ArtPlantae Today

Rare Botanical Art Books at Getty Research Institute

November 6, 2013 by Tania Marien

Botanical artist and botanical art collector, Tania Norris, has generously donated 41 rare books to The Getty Research Institute (GRI). The collection includes
Der Rupsen Begin (Birth of the Butterfly), a book published by Maria Sibylla Merian. Published in 1717, this book is the first book to depict insect metamorphosis and is one of the few surviving copies hand-colored by Merian’s daughter.

With the acquisition of the Tania Norris Collection of Rare Botanical Books,
The Getty Research Institute can provide future generations with a unique in-depth look at the history of botany and botanical art.

David Brafman, curator of rare books at the GRI, said “The Norris Collection offers inestimable rewards for scholars researching global botanical trade and the ensuing stimulus of cultural exchange to the trend of collecting curiosities spawned in Renaissance and Baroque European culture. Other books in the collection document the codependent progress of technologies in the history of medicine, pharmacology, and the color and textile industries from the sixteenth to nineteenth centuries. No less important are the opportunities to study the complex artistic relationship between physiognomy and ‘naturalism’ in visual representation, as well as developments in urban planning and landscape architecture. Ms. Norris’ generous donation enhances significantly GRI’s existing collections in such subjects and promises to transform the way art historians examine the past in the future.”

In particular, the unique hand-colored copy of Maria Sibylla Merian’s
Der Rupsen Begin (Birth of the Butterfly) from the Norris Collection will find a companion in the GRI vaults: Merian’s stunning Metamorphosis of the Insects of Surinam (1719), the self-published book which documented the watercolors, drawings, and scientific studies she executed and conducted while exploring the wildlife of the South American jungles. The GRI copy was featured prominently in the Getty Museum’s exhibition, Merian and Daughters, which celebrated the extraordinary pioneering contributions of the artist-naturalist, the first European woman to travel to America expressly for artistic purposes.

The Norris Collection will also prove an invaluable complement for research in landscape and still-life painting, as well as insights it will provide to conservators and conservation scientists about recipes and global trade in color-pigments and other preparations in the decorative arts.

In addition to being a botanical artist and collector, Tania Norris is a founding member of the Getty Research Institute Collections Council and also serves on the J. Paul Getty Museum Disegno Drawing Council and Paintings Conservation Council.

On the Getty accepting her books, Ms. Norris said:

It was one of the proudest moments of my life when the Getty Research Institute accepted my books for their library. I never collected expecting anyone else to think my books of interest. But now at the GRI, anyone can view them; some have been or will soon be in exhibitions and programs. More importantly, they will be preserved for generations to come.

Learn more about this wonderful contribution to botany and botanical art education at The Getty Research Institute.

Posted in botanical art, botanical art books, Education, general botany, History, Learning Opportunities, Special Announcements, Special Events |

Botanical Illustration and Landscape Architecture at UCLA

November 6, 2013 by Tania Marien

The Landscape Architecture program at UCLA has opened registration for Scientific Illustration and Plant Identification. This class is an elective in the programs for Landscape Architecture and Horticulture and Gardening. It is offered through the UCLA Extension program.

Students will learn how to illustrate plants and identify plant characteristics while learning plant taxonomy and plant terminology. Course includes travel to nurseries and gardens in southern California.

Instructor: David Squires, landscape architect and principal of AROUNDYOU, Inc.

Cost: $485 (before 1/1/14); $534 (after 1/1/14)

Class begins on February 2, 2014 (4 meetings)

View Details/Register

Posted in botanical art, drawing, Education, general botany, Learning Opportunities, travel | 2 Comments »

Botany for All

November 1, 2013 by Tania Marien

The featured topic for November is Botany for All.

I know I spend a lot of time on botany resources for children. This month I am going to even it out some and bring attention to resources for teenagers, adults and families. We’ll begin the month with three wonderful resources that help children ages 3-8 learn about the life cycle of plants.

Also this month, you’ll notice a slight change to the publishing schedule. It will be lighter than normal and stay this way through December. I will continue to publish the teaching and learning column on Friday and will publish special features and other announcements when they are ready.

Thank you for being such dedicated readers, contributors and supporters of ArtPlantae.

Posted in ArtPlantae Books, Blog News, botanical art, botany, Special Announcements |

Plant Life Cycles for Kids

November 1, 2013 by Tania Marien

SexInYourGarden Plant reproduction can be as sensitive a topic as human reproduction.

This was made clear to me years ago at the, then, L.A. Garden Show when a gentleman disapproved of me displaying the book, Sex in Your Garden. He shook his head, made the “tisk, tisk, tisk” sounds and told me I shouldn’t have this book out on display. It was the word “sex” in the title that prompted his reaction. If you are unfamiliar with this book, it is a light-hearted and very anthropomorphic look at how plants attract pollinators. It contains text and images drawing similarities between how plants and humans call attention to themselves.

Even though it has been years, I always think of this gentleman when talking about flowers, fruit and reproduction. It is easy to talk about sperm, eggs, ovules and seeds when speaking with adults (although I usually have to give them a few moments to digest the fact that there are ovaries in their fruit bowl).

It is talking about plant reproduction with young audiences that always gets me thinking. What is saying too much?

If you’ve ever felt compelled to launch into an explanation of double fertilization while dissecting flowers with kids (even though you know you shouldn’t), here are some resources that may stop you from going over the cliff.

In How Do Apples Grow?, author Betsy Maestro and illustrator Guilio Maestro provide a comprehensive look at how buds on an apple tree develop, how the buds bloom and how flowers attract bees. They discuss flower anatomy, fruit development and explain what we’re eating when we eat an apple. They explain how apple trees make their own food and close their story where they began it — with flower buds on a bare apple tree. This life cycle book for botanists ages 5-9 addresses some big topics. Here is a list of vocabulary terms and concepts explained in this book:

leaf buds
flower buds
sepals
petals
stamen
pollen grains with male cells
pistil
ovary with female cells
pollination
fertilization
pollen tube germination
fruit development
seeds as fertilized female cells
photosynthesis
apple varieties

Maestro also touches upon seed dispersal and decomposition. The supporting watercolor illustrations by Guilio Maestro are colorful, labeled clearly and are easy to understand. Together Maestro and Maestro do a nice job of making flower development, pollination and fruit development very observable processes.

Just as Maestro makes fruit development observable, Helene J. Jordan brings seed germination and development out into the open in How a Seed Grows. The seed growing activity in her book enables students to see how seeds change beneath the soil and how seedlings grow above ground without investing in those growing chambers with the glass sides. Jordan’s clear instructions are supported by the informative gouache and colored pencil paintings by illustrator Loretta Krupinski. While Jordan’s book was written for children ages 4-8, the seed-growing exercise is appropriate for older children. It helps explain how seeds become plants and brings the life cycle of plants full circle. Plus it really lends itself to exercises related to botanical illustration.

Here is a list of vocabulary terms and concepts introduced in
How a Seed Grows:

seed
plant
tree
soil
watering for growth
writing numbers for identification
seed germination
roots
counting
leaves
soil
water
sun
photosynthesis

Jordan also includes directions to an experiment children can do to investigate the resources plants need to grow.

We can’t talk about seeds, flowers, pollinators and fruit development without showing how all these things are related. A great book that ties up all the loose ends is The Reason for a Flower by Ruth Heller. She introduces young readers to pollinators they might not normally consider and introduces them to wind pollination too. In her colorful 48-page book, she also introduces readers to seed pods, seed dispersal, herbivores, carnivorous plants, parasitic plants, angiosperms and familiar products derived from plants.

If you ever find yourself wondering “how much is too much?” when preparing an activity for young audiences, browse through children’s books about plants to get ideas about how to teach less, better.

Resources Cited

The Reason for a Flower

Jordan, Helen J. 1992. How a Seed Grows. New York: HarperCollins.

Maestro, Betsy. 1992. How Do Apples Grow?. New York: HarperCollins.

Also See
Botanical Illustration & Plant Morphology for Preschoolers

Posted in book review, botanical art, botany, Teaching & Learning, teaching and learning |

The Trees of “52”

November 1, 2013 by Tania Marien

Looking for inspiration as yet another busy year comes to a close?

I recommend going to the Riverside Art Museum to view “52”, an exhibition about an artist’s exploration of the 52 Montezuma Bald Cypress trees at Fairmount Park in downtown Riverside.

Artist Sue Mitchell spent the 52 weeks between October 2012 and October 2013 studying these trees and creating solar etchings that capture their strong and elegant structure and beautifully textured bark. Her 52 etchings are presented in the Bobbie Powell Gallery. In the space next to her finished work, Sue shares her whirlwind year with museum visitors. She saved every piece of paper, rough sketch and many other mementos from her one-year sabbatical and posted them to the walls in chronological order. She even moved her home studio into this space and is working there during museum hours through November 22, 2013.

Sue refers to her sabbatical as her “Third Act” and says she began this journey to satisfy a growing need for a deeper sense of fulfillment and personal exploration, a need she shares with many Baby Boomers. Did you know that about 10,000 people a day will turn 65 during the next 19 years?

If you are looking for your own artistic outlet, visit “52” and talk with Sue about her artistic journey. Then visit the other exhibitions at the museum and be inspired even more.

And if you would like to learn more about the Montezuma Bald Cypress trees and study the beauty of their bark, here is a workshop that might be of interest to you:

Botanical Drawing Workshop
Saturday, November 16
1:00 p.m. – 4:00 p.m.
Instructor: Tania Marien
Workshop fee: $30

Learn more about the Montezuma Bald Cypress trees in Fairmount Park and observe their elegant structure and texture as presented by Sue Mitchell in the exhibition “52″. Transform your observations into a delicate bark drawing to serve as a reminder of Sue’s inspirational 52-week journey. Open to all who would like to take those first steps on a journey of their own.

Please bring the following supplies with you:
2-3 sheets of Strathmore Bristol Plate (paper)
4B, 2B, H, 2H, and 4H drawing pencils

Drawing Workshop hosted by the Riverside Art Museum.
Please register for this workshop by calling RAM at 951-684-7111.
Registration deadline is Wednesday, November 13.

Posted in botanical art, Education, general botany, Learning Opportunities, Special Announcements, Special Events |

Urban Youth & Nature

October 25, 2013 by Tania Marien

An investigation into adolescents’ perceptions and experiences with nature revealed that some urban youth view nature as a threatening place. A place where crimes occur and where trees hide the activities of criminals.

Sound extreme?

Read on.

Arjen E. J. Wals provides extensive background into this observation and others in Nobody Planted it, it Just Grew! Young Adolescents’ Perceptions and Experiences of Nature in the Context of Urban Environmental Education.

The perception that nature is a threatening place was uncovered when Wals interviewed students from four classes at four different middle schools in and around Detroit, Michigan. Wals’ study included students from four different communities. The communities represented in this study include upper-class families whose children attend private schools, middle- and working-class families whose children attend suburban schools, and working-class and “out of work” families whose children attend schools in Detroit (Wals, 1994). The student populations at these schools ranged from almost all-white in the suburban schools to almost all-African-American in the Detroit schools. The locations of the schools ranged from a park-like setting for the private school to “a bunker in an urban war zone” (Wals, 1994) for one of the Detroit schools. The schools shared the same curriculum, however the Detroit schools were not as well equipped, had to spend time on safety issues, had to spend time performing tasks normally completed by parents and guardians and had to spend time teaching basic skills before students dropped out of school (Wals, 1994). This study included students who considered themselves fortunate to be living in safe neighborhoods and students who mostly used the outdoors “to get from one place to another” (Wals, 1994). For more information about the students and the urban environments involved in this project, read Wals (1994).

Arjen Wals created his study to investigate the following:

Did nature have a place in the lives of students?
How did students interact with nature?
Where did students experience nature in their respective urban environments?

Before we get too far along, I need to explain that Wals (1994) is an ethnographic-phenomenological study, not a statistical study. Phenomenological research investigates perceptions and experiences. While students from all four classes participated in the study, interviewed only 32 students. He chose eight students from each class and explains his sampling procedure in his paper.

Throughout the study, Wals was an active participant in classroom events. He observed student reactions to nature experiences, kept a research journal, interviewed students and reviewed their reflective journals (Wals, 1994).

What did he learn about students and their relationship with nature?

Wals (1994) found that students managed to build relationships with nature, regardless of their environment. He found that two themes emerged from student interviews and journals — how students define nature and how they experience nature.

Wals observed that students define nature as: flowers, animals, trees, alive, pure, peaceful, not human-made, freedom, solitude, self-supporting, wild, spontaneous (Wals, 1994).

He also observed that students experience nature as: entertainment, a challenging place, a place where time stands still, a threatening place, a background to other activities, a place for learning, a place to reflect, and as
a threatened place (Wals, 1994).

Excerpts from student interviews supporting the observations above can be reviewed in Wals (1994). Environmental education (EE) teachers will also be interested in the author’s comments about EE programs. Wals discusses his findings and the implications they have on environmental education. At the close of his paper, he suggests nature experiences teachers might want to try in their programs.

Nobody Planted it, it Just Grew! can be read online for free.

Literature Cited
Wals, Arjen E.J. 1994. Nobody planted it, it just grew! Young adolescents’ perceptions and experiences of nature in the context of urban environmental education. Children’s Environments. 11(3): 177-193

Also See

Posted in botanical art, Education, environmental education, Learning Opportunities, nature, Teaching & Learning |

ArtPlantae at the Fall Festival of Birds

October 25, 2013 by Tania Marien

The Santa Ana Watershed Association will host their annual Fall Festival of Birds next weekend at Chino Creek Wetlands and Educational Park. There will be bird-themed activities, exhibitors and a NestWatch Workshop. Come to the festival to learn more about the NestWatch citizen science program operated by the
Cornell Lab of Ornithology.