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Archive for the ‘botanical art’ Category

Artist Andie Thrams has created a new 2012 calendar reflecting her passion for creating art in wild places. Andie explains:

My 2012 IN FORESTS calendar reveals images from a collaborative project, “Cross-fertilization,” inspired by time I’ve spent in forests with my friend, collaborator and forest ecologist, Sarah Greene. The original work holds multiple layers of imagery, including drawing made with sticks and ink in wild forests, embedded maps and scientific data, and watercolor and gouache painting. Each IN FORESTS calendar is a careful archival digital reproduction of images from this project, printed with Epson UltraChrome K3 pigment ink on cotton rag paper, accordion-folded by hand and signed, all right here in my studio.

This new calendar is available in two sizes and can be purchased at Andie’s Etsy store.

Full-size Calendar
Opens to 7 1/2 x 36 inches and folds to 7 1/2 x 4 1/2 inches ($30).

Small Calendar
Opens to 4 1/8 x 19 inches and folds to 4 1/8 x 2 3/8 inches ($12).

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The Greystoke Cycle Café announces is schedule of “Quirky Workshops” for the new year. The new schedule includes botanical art classes taught by Simon Williams, Kay Rees-Davies and Colin Swinton. The information below can also be viewed at Classes Near You > England.


Greystoke Cycle Café & Tea Garden

www.greystokecyclecafe.co.uk
You may remember learning about the Greystoke Cycle Café & Tea Garden during an interview with Billy Showell. This rest stop for cyclists not only provides everything a cyclist needs, it also provides a full schedule of workshops taught by artists and other professionals. The 2012 schedule includes botanical art classes and wildlife painting classes such as:

  • Botanical Illustration in Watercolor with Gouache – March 5
  • Wildlife Illustration in Watercolor with Gouache – March 6
  • Botanical Illustration in Watercolor – June 13-14
  • Painting in the Botanical Style of Charles Rennie Macintosh – July 18

View these classes and the entire 2012 course schedule here.

Also see the Greystoke Cycle Cafe’s Art Courses page.

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A steward of the environment, especially California’s Sierra Nevada, John Muir Laws, has dedicated himself to revealing the natural world through art and science.

John (Jack) Laws has been an environmental educator for 30 years. He recently collaborated with the California Native Plant Society and with English instructor, Emily Breunig, to create a wonderful curriculum integrating art, science and the language arts.

I am thrilled to introduce John Muir Laws and Opening the World Through Nature Journaling, the Feature Curriculum for December.

John has kept a sketchbook since elementary school. Challenged by dyslexia, he found that keeping a journal was the easiest way to record his experiences. Drawing and sketching helped him see things he had never noticed before. John’s mom gave John his first sketchbook. One year during a family trip, John and his family met a woman who was keeping a wildflower sketchbook. John’s mom noticed how he followed this woman and her sketchbook throughout their trip. On the next family vacation, John’s mom gave him a sketchbook and colored pencils so he could document their vacation. Little did she know that years later, John would use sketchbooks as a teaching tool.

While working as a naturalist group leader at Walker Creek Ranch in northern California, John led activities designed to connect children to nature. He decided to incorporate journaling into his activities to help students slow down and focus in the same way his own journals helped him to slow down and become a better observer. He soon began to notice differences between his journaling audience and the groups of children who ran through the ranch without stopping to see what was really there. John began to expand upon his journaling exercises. The Marin County Outdoor School at Walker Creek Ranch became a great testing ground. It took about four years for John to develop his activities. He wrote up his observations, began sharing them with other naturalists and teachers, and over a period of 10-15 years, his activities were tested hundreds of times and refined. This collection of journaling exercises eventually became Opening the World Through Nature Journaling.

The response to Opening the World Through Nature Journaling has been “amazing”, according to John. He says “(the curriculum) has been well-adopted in California and across the country. Teachers get this is authentic student-driven education.”

While John was developing and testing journaling activities, he was also launching the program Following Muir’s Footsteps and working on his book, The Laws Field Guide to the Sierra Nevada (2007).

Following Muir’s Footsteps is a conservation project for schools in the Sierra Nevada region whose aim is to encourage local youth to become citizen stewards of the Sierra. Encompassing an eighteen-county area around the Sierra Nevada, Following Muir’s Footsteps connects youth to nature through firsthand experiences and journaling. Through this program, John provides in-service training for teachers about how to use field guides and how to use science journals in their classrooms. He also sponsors one mentor teacher from each school so they can attend the Sierra Nevada Teacher Institute, a summer program where teachers learn about the biodiversity of the Sierra Nevada. School libraries also benefit from this fantastic program. The library of each participating school receives 25 copies of The Laws Field Guide to the Sierra Nevada.

The idea to create his comprehensive field guide to the Sierra Nevada was hatched when John was in high school. One day, while hiking the John Muir Trail and juggling many field guides, he thought how wonderful it would be to have all of his field guides packaged into one portable book. By the time he finished high school, John says he could visualize the pages, the layout — everything. John’s grandmother encouraged him to begin working on his dream. At about this same time, he came across a poem by Mary Oliver called The Journey. The first line of this poem read:

One day, you finally knew what you had to do, and began.

So John quit his job and says he “filled my backpack with paper and granola.” He spent the next six years documenting the flora and fauna of the Sierra Nevada. In the early stages of this full-time project, he drew whatever he encountered. At the end, he went into the field with species lists. John says the last few species on his list were a particular challenge and that locating them was a true “scavenger hunt.”

How did John take on the expansive Sierra Nevada? He started at the lower elevations in the south and, as plants bloomed in the Spring, he followed the bloom hopping back and forth between the west side and the east side. Every 1-2 weeks, John hiked out to pick up fresh supplies, get more paper, bathe and shave.

In The Laws Field Guide to the Sierra Nevada, you will find descriptions of over 1700 species and 2,700 watercolor paintings. John drew each plant from life and each illustration was started and completed in the field. Illustrations of birds, insects and mammals began as quick gesture sketches in the field. They were then finished in the studio after a careful study of museum skins, reference materials, and the collections at the California Academy of Science.

When asked how it is he can make so many big things happen, John says none of his programs were launched as big complete packages. He explains, “It was an accumulation of a lot of little pieces coming together organically. This is what makes it possible to do something big.”



Ask The Artist with John Muir Laws

John received a Bachelor of Science in Conservation and Resource Studies at UC Berkeley and a Master of Science in Wildlife Biology at the University of Montana. He is also a graduate of the scientific illustration program founded at UC Santa Cruz, that is now taught at California State University Monterey Bay. In 2011, John received the TogetherGreen fellowship from Audubon/Toyota and this enabled him to deliver the Following Muir’s Footsteps program to 10 schools in the Sierra Nevada. This month, we have the extraordinary opportunity to discuss art, science and education with John.

To take advantage of this opportunity, post your questions or comments in the comment box below. John will respond to questions throughout the month of December.

Teachers, do you know of other teachers who might like to join in the conversation? Please send them the link to this article. The conversation will happen right here on this page.


Request a copy of Opening the World Through Nature Journaling

To request your own copy of the nature journal curriculum written by John Muir Laws and Emily Breunig in collaboration with the California Native Plant Society, click here.


Drawing Plants: Tutorials by John Muir Laws

John recently posted tutorials about how to draw plants on his website. These tutorials were created specifically for teachers. The demonstrations are easy for teachers to recreate in their own classrooms. Leaf and flower templates are available for download. View John’s instructional videos in the Nature Drawing section of his website.


Get “The Laws Field Guide to the Sierra Nevada”

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A new course about advanced techniques in botanical illustration has been added to the new certificate program now offered through the Cornell University Department of Horticulture. This new course has a special introductory price of $400 for the upcoming six-week term.

Read more below and at Classes Near You > New York.


Cornell University Department of Horticulture

http://hort.cals.cornell.edu/
The Department of Horticulture at Cornell University has expanded their schedule of online courses to include an advanced techniques course in botanical illustration. The Cornell University Department of Horticulture now offers a certificate in botanical illustration through the Office of Continuing Education. This certificate program is composed of the following courses: Botanical Illustration I: Basic Drawing Techniques, Botanical Illustration II: Working with Watercolor and Botanical Illustration III: Advanced Techniques.

    Botanical Illustration I: Basic Drawing Techniques
    January 23 – March 10, 2012. Students will work in pencil and pen-and-ink. Topics include: observing nature, drawing, composition, perspective, foreshortening, and how to use light to give botanical drawings three-dimensional form. Cost: $500. Limit: 15 students.
    View syllabus and register

    Botanical Illustration II: Working with Watercolor

    January 23 – March 10, 2012. In this introductory course about color, students will continue their study of plants. Emphasis will be on simpler subjects such as a single-stem flower, fruit, and vegetables. Cost: $500. Limit: 15 students. View syllabus and register

    NEW
    Botanical Illustration III: Advanced Techniques

    January 23 – March 10, 2012. In this class, students will explore various media and develop a portfolio of work. Students will develop a proficiency in botanical drawing using pastels, colored pencil, pen and ink, pencil and chalk. Cost: $400. Limit: 15 students. View syllabus and register

After you register, you will receive enrollment guidance within 2 – 3 weeks, enabling you to get access to the site. Courses do not begin formally until January 23rd.

A Botanical Illustration Certificate of Completion from the Department of Horticulture, Cornell University, will be awarded upon the successful completion of all three botanical illustration courses.

View Cornell University’s horticulture distance learning courses

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New at Classes Near You > England:


Lewisham Arthouse, London

www.lewishamarthouse.co.uk
The Lewisham Arthouse once served as the central library of Deptford. Designed by architect Sir Alfred Brumwell Thomas (1868-1948) and funded by Andrew Carnegie (1835-1919), this former library is now features a public gallery and studio space for professional artists. Artist studios are open to the public once per year. Exhibitions in the gallery are open to the public year-round, free of charge.

    Drawing From Plant Life
    January 9 – March 19, 2012; 1:30 – 3:00 PM. Taught by artist and botanist, Alison Day, this ten-week workshop provides an opportunity to learn about the art and science of plant drawing at a theoretical and practical level. The course covers both graphic & paint techniques and theory. Students will learn about plants and examine the historical context of the discipline. This course is aimed at beginners and people who would like to update existing knowledge. To participate, please bring a sketch book and basic materials. Space is limited. Early registration is required. For more information and to register, contact instructor Alison Day.

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Were you inspired by Kelly Houle’s Illuminated Origins project?

Below is an opportunity for botanical artists to learn about the painting and gold leaf techniques used by manuscript artists. Read about the medieval illumination class, and other exciting classes, to be offered this Spring at Corcoran College of Art & Design in Washington, DC.


Corcoran College of Art & Design

www.corcoran.edu
The only college of art and design in Washington, DC also offers a certificate program in botanical art and illustration. Classes include introductory courses in botanical drawing, botanical painting and specialty classes such as Plant Portraits in Oil and Medieval Illumination.

  • Drawing Orchids – March 17-18, 2012; 9:00 AM – 4:30 PM. Orchids will be the focus as students learn drawing and compositional skills. Light, shade, shadow, plant morphology and botanical forms will also be discussed. Students will be introduced to wet and dry media. Beginner/Immediate. Cost: $490 (0.5 Credits). View details
  • Medieval Illumination and Egg Tempera on Vellum
    February 11-19, 2012; 9:00 AM – 4:30 PM. Egg tempera, 24k gold leaf technique and natural pigments will be discussed. Students will learn how to grind natural pigments and learn the techniques used by manuscript artists during the 4th – 14th centuries. Some materials provided by instructor. Cost: $970 (1 Credit), plus $100 lab fee. View details
  • Photographing Orchids – March 3-4, 2012; 9:00 AM – 4:30 PM. Learn classic and creative photography techniques that will have you shooting compelling orchid images in no time. This workshop is designed for photo enthusiasts who want to photograph orchids at the National Orchid Show. Cost: $490 (0.5 Credits). View details
  • Introduction to Botanical Painting in Watercolor
    January 18 – May 9, 2012; 9:30 AM – 12:30 PM. For beginners wanting to learn about the painting techniques used by contemporary botanical artists. Students will learn how to apply paint to create form and detail. Some drawing experience helpful. Cost: $1440 (1.5 Credits), plus $60 lab fee. Audit Fee: $720, plus $60 lab fee. View details
  • Intermediate Botanical Painting in Watercolor
    January 18 – May 9, 2012; 9:30 AM – 12:30 PM. This course is a continuation of the introductory course above. Students will continue their study of painting techniques and plants. Cost: $1440 (1.5 Credits), plus $60 lab fee. Audit Fee: $720,plus $60 lab fee. View details

This information has been posted to Classes Near You > Washington, DC.

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Learn to sketch with a paint brush. Artist and author, Brenda Swenson, has announced her teaching schedule for 2012.

This information can also be found at Classes Near You > Southern California.


Brenda Swenson, Los Angeles

www.swensonsart.net
Brenda Swenson, WW, NWWS is the author of Keeping a Watercolor Sketchbook and Steps to Success in Watercolor. She is a very popular, award-winning artist who teaches across the U.S. and abroad. See Brenda’s new section about tips, techniques, and tools for artists on her blog.

  • Watercolor Sketching Techniques – January 13-15, 2012. Schroeder Studio Gallery, 112 East Maple Avenue, Orange, CA 92866. Contact Schroeder Studio for more information. (714) 633-0653
  • Negative Painting with Watercolor – January 27-29, 2012. Associated Louisiana Artists, 106 W. Pryce, Lake Charles, LA 70601.
    Info: Sue Zimmerman
  • Negative Painting with Watercolor – February 17-19, 2012. Montrose, CA. Info: Brenda Swenson
  • Watercolor Sketching Techniques – May 18-20, 2012. Montrose, CA.
    Info: Brenda Swenson
  • Sketching in Southern France – June 23-July 7, 2012. Montfaucon Tours, Limoux, France. View details at www.montfaucontours.com.
    Info: Brenda Swenson
  • Negative Painting in Watercolor – August 10-12, 2012. Montrose, CA.
    Info: Brenda Swenson
  • Negative Painting in Watercolor – September 14-16, 2012. Schroeder Studio Gallery, 112 East Maple Avenue, Orange, CA 92866. Contact Schroeder Studio for more information. (714) 633-0653
  • Learning & Product EXPO – October 19-21, 2012. Pasadena Convention Center, Pasadena, CA.Registration begins August 1, 2012. www.learningproductexpo.com
  • Negative Painting with Watercolor – November 6-9, 2012. Plantation Art Guild, Plantation, FL Info: Karen Brauerman.
    www.plantationartguild.org

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