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My conversation with Shawn Sheehy continues…


ArtPlantae
:
When planning the field guide, did you take a storyboard approach and draw your ideas out on flat sheets of paper, or did you do pop-up sketching? (Readers, pop-up sketching is creating paper models freehand without measuring.)

Shawn:

I typically think through everything in my sketchbook, though much of this is in text and not drawings. I do a number of very rough drawings for each structure to explore possible avenues of engineering, but when I get down to it I’m sketching in 3 dimensions with card and glue.


View this conversation already in progress…

Updates at Classes Near You > Washington:


University of Washington Natural Science Illustration Program

Certificate in Natural Science Illustration
This program is for scientists, artists and illustrators who want to develop their scientific illustration skills. Students who complete the program will be prepared to work in the field of natural science illustration. The nine-month Autumn 2012 program begins October 8, 2012. Courses include:

  • Introduction to Natural Science Illustration
    October 8 – December 17, 2012
  • Zoological Illustration – October 10 – December 12, 2012
  • Vertebrate Illustration – January 9 – March 13, 2013
  • Wildlife Illustration – January 7 – March 18, 2013
  • Botanical Illustration – April 3 – June 5, 2013
  • Applied Techniques of Natural Science Illustration
    April 1 – June 10, 2013
  • View Details/Register



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Careers and Education in Science Illustration at the website of the Guild of Natural Science Illustrators.

Conversations about natural science illustration usually occur among adults interested in a broad range of topics pertaining to the fields of art and science.

However, younger audiences can also be found to engage in similar conversation. Take for example, the students of Kathryn Kaatz. A kindergarten teacher in Minnesota, Kaatz begins each school year with an activity that trains students to become observant science artists. Kaatz describes this activity in A Walk in the Tall, Tall Grass.

Early in the school year, Kaatz (2008) reads In the Tall, Tall Grass by Denise Fleming to introduce students to the plants and animals living in meadows and grasslands. This introduction is followed by a field trip to a reclaimed prairie. The objective of this field trip is to do more than look for the plants and animals students learned about in the book. The objective is to prepare students to become thoughtful observers and scientific illustrators.

During their field trip, students look at the types of grasses growing in the prairie, inspect seed heads, and identify grass species by using the photographic field guide Kaatz (2008) created for parent volunteers. While in the field, Kaatz (2008) makes it a point not spend too much time telling students what to observe and how to observe. She says she is more interested in letting students make their own discoveries.

Back in the classroom, however, Kaatz (2008) carefully guides students when they sit down to observe grass plants in more detail. Her thoughtful and methodical approach to enhancing student observation skills begins with a reading of
What is a scientist? by Barbara Lehn and by emphasizing something of great importance that all scientists do — draw what they see. Aspiring to make students more thoughtful observers and recorders of information, Kaatz (2008) takes the time to discuss with students the differences between scientific drawing and artistic drawing. She then sits down with a vase of grass specimens and models how to observe and how to draw the grass specimens she brought into the classroom. In her article, Kaatz (2008) shares how she talks to herself during her demonstration. Kaatz (2008) says she says things like:

Hmmm….I can see the stem goes all the way to the bottom of the vase, so I guess I’ll make a line like this.

Oops, (the lines) aren’t so straight but I guess that’s O.K. When I look at the grass, I see things in nature aren’t perfect either.

Upon concluding her demonstration, Kaatz (2008) presents her scientific drawing to her students. She then instructs students to draw at least three different grass specimens and reminds students that scientists only draw what they see.

Having taught this activity for several years, Kaatz (2008) says she is always pleased with how seriously students observe the grass specimens and how thoughtfully they compose their scientific drawings. By showing students how to observe and how to create scientific drawings early in the year, Kaatz’s students are prepared to “draw as scientists” (Kaatz, 2008) all year long.

Learn more about how Kathyrn Kaatz teaches this activity in her classroom by buying a copy of her article online for 99¢ at the NSTA Learning Center.


Literature Cited

Kaatz, Kathryn. 2008. A Walk in the Tall, Tall Grass. Science and Children. 45(6): 28-31.

(Update June 26, 2024: The NSTA no longer sells this article. Membership is required.)



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Making Connections and Inspiring Action to Preserve America’s Prairies

Our conversation with book artist, Shawn Sheehy continues…


ArtPlantae
: You created a pop-up field guide of North American wildflowers highlighting twelve genera and twelve plant families. Where did the idea for a field guide originate? Why did you decide upon these specific plants for the field guide?

Shawn: I first developed these studies as content for my wildflowers workshop, which I launched in the interest of reaching workshop populations outside of the book arts community. Several months later I bound them together into the field guide–and thought it would be fun (and add literary value) to add additional context to the blooms by writing and including the essay on the “Language of Flowers.”


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By Bonnie Driggers, Botanical Artists for Education & The Environment
 
If you are a botanical artist, you probably collect books about plants, drawing, and painting the way boys used to collect baseball cards. Have you ever wished for a copy of Anne-Marie and Donn Evans’ book, An Approach to Botanical Painting? You probably have priced this out-of-print and highly desirable book on Amazon and felt discouraged at the high cost even for used copies.
 
Someone just like you is going to win a brand new, autographed copy of
An Approach to Botanical Painting on October 28, 2012.
 
The Botanical Artists for Education & The Environment (BAEE) is a nonprofit organization in Falls Church, Virginia, and we are raising money to support publication of a new book of botanical paintings. Anne-Marie Evans has been teaching master classes in botanical art to our group since 2007. She inspired our project and has generously donated a copy of her classic book as the prize in a raffle. Visit our web site for details on how to enter. The winner does not have to be present at the drawing. Selling for $10 each, tickets will be available through our website at www.baeecorp.org.
 
We have many artists already enrolled in the project, and we are still accepting participants. Everyone who is eligible is encouraged to participate. The two requirements are that artists be members of ASBA or another botanical art organization and that they live or work in the mid-Atlantic region, defined rather broadly for our project to include New York, New Jersey, Pennsylvania, Delaware, Maryland, District of Columbia, Virginia, West Virginia, and North Carolina. Submissions of art will be due June 1, 2013. Please visit our website for more information on our project and to purchase raffle tickets.
 
Bonnie Driggers
President
Botanical Artists for Education & the Environment (BAEE)



Related

Anne-Marie Evans Discusses Teaching, Learning and Botanical Art

What’s the difference? Let’s ask…


ArtPlantae
:
While reading about the history of pop-ups, I learned there are different types of formats. The two general labels, though, appear to be “pop-up” or “moveable book”. Do designers of these interactive books prefer one label over the other?


Shawn
: This one is sticky. Technically, “pop-up” structures are those that actuate at the turning of the page, and “movable” structures are those that actuate after the page is turned and require the turning of a wheel or pulling of a tab. Since there is limited academic treatment of the form…

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Davidia involucrata © Niki Simpson. Courtesy Royal Horticultural Society.

Taking A Closer Look
Royal Horticultural Society
Lindley Library, Wisley
September 4 – December 9, 2012

Botanical artist, RHS medal winner, and photographer Niki Simpson combines traditional botanical art with the latest in photographic technology in her solo exhibition at the RHS Lindley Library.

On view are 14 portraits of plant species grown at RHS Garden Wisley. In each composite illustration, Simpson brings attention to the morphological features of each plant and in doing so, creates fourteen beautiful digital botanical illustrations.

Fiona Davison, Head of RHS Libraries and Exhibitions, said, “The RHS is committed to preserving our horticultural heritage for all gardeners and garden-lovers to enjoy. This new exciting collection of works on display is a fascinating reminder that history never stands still, and that new technologies can go hand in hand with traditional techniques to create not only historical records, but also beautiful pieces of art.”

Niki Simpson worked in the RHS Botany Department for many years and managed the Herbarium Image Collection. Niki earned the prestigious RHS Gold Medal (1998) for her traditional botanical watercolor paintings and, in 2003, began exploring digital techniques for botanical art. Her digitally created botanical illustrations received RHS Gold Medals in 2007 and 2008.

Exhibition hours at the RHS Garden Wisley are 11 AM – 4 PM daily. For more information, visit the RHS Lindley Library website.


About RHS Lindley Libraries

The RHS Lindley Libraries are the largest visual and written resource on horticulture in the world. Collections including books, art, photographs and archives span 500 years of Britain’s gardening heritage. Designated as an outstanding collection in 2011, the Lindley Libraries work to safeguard Britain’s gardening heritage, promote access to our collections and share information on all aspects of gardening.


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