, you’re not sure it’s quite right. Have no fear! Whether your topic is a favorite lighthouse on Martha’s Vineyard, Aunt Millie’s pet dog, or a vase of autumn perennials for a still-life painting you plan to enter in an exhibit in Chicago, this back-to-basics drawing course will help you achieve your goal. In this fun four-day workshop, you will return to the drawing basics of Line, Shading, Perspective, and Composition to bolster your drawing skills and boost your confidence. Marjorie Leggitt and Susan Rubin will guide you through specific steps to better drawing. Understand how to “see” like an artist and turn on your artistic intuition to draw line correctly the first time. Revisit the principles of light, form, and depth to flesh out compositions both big and small. Practice linear and aerial perspective to accurately portray physical and atmospheric depth. Develop composition strategies to create dynamic artwork. We’ll look at subjects large and small, indoors and out. Instruction, exercises, practice, and individual guidance will assure that in just four days you’ll solidify those shaky skills and draw anything better and faster every time.
  • POSTCARDS FROM….Fairplay, Colorado: A Watercolorist’s Best Kept Secret – Thursday, August 26 – Sunday, August 29 (4 days). Workshop begins at 10 a.m., Thursday and ends at 2:30 p.m., Sunday. Location: Fairplay, Colorado. Price: $825 per person/double occupancy (Includes: instruction, handouts, double occupancy lodging, breakfast and lunch, a custom watercolor travel kit). Single Room Supplement for 3 nights: $175.00. Additional nights of lodging available upon request for an additional fee. Instructors Marjorie Leggitt and Leon Loughridge in one of the most intriguing and beautiful landscapes in Colorado, this 4 day painting workshop explores hidden lanes and spectacular high elevation scenery while students acquire the skills required to paint plein air landscapes with transparent watercolors. The first morning provides a discussion of the fundamentals for making good compositions. Teacher demos, and student exercises include finding compositions, and making value thumbnails to capture the lines, patterns, and shape within the landscape. After lunch the focus of the workshop turns to painting. Starting with a composition selected and demoed by the instructor, students soon discover the advantage of a limited color palette. Instruction details the step-by-step process from simple value washes, to 2-color “snapshots”, to layered mini “vignettes”, to larger paintings. Each day builds upon the previous day’s lessons while offering new painting locations – from vast plains and historic architecture to spectacular mountain settings. One-on-one critiques provide personal attention and help painters move to the next level. Daily group instruction, demos, critiques, and evening slide presentations provide multiple opportunities to observe and learn from the group.

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