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In addition to creating botanical plates in pen and ink, featured artist Anita Walsmit Sachs works in watercolor and oil and has painted a 17th century style painting. Where is this painting now?

Readers, in how many media do you work? Have you ever created a botanical painting in the style of the Old Masters?

Join the conversation and share your stories

Mixed media artist Jane LaFazio has announced a new six-week course about sketching and painting in watercolor.

Here is what’s new at Classes Near You > Southern California!


Jane LaFazio

janeville.blogspot.com
Jane is a mixed media artist and a member of the San Diego Sketchcrawl group. Jane teaches at conferences across the U.S. and leads classes in Italy and Greece too. In addition to sketching classes, Jane teaches workshops in collage, mixed media, and quilting. A detailed class schedule can be viewed on her blog. Also see an interview with Jane and her Ask The Artist Q&A with readers.

    Sketching & Watercolor: Journal Style (Online)
    Begins January 24, 2013
    Learn how to keep a colorful and spontaneous journal about topics of interest to you. Share your work and learn from classmates online. Limit: 50 students. Cost: $75. View Details/Register

There are always many, many opportunities to learn from Jane in-person. Below is a short list of classes that may be of interest to you. To view all of Jane’s upcoming classes, see her teaching schedule online.

  • Sketching & Watercolor: Journal Style – April 6, 2013. California Center for Creative Renewal. San Clemente, CA.
  • Tesoro del Corazon – April 21-28, 2013. Mixed media art retreat in Sante Fe, New Mexico. Interested? Let them know
  • Blue Mountain Nature Journal – May 16-20, 2013. Mixed media retreat in Knoxville, Maryland. Contact info@ArtistSuccess.com to be placed on interest list.
  • Lavender Sage Art Retreat with Pamela Underwood – June 10-14, 2013. Mixed media retreat in Taos, New Mexico. View Details/Register
  • Walking and Watercolor in Italy – October 7-13, 2013
  • ArtWalk: San Diego – January 13-19, 2014
  • ArtWalk: Italy – May 24-30, 2014
  • ArtWalk: The French Riviera – June 1-7, 2014

The conversation with Anita Walsmit Sachs continues. We touch upon one of Anita’s current projects and a link to the historic Ambonese Herbal.


ArtPlantae
: In the article your wrote for the December 2012 issue of The Botanical Artist – Journal of the American Society of Botanical Artists, you mentioned you work with scientists whose research is dedicated to the plants of southeast Asia. Does any aspect of your research include plants described by Georgius Everhardus Rumphius in The Ambonese Herbal? The manuscript used to print The Ambonese Herbal is located in the library at the University of Leiden. Have you ever seen this historic text?


Anita
:
The scientists of our herbarium work at the Flora Malesiana so plants described by Georgius Everhardus Rumphius must have passed my hands. In the library of the herbarium I have seen a copy of the books, which was very impressive. Also the story of his life is very impressive, his constant perseverance and dedication to his passion.


Join the conversation with Anita!

Imagine twelve months of testing, tinkering and experimenting!

What is possible with colored pencils?


Los Angeles County Arboretum & Botanic Gardens, Arcadia

www.arboretum.org
Courses in introductory botanical drawing, beginning and intermediate watercolor, colored pencil, sketching and Chinese brush painting are taught throughout the year. Go to Events & Classes for more information. The Arboretum is located in Arcadia, CA. To register, contact Jill Berry or call (626) 821-4624.

    Colored Pencil in Botanical Art with Cristina Baltayian
    Learn the colored pencil techniques used by botanical artists. Special topics to be explored in 2013 include: water-soluble pencil techniques, solvents, colored pencil sticks, pen & ink with colored pencil, composition. All levels of experience are welcome. Students will receive a supply list. Registrants may bring a lunch or buy lunch at the Peacock Cafe.

    Dates for 2013
    January 8, 15, 22, 29
    February 5, 12, 19, 26
    March 5, 12, 19, 23
    April 2, 9, 16, 23
    May 7, 14, 21, 28
    June 4, 11, 18, 25
    July 2, 9, 16, 23

    10 AM – 2 PM (includes lunch break)
    $255/mo. Arboretum members per month
    $275/mo. Non-members per month
    Pre-registration required; please call (626) 821-4623

    Cristina Baltayian is a botanical artist with a background in drawing (graphite, charcoal, pen & ink), two-dimensional design, watercolor and colored pencil. Her work has been shown at Filoli, the Los Angeles County Arboretum and Chapman University. She is a member of the Botanical Artists Guild of Southern California and the American Society of Botanical Artists.

This information is also available at Classes Near You > Southern California.

Information about UC Riverside’s annual botanical illustration workshop in the Mojave Desert is now available.

Here is what’s new at Classes Near You > Southern California:


University of California, Riverside

www.extension.ucr.edu

    Botanical Illustration of Desert Flora
    April 12-14, 2013. A field study course at the Desert Studies Center (Zzyzx), three hours north of Riverside near Baker, CA. Learn about desert flora while learning techniques used by botanical illustrators. Students will work in the field using pencil, pen and watercolor. Course fee includes two nights lodging (dormitory style) and meals. Registrants will receive information about the Center and what they should bring with them. Visitors not permitted. Cost: $325 credit; $245 non-credit.

    Recommended Book: Mojave Desert Wildflowers by Pam MacKay

    View Details/Register

The words “draw” and “art” can be scary words. I observe this repeatedly when I interact with the public. It is for this reason that I invite the public to doodle in my traveling guest sketchbook instead of draw in it.

How people make meaning has been an interest of mine for many years. How they make meaning through drawing is of particular interest.

In this weekly column about teaching and learning, we often look at examples that involve drawing activities specific to some aspect of botany education. Less often we look at how drawing, the more expressive kind, affects understanding. We’ll do a bit more of this today.

In Do Attention Span and Doodling Relate to Ability to Learn Content from an Educational Video?, Ashley Aellig, Sarah Cassady, Chelsea Francis and Deanna Toops, student researchers at Capital University, evaluate the effect doodling has on student learning.

Thirty-four self-selected students participated in the study. Students were given paper and pens to take notes and doodle before watching a 25-minute video about communication styles (Aellig et al., 2009). Students watched the video together, then completed a questionnaire that included an assessment tool designed to measure attention span. Upon completing the questionnaire, students handed their notes, doodles and questionnaires to Aellig et al. (2009).

The research team found that there was not a significant relationship between doodling score, attention span, and the number of correct responses to the quiz about the video. Their hypothesis — students with shorter attention spans would have more complex doodles and lower scores on the video quiz — was not supported (Aellig et al., 2009). Instead what they observed were students who did very little doodling, but plenty of note taking. Of the students participating in the study, only six doodled while most of them (n=24) took notes (Aellig et al., 2009).

Why didn’t the students doodle during the video? Aellig et al. (2009) propose a few possible reasons:

  • The sample population is too embedded in the texting generation and may be less-likely to doodle.
  • The video’s content was not challenging enough.
  • The self-selected sample population (students at Capital University) are already engaged in their learning in ways that do not involve doodling.

In the discussion section of their paper, Aellig et al. (2009) propose an idea for future research about doodling in the classroom. They propose creating a doodling culture by embedding doodlers among the population of student research subjects. Their thought is that this would demonstrate to the sample population “that doodling is acceptable” as a form of notetaking (Aellig et al., 2009).

I would like to propose another suggestion to future student researchers who address this topic.

What if doodling were not left to chance? What if subjects were assigned a specific doodling activity to complete during a task, as was conducted by Jackie Andrade in her research about doodling and efficiency?

Readers, what do you think?



Literature Cited

Aellig, Ashley, Sarah Cassady, Chelsea Francis, and Deanna Toops. 2009. Do attention span and doodling relate to ability to learn content from an education video? Epistimi. 4: 21-24. Web. <http://www.capital.edu/epistimi-2009> [accessed 3 January 2013]

Epistimi is a student research journal at Capital University in Ohio.

How do I get work as a scientific illustrator?

This is question is asked often by young graduates with interests in art and science who want to become natural science illustrators.

I asked scientific illustrator and feature artist, Anita Walsmit Sachs, if she had advice for young illustrators looking for work.

She replied:

My advice to young scientific illustrators is to try to join an herbarium or museum and offer to help with illustrating or other relevant jobs as a volunteer. By doing this, an organization’s staff…

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