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Archive for the ‘distance learning’ Category

New at Classes Near You > International > England:


London Art College: Distance Learning Art Courses

www.londonartcollege.co.uk
Distance learning is this school’s specialty. In this program, students have the opportunity to engage in many types of art. Students are required to complete regular exercises and assignments. Homework is scanned and uploaded for critique or sent to tutors through traditional mail.

  • Botanical Illustration 1 – An introduction to botanical illustration, painting, and plant morphology. Students will learn about the history of botanical illustration, as well as how to collect and use reference material. Instructor: Lynette Conway. For more information, including sample pages from this course, click here.
  • Botanical Illustration 2 – Watercolor techniques are the focus of this course. Detailed step-by-step demonstrations are included in this course taught by Sandrine Maugy. Details and sample pages can be viewed here.

Other courses include drawing, painting, sketching landscapes, oil, colored pencil, cartooning, portraits, and children’s book illustration. There are even long distance courses for kids!

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Mary Ann Scott’s Botanical Sketchbook is an open journal in which she describes her experiences as a student in the Distance Learning Diploma Course administered by the Society of Botanical Artists in the UK. Scott presents actual assignments, as well as the marks she earned for each assignment. Readers are given a front row seat to Scott’s insecurities, decisions, mistakes and successes. This book’s format is unique and provides a level of insight into the SBA diploma program that is not available anywhere else.

Botanical Sketchbook is a rich resource of information for artists at all levels. Mary Ann’s experiences will teach artists a lot about:

  • Line drawings and pencil studies
  • Drawing and painting leaves, color mixing
  • Drawing and painting flowers, composition
  • Single flower studies
  • Fruit studies
  • Vegetable studies
  • Creating a classic botanical illustration
  • Turning field notes into a formal sketchbook pages
  • Working with photographs to create commercial work
  • Composing a painting of mixed flowers
  • Creating a diploma-worthy portfolio addressing all techniques

Botanical Sketchbook is available at your independent bookstore.
(Paperback, 2015; $17.95)



Related

Drawing as a Learning Tool in Biology

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What kind of online experience would help you find and give support for learning botanical art?

This was one of the questions posed by Mark Granlund last night during his Thursday office hours. The conversation focused on how to engage learners in an online community. What inspires you to engage in conversation as you surf the Web? Please share your thoughts with us and contribute to this ongoing conversation.

Also, a poll was launched yesterday. The question being asked is:

Would you take an online class in botanical art?

Reply Here

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When the botanical art program at the Como Park Zoo and Conservatory in St. Paul, MN ended late last year, it marked the end of arts programming at the conservatory. Mark Granlund began the art education program there and taught in the program for 15 years. This event could have been the end of botanical art instruction for Mark, but instead was opportunity in disguise. During the last week of class, Mark received an email from a woman in British Columbia, Canada asking if Como’s classes were taught online. Mark entertained the idea and began investigating what it would take to teach a botanical art class online. Curiosity turned into action. Mark developed an online curriculum and launched his new course this past Spring. The pilot course went well and the second class is also going well. How did he do it?

Mark drew upon the classroom experiences he had while teaching at Como. This helped him figure out the format of the class. To bring his traditional classroom curriculum online, he had to break activities down and breakdown the stages of the drawing process. By doing so, he identified the bits of information he could explain as text and the elements of his class that could only be taught through demonstration. This analytical evaluation of his classes resulted in a drawing course for beginners incorporating the combined use of video demonstrations, quizzes, critique sessions, and a class blog.

To teach online, Mark had to change his approach to teaching. Because he could no longer respond to questions in-person, he had to write everything down and deliver his information to students in advance. He spent a lot of time breaking things down into small steps — a lot of time. While incredibly time-consuming, he enjoyed the process. Mark says he likes that he can provide links and various resources to his students; resources he might not have provided to students in his classes at Como. Connecting students to a variety of resources helps to counter-balance the lack of face-to-face classroom interaction.

Mark uses Moodle to create his online classes. Moodle is a course management system designed specifically for online courses. The technical issues he has had to troubleshoot have been primarily PC vs. Mac issues. Students like the Moodle platform and find it easy to navigate.

Assessing student work is done efficiently through the Class Portfolio into which students upload their work. Mark can offer feedback on an individual basis through the class portfolio. There is also a Class Forum where students can ask questions of Mark and their classmates. The forum provides a learning environment like that of a physical classroom. Students can also participate in live chats, however neither class has taken advantage of this feature. Student schedules vary so much that chatting live has not been possible.

Student scheduling is one element of an online class that has proven to be difficult to manage. When students enroll in a traditional botanical art class, they participate according to a set schedule. In an online class, students participate when they can. The luxury of flexibility can be an issue sometimes. But as with traditional classroom learning, life happens and if a student has to miss a class or postpone participation, both Mark and his students roll with the changes. Mark tells his students he will always be available to answer their questions, even if they do not finish a class with their classmates. The nice thing about an online class is that students always have information available to them and have the resources to catch-up on their own.

When asked about the biggest difference between an online class and a traditional class, Mark cites accountability and student interaction as the biggest differences. Accountability and interaction occur at a different pace online. Everyday he struggles with these two questions: How do you get people to engage? How do you coax the people on the edge to interact?

Another difference between online and traditional botanical art classes is advertising. With an online class, Mark does not have to print flyers and drive all over town to post them onto bulletin boards. He advertises his classes on his blog and through social media channels.

Mark’s current drawing class for beginners is almost complete. During summer, he will continue writing curriculum for the intermediate drawing class he will teach in September. This class will be followed by a watercolor course for beginners in mid-Fall. Mark’s advanced drawing class will begin in 2011. Details about Mark’s classes will be posted in Classes Near You > Minnesota when they become available.


Office Hours with Mark Granlund

Do you want to learn more about Mark’s online classes? Mark will respond to your questions directly through ArtPlantae Today. Enter your questions or comments below and check the “Notify Me” box so you can follow the conversation about Mark’s classes as it develops. Mark will respond to questions every Thursday evening through the month of July. So if you don’t have a question today, you will have the opportunity to ask your question anytime during this month.



About Mark Granlund

When Mark is not working tirelessly creating his new classes, he is beautifying the city of St. Paul, MN as the Arts & Garden Program Coordinator. In this position, Mark tends to 150,000 square feet of public gardens, 60 public sculptures, and 570 hanging baskets. He also works as a liason between government agencies and community groups. Mark is currently assisting in a project that will bring healthy, locally-grown food to the residents of St. Paul. He is also involved with the Blooming St. Paul project dedicated to greening up neighborhoods and the installation of public art. One of his projects is related to a light-rail line that will connect downtown St. Paul to downtown Minneapolis. This rail line will run down a major street and its construction will be very disruptive to the area. Mark is working with other groups to turn this huge disruption into a positive experience by creating planted medians and a sustainable landscape around the finished rail line.

Mark’s most engaging project at this time is writing and illustrating The Book of Bartholomew. This book is a collection of short stories about young adults and their experiences managing careers and relationships. Mark is posting a sentence or snippet of his book daily on the his Facebook page. When the book is released, readers will be able to view the short stories in their entirety. The book has been designed to be an online experience. When the book’s website launches, a new short story will be unveiled every two weeks. The overall theme of the book is about supporting local artists and local growers. Mark is working on The Book of Bartholomew with five other artists. An exhibition about this book will be held at Homewood Studios, October 1-18, 2010.

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Revised at CLASSES NEAR YOU > NEW YORK:


Cornell University Department of Horticulture

http://hort.cals.cornell.edu/
Two six-week botanical illustration classes are taught online through this department. A course syllabus for each class is available online. Click on the links below for complete details.

  • Botanical Illustration I: Basic Drawing Techniques – January 25 – March 14, 2010. For beginning artists of all ages. Students will work in pencil and pen-and-ink. View details.
  • Botanical Illustration II: Working with Watercolors – January 25 – March 14, 2010. In this introductory course about color, students are encouraged to continue their discovery of plants. View details.

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In the Art of Horticulture course she teaches in the Department of Horticulture at Cornell University, Marcia Eames-Sheavly began to notice a trend with her students. She observed her students were full of enthusiasm when learning about plants as subjects of art and that they boldly accepted design challenges such as creating sod sculptures. However whenever she transitioned into the unit requiring students to draw plants, her fearless bunch began oozing self-doubt. Suddenly self-conscious, students started to look over their shoulders to compare their work to the work of fellow classmates. Marcia began to wonder…..what would happen if students could learn how to draw plants in a private and supportive learning environment?

To find out, she created a six-week online botanical illustration course for beginners and launched this course in Summer 2005. She wanted to provide students with the opportunity to explore their creative side in private, while providing a nurturing environment comprised of interaction with peers and personalized guidance from an instructor.

For many of the students, this introductory illustration course is a first for them in two ways. It is the first time they have taken a drawing class and the first time they have taken an online course. Learning Cornell’s Moodle interface is critical to a student’s progression in the course so it receives special attention the first week. During this week, students learn how to scan documents, create digital files, and how to upload these files to Moodle.

The remaining weeks of class are dedicated to step-by-step instruction, the comprehension of selected reading material, peer interaction in the student forum, and the development of creative and observational skills through entries made into a reflective journal. While students have the option of posting artwork in their private forum, they are not required to do so. Only Eames-Sheavly sees the drawings and the final project created by each student. This is how she ensures one of the key elements of this course — the private and constructive assessment of student work. It is also how she encourages students to express their creativity and develop their personal style.

Drawing Plant Forms in Pen & Ink is taught to the public twice per year, once in summer and again in winter. The Fall semester is open to Cornell’s horticulture students only. The response to this class has been very positive and a second course has been developed. This new six-week course will be launched in January 2010 and will serve as an introduction to color. Students will learn color theory and watercolor techniques. Exercises will address the following topics: composition, the creation of preliminary sketches, color mixing, the application of watercolor washes, dry brush technique, painting plants, and how to work with backgrounds. Assignments will focus on single-stem flowers, fruit or vegetables. The launch of a second online botanical art course is an exciting next step for Cornell University’s Department of Horticulture. The department has set in motion a long-term goal of creating a certificate program in botanical illustration for horticulture students.

Fortunately for the rest of us, this unique learning opportunity is also open to the public. If you have been searching for an online course in botanical art, here it is. What better way to incorporate botanical art into your busy schedule? You are ensured engaging conversation with artists in a private forum, one-on-one constructive feedback about your work, and the opportunity to learn from a thoughtful instructor in tune with her student’s needs.

Check Cornell University’s listing in Classes Near You > New York for information about the January 2010 schedule.

Do you have questions about Cornell’s botanical illustration course? Send your comments through this blog (please use your first name, your initials, or some other screen name if this make you more comfortable). Marcia Eames-Sheavly will respond to your comments and questions. The comments section will close on Wednesday October 14, 2009 at 5 PM PST, so be sure to get your questions in early. Marcia will respond to comments by the end of the week.

We would like to thank Marcia for introducing us to her online courses and for responding to readers’ questions.

Marcia was featured in January 2009 in our post about Cornell’s CyberTower and her presentation about rare books and botanical art. Read More…



About Marcia Eames-Sheavly

Marcia is a senior lecturer in the Department of Horticulture at Cornell University in New York. She provides statewide leadership and coordination of an interdepartmental/multidisciplinary garden-based learning extension program for children and youth educators. She also develops curriculum and educational resource materials, collaborates with other garden-based learning educators nationwide, teaches the Art of Horticulture, and supervises independent study projects focusing on art and garden-based learning.

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