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The L.A. Arboretum has announced its botanical illustration classes for Fall and Winter. Beginning and experienced students can learn a wealth of information from botanical artist and instructor, Olga Eysymontt.

Basic Watercolor & Graphite Pencil
Application and Techniques for Botanical Illustration (Ongoing Series)

Los Angeles Arboretum & Botanic Garden
The rendering of three-dimensional plant forms in transparency is the main characteristic of botanical watercolor. In this class, students will render all plant forms in graphite and then use their graphite drawing as a model to create the same form with transparent watercolor. This ongoing series will cover the basic application and techniques of watercolor painting and drawing in graphite. Topics include: wash techniques, dry brush, color palette, mixing greens, mixing neutral tints, creating tonal and color studies. To register, contact Jill Berry at (626) 821-4623 or jill.berry@arboretum.org. Cost: $180 members / $195 nonmembers.

  • September 8, 15, 22, 29; Tuesdays; 9:30 am – 1:00 pm
  • October 6, 13, 20, 27; Tuesdays; 9:30 am – 1:00 pm
  • November 3, 10, 17; Tuesdays; 9:30 am – 2:30 pm
  • December 1, 8, 15; Tuesdays; 9:30 am – 2:30 pm


Watercolor for Botanical Illustration
An Ongoing Monthly Series for Advanced Students

Cost: $180 members / $195 nonmembers.

  • September 9, 16, 23, 30; Wednesdays; 9:30 am – 1:00 pm
  • October 7, 14, 21, 28; Wednesdays; 9:30 am – 1:00 pm
  • November 4, 11, 18; Wednesdays; 9:30 am – 2:30 pm
  • December 2, 9, 16; Wednesdays; 9:30 am – 2:30 pm

Looking for classes where you live? Go to Classes Near You to see what is available.

Would you like to list your classes in the section for your state? Read how to submit information here.

startherelined_cw1If you are an avid journaler, you know a nifty journal feature when you see one. Here is a feature that will take your notetaking in a new direction.

When the creators of the Start Here notebooks first joined forces, they wanted to create a simple, practical, and functional product. Their creation turned out to be plain-looking journals containing lined or blank sheets of paper. On its own, a single notebook is not particularly exciting. Pair it with another Start Here notebook, however, and you have the beginning of something very clever.

What makes these notebooks so clever is that the back cover of one journal slides into the front cover of another instantaneously creating a volume of work with interchangable components. Click below to take a look:

How To Link StartHere Notebooks from StartHere on Vimeo.

Now isn’t that just something?

This week only, you can buy Start Here notebooks for $12.77 and save 10% off the list price.

Tell us, how would you use Start Here notebooks?

Draw peonies and bearded irises at a private garden in New Rochelle. Wendy Hollender will teach participants how to draw botanicals with colored pencils and watercolor pencils. This one-day workshop will be held on Thursday, May 21, 2009 from 10 AM to 3 PM. Workshop participants may either bring their own lunch or purchase lunch on the day of the workshop. Cost: $75. Contact Wendy Hollender at wendyhollender@gmail.com or 212-580-4855. Wendy’s website can be viewed at DrawingInColor.com.

artofbotanicaldrawing
What is well-conceived is clearly expressed.

— Agathe Ravet-Haevermans

In The Art of Botanical Drawing: An Introductory Guide, Agathe Ravet-Haevermans provides a brief history of botanical art and interesting insight into how she and fellow scientific illustrators document plants at the Museum of Natural History in Paris. Beginners will find Ravet-Haevermans’ instructions easy to understand and they will appreciate her drawing and painting demonstrations which feature three different stages of development so beginners can observe how a technique is accomplished. All examples are executed gracefully and are sure to inspire new artists. This is a well-rounded portable gem of a book that fits easily into a backpack or small canvas bag.

Ravet-Haevermans addresses the following topics:

  • How to draw plants and how to capture their volumes and shadows on paper
  • How to mix colors and create gradations
  • How to reserve a light area and a highlight area
  • How to apply color
  • How to paint petals
  • Drawing and painting bark and storage organs
  • Drawing and painting stems and branches
  • Drawing and painting buds and leaves
  • Drawing and painting flower buds and flowers
  • Drawing and painting fruits and vegetables
  • Painting fruit and seeds

Ravet-Havermans also provides “how-to” examples for the following:

  • Garden Plants (poppy, Nasturtium, periwinkle, Agapanthus, Fuschia, Arisaema)
  • The Kitchen Garden (aubergine, Haricot/’Tongue of Fire’ beans, butternut squash, carrots)
  • Meadow Plants (grasses)
  • Forest Plants (mistletoe, holly, ferns, mushrooms)
  • The Botanical Garden (dried stalks, Arbutus, kiwi)
  • The Aquatic Garden (Equisetum, water hibiscus, lotus)
  • Succulents (melon cactus, Lithops, Gasteria)
  • Greenhouse Plants (Dendrobium, Venus flytrap, Cobra plant, Papyrus)
  • Field sketches and painting outdoors
  • Creating details such as skeletonized leaves, artichoke bracts, bamboo stalks, and the circles observed in the cross-section of onion slices
  • Water drops, insects, and eaten leaves

Get this book at your local independent bookstore.

A new page for Delaware has been added to the Classes Near You section. Award-winning artist Joan Frain teaches in Delaware and holds studio classes in Pennsylvania.


Joan Frain Studio

www.joanfrain.com
Joan Frain is a professional botanical illustrator and instructor. For over 30 years, Joan has taught in Pennsylvania and in Delaware. Her work can be viewed in galleries and online. Private instruction and pay-as-you-go classes are available. Upcoming classes include:

  • Native Plant Botanical Illustration Workshop – Mt. Cuba Center, Delaware; June 13
  • Botanical Illustration Classes – Center for the Creative Arts, Yorklyn, Delaware; Sept 2009 – May 2010

California artist Bonnie Born is currently exhibiting her work at the Thomas Moser Furniture Gallery at the Helms Bakery in Culver City. On view are California landscapes (oil) and botanical illustrations (watercolor). The botanical illustrations will be up through April 30th. The oils will be exhibited through the end of August. An artists reception is scheduled for the end of May.

Visit the Thomas Moser website for more information about the gallery and the Helms Bakery District.

You had the opportunity to ask Billy Showell any question you wanted and some of you took advantage of this special opportunity. Below are the questions that were submitted, as well as Billy’s replies.

Again, many thanks to Billy for sharing her expertise with us!

1. If parts of a white flower are on a white background, do you just leave it alone or outline it with a thin line?
I usually do a very soft midtone grey shadow that blends into the petal but it has to be very subtle so (I) use the wet-in-wet method.

2. Who makes the “cerulean blue hue” you use in your first book?
It is a Schminke colour, but you could replace it with Winsor blue tone from Winsor and Newton. I have done this recently to make it easier for students to get.

3. Have you ever tried water-based oil paint? If so, how do these paints perform?
No, but I do plan to go back to oils soon and will definitely give them a go. I will publish the results on my website when I do.

4. I find that I have little confidence when working in a classroom situation. I feel that I shouldn’t make mistakes and have to produce a masterpiece right away. Working alone is so much more relaxing for me. Have you heard similar comments from other students?
Yes. In those situations use the classroom as a chance to gather information and practice the advice given (and) take as many notes as you can so that you can relax at home and give the techniques a go without the pressure of the class surroundings.

5. Have you found any strategies for a workspace setup that helps prevent back and neck misery?
Mmm…. I don’t like to admit to it but, yes, one can get a stiff neck and shoulder. I try to break the day up so that I don’t sit rigid for too long. Make sure that you rotate your shoulders intermittently and stretch from time to time.

6. The DVD for your first book was fantastic. Will you be doing one for the new book?
Yes. It comes out next week and will be available from my website. It has four projects on it.

7. Do you think you will write a third book?
I am working on it as we speak. It will be on flowers again but there will be many more interesting varieties.

8. Would you ever consider teaching in the USA?
Yes, I am waiting to be invited I would love to come to the US as I have only been for one day many years ago.

9. When you first started painting, have you ever torn up your painting in disgust because nothing was working right?
I would always try and keep the part of the painting that worked and discard the rest, that way when I looked back I would only recall the successes not the failures. I used to store unfinished work but now just use the back of the paper for doodles or cartoons as coming back to very old work is a bit depressing and I often find that I have improved my painting technique in the interval.

10. What subject do you find most challenging to paint?
Multi-petaled flowers are the hardest things to paint, for example Chrysanthemums or Dahlias, just because the are so complicated. I much prefer flowers with large petals so that the watercolour process is free and uninhibited.


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Take a class with Billy Showell this summer!