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Drawing in the Classroom

How has drawing been used as a learning tool in the classroom?

After reviewing 100 years of literature about children and drawing, Boston College faculty Walt Haney, Michael Russell and Damian Bebell discuss their findings in Drawing on Education: Using Drawings to Document Schooling and Support Change.

Haney et al. (2004) observed the following patterns about scholarly work addressing drawing in the classroom:

  1. Most of the literature addresses the psychological analysis of children’s drawings with respect to cognitive development or emotional issues.
  2. Most of the literature is about young children instead of older children.
  3. Drawing in large research projects is a recent development.
  4. Drawings are seldom used in research projects concerning education.

Haney et al. (2004) include their own research in their review and propose that student drawings can also be used to investigate classroom environments and school life. They found that asking students to draw their teacher at work reveals a lot about what goes on inside the classroom.

The authors began their research in 1994 and, after pilot-testing several prompts, included the following prompt in their initial study:

    Think about the teachers and the kinds of things you do in your classrooms. Draw a picture of one of your teachers working in his or her classroom.

From this initial study, Haney et al. (2004) went on to develop prompts encouraging students to document educational phenomena. Students documented phenomena such as what they do when they read and what they do when they learn math. Examples of other prompts used in their research and a lengthy explanation of how Haney et al. (2004) evaluated student drawings can be found in their paper.

How can the work of Haney, Russell and Bebell be applied to classroom research addressing plant-based education?

Take a quiet afternoon to read and digest Haney et al. (2004) and come back here to share your thoughts. This article is available online from
Harvard Educational Review for $9.95.

You can also look for this article at your local college library.


Literature Cited

Haney, Walt and Michael Russell, Damian Bebell. 2004. Drawing on education: Using drawings to document schooling and support change. Harvard Educational Review. 74(3): 241-272.



Are you interested in how drawing can be used in a biology classroom?
Join the conversation with this month’s featured guest, Jennifer Landin.



Jennifer, how do you use drawing in your classroom today?


Jennifer
: Thanks to my dissertation, I developed a course in Biological Illustration. As far as I’m aware, it’s the only one of its kind because it’s a biology class. We cover diversity and anatomy of plants, fungi and animals, how to identify groups or species, and linking form to function.

From my experience, illustration is a great way to teach comparative anatomy, evidence-based thinking, and of course, observational skills.

The course has been a huge success – we recently doubled the class size and the students have now exhibited their work at a state museum and aquarium. Check out student work here and here.



Readers, do you have questions for Jennifer about using drawing in your classroom or program?

Ask your questions today



ASBA_HSNY_16thAnnual_2013 16th Annual International American Society of Botanical Artists
The Horticultural Society
of New York
Sept. 20 – Nov. 22, 2013

The annual exhibition of the
American Society of Botanical Artists opens this evening with an opening reception and awards ceremony at
The Horticultural Society of New York.

The exhibition will be open to the public Monday through Friday, 10 AM – 6 PM.

A full-color catalog featuring an essay by art historian, Caroline A. Wamsler, and reproductions of the 45 works accepted into the exhibition can be purchased at the gallery of the Horticultural Society of New York and at ArtPlantae Books.

Artists accepted into the 16th Annual International exhibition are:

  • Rosalind Allchin (Canada)
  • Bobbi Angell (Vermont)
  • Deb Chirnside (Australia)
  • Carrie DeCostanzo (New Jersey)
  • Rosemary Donnelly (Australia)
  • Beverly Duncan (Massachusetts)
  • Jean Emmons (Washington)
  • Akiko Enokido (Japan)
  • Ingrid Finnan (New York)
  • Patricia Giebutowski (New Hampshire)
  • Monika E. deVries Gohke (New York)
  • Cherie Ann Gossett (Arizona)
  • Asuka Hishiki (New York)
  • Wendy Hollender (New York)
  • Yuko Inujima (Japan)
  • Joan Keesey (California)
  • Heeyoung Kim (Illinois)
  • Ku-mie Kim (Illinois)
  • Karen Kluglein (New York)
  • Kay Kopper (Massachusetts)
  • Lucy Martin (California)
  • Joan McGann (Arizona)
  • Carrie Megan (Massachusetts)
  • Sharron O’Neil (Idaho)
  • Tomoko Ogawa (Japan)
  • George Olson (Illinois)
  • John Pastoriza-Piñol (Australia)
  • Lynne Railsback (Wisconsin)
  • Dick Rauh (Connecticut)
  • Sarah Roche (Massachusetts)
  • Betsy Rogers-Knox (Connecticut)
  • Lizzie Sanders (United Kingdom)
  • Mitsuko Schultz (California)
  • Mary Ann Scott (Italy)
  • Elaine Searle (United Kingdom)
  • Julia Trickey (United Kingdom)
  • Denise Walser-Kolar (Minnesota)
  • Catherine Watters (California)
  • Kerri Weller (Canada)
  • Carol Wooding (New York)
  • Fatima Zagonel (Brazil)

Three botanical art classes and a gallery tour will be offered during the exhibition. Save these dates on your calendar:

    Capturing Nature’s Color
    A Botanical Art Workshop with Asuka Hishiki

    September 30, 2013
    View Details


    Master Class with John Pastoriza-Piñol
    A 3-Day Botanical Art Workshop

    October 16-18, 2013
    View Details


    Autumn Branches and Leaves
    A Botanical Art Workshop with Beverly Duncan

    November 15, 2013
    View Details


    Last Look Walkthrough with Featured Artists and Jurors

    November 20, 2013
    6-8 PM
    View Details

You make many interesting suggestions for future research in your paper. How have you continued your research into the use of drawing as a learning tool?


Jennifer
: Actually, my recent research has been in textbook graphics. While writing my dissertation, I became very interested in the history of drawing as a classroom activity. Teachers used to ask students to draw specimens and copy figures from their textbooks. As I looked at those old textbook figures, I became interested in the changes that have taken place over the last 100 years. I recently submitted a paper on the Cell Anatomy graphic. From my research, there have been surprisingly few graphics; most are copied from other textbooks.

Like the “looking behaviors” of the student participants, it’s fascinating to see designers drawing the idea of a cell rather than just looking at an actual cell. I also have to wonder if these graphics create misconceptions for students because there are a number of inaccuracies.

I do expect that my current research and drawing as a learning tool will recombine in the future.


Do you have a question about textbook images?
Ask Jennifer!

Kick-off the new year with a tropical adventure!

Here is what’s new on the Classes Near You pages for Florida and Massachusetts.


Friends of Wellesley College Botanic Gardens at The Kampong

Certificate Program in Botanical Art and Illustration
http://www.wellesley.edu/wcbg/wcbg_friends

    Join Sarah Roche at the National Tropical Botanical Garden in Florida to enjoy five days of botanical art! Learn how to create easy field sketches on the grounds of the stunning Kampong historic home and garden. Explore rudiments of form from live specimens as you create graphite studies, then learn how to add color in watercolor. Take home a journal filled with field sketches useful for future projects and filled with memories of a unique tropical experience.


    Botanical Art at The Kampong with Sarah Roche

    Wellesley College Botanic Garden in collaboration with
    The Kampong, National Tropical Botanical Garden
    January 20-24, 2014
    9:30 AM – 3:30 PM

    Cost: WCBG Friends or Kampong Members, $495; Non-members $595

    Fee includes class instruction, two half-day visits to local botanical gardens, and a Thursday evening lecture by Sarah Roche.

    Travel, accommodations, food and other expenses are not included. Dormitory accommodations at The Kampong may be arranged on a first-come basis. For those arriving on Sunday, January 19, 2014, a get-acquainted gathering will be arranged. Contact the WCBG Friends office for more information.

Here is the latest news at Classes Near You > Australia:


David Reynolds

http://botanicart.wix.com/davidreynolds#!
David is a botanical artist based in Melbourne, Australia who specializes in Australian native plants and exotic plants. Go to Botanic Art TV to view the video for the Dookie Art Attack 2014 and to view David’s other videos.

    Botanical Art with David Reynolds
    Glasson Art World
    Dookie Campus Shepparton Victoria
    May 24-26, 2014

    David Reynolds invites you join him for a three-day workshop during the Dookie Art Attack to be held on the Dookie campus of the University of Melbourne. The subject for 2014 will be a beautiful magnolia with very bright and showy flowers and textured bark. Beginners through to advanced students welcome.

    To join David for a fun and relaxing workshop, contact Glassons Art World, Shepparton on (03) 5822 0077 or email Glassons Art World.

    Cost: $450 AUD

    View Details/Register


Jennifer, twice in your dissertation you bring attention to students’ indifference towards plants. In one instance you observe that one of the two exercises in which student performance was the lowest, was an exercise about drawing plants. You share a student’s comment about plants being “kind of dull to draw” (Landin, 2011). You also share that during the plant lab, students did not work in their Lab Workbooks and paid little attention to the teaching assistant. You also mention that some students viewed the plant lab as not being very important. Do you have any thoughts or hunches about what might be contributing to student indifference towards plants?

Jennifer:

That is an excellent question.

I have three ideas (just opinions really): 1) a majority of students in the biology program are planning on health careers so they tend to be very focused on humans; 2) a general human-centric focus of society; 3) a lack of knowledge about plants.

I think all three conditions could be addressed by a better understanding of plant biology. It’s interesting that biology classes about a hundred years ago were more equally focused on plants and animals. Now though, even with the increase in understanding of cell biology (which is so similar between plants and animals), we teach mostly about animals. If you consider the decrease in agricultural pursuits, society has really lost a ton of awareness about plants.

It’s too bad because plants are incredibly fascinating in defense mechanisms, competitive behaviors and symbiotic relationships. There’s so much ACTION in plants, but it’s mostly chemical rather than physical.

I would strongly encourage teachers to use more plants in their lessons – they’re easy to grow in a classroom, students can have a sense of “ownership” when they care for a plant, and there are so many great topics to cover using plants (history of agriculture & society, medicine, biological competition, experimental design, where food comes from, etc.).



Readers, have you encountered student indifference towards plants in your own classroom?

Share your stories