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Archive for the ‘Special Articles & Interviews’ Category

How does one create an online course for advanced botanical illustration students?

Kellie Cox-Brady shares how she created the Advanced Botanical Illustration course at Cornell University.

Creating the Advanced Botanical Illustration course was a very wonderful and interesting experience. How I created the class was first keeping the same organization as the other two courses such as introductions, journals, homework and more. Once I had the overall layout of how the course would read, I filled in the details of the class including specific assignments, tutorials, techniques…

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Kellie Cox-Brady started painting murals last year. She recently added color to the plant science department at Cornell University. Join the conversation with Kellie, our special guest for July.

Find out how Kellie created these murals.



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See Kellie’s current mural project in-progress on her Facebook page.

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McEwen_MusicInTheAirAfter reading Music Hiding in the Air, I was speechless. 

I knew of Rory McEwen and his work before reading the memoir written by his niece Christian McEwen. However Rory was simply a name on the timeline of botanical art history I try to organize in my head; his paintings, work to admire and study in books such as Wilfrid Blunt’s The Art of Botanical Illustration: An Illustrated History.

When I put the book down, I couldn’t think beyond what I had just read. I realized I was no longer looking at a timeline with Rory McEwen’s name on it. I stopped being an outside observer because Christian brought me into the timeline of her uncle’s life and allowed me to experience some of it with her.

Christian McEwen’s recollection of her relationship with her uncle is extremely moving and we are fortunate she has chosen to share this relationship with us.

Christian writes about her uncle’s privileged upbringing, his love of music and art, and his hunger for solitude and world travel. She shares personal letters and writes about the impression Rory McEwen made upon her life before his death in 1982 at the age of 50.

Music Hiding in the Air is not a new book. It appeared online ten years ago on a website called Archipelago. It was transformed into book form by Bauhan Publishing because of the exhibition Rory McEwen, The Colours of Reality now at the Royal Botanic Gardens, Kew (May 11 – September 22, 2013). Christian wrote her memoir in the late 1990s while living in the United States. She says she wrote the memoir because at the time she “was hungry for my people and Scotland. Writing about Rory enabled me to connect with Scotland.” 

Christian wrote about her uncle to ground herself in her own family story. When she wrote her book, Rory McEwen was an unknown artist partly because he sold his work to private collections. People eventually began to learn about him, however, and Dr. Shirley Sherwood was among those collecting Rory’s work. Now 15 years later, Rory McEwen is receiving recognition that is long overdue. Christian says Rory is “being resurrected” by the event at Kew.

Credited with revolutionizing botanical art, Rory painted images of plants with incredible detail. He painted on vellum and used a heart surgeon’s magnifying glass to look at flowers closely. Christian says that poet Alastair Reid once told her Rory worked with a kind of pulley system that allowed him to hover his hand over the vellum so he wouldn’t smudge it.

How many hours did Rory spend in his studio? Christian isn’t sure. She remembers visiting his studio when she was a teenager, and says Rory could be a very solitary person, and also very gregarious. Somehow he managed to balance family time with long hours alone, painting.

When asked to identify who she would like to read her book, Christian replied:

Those in the immediate family who have been born or have grown up since Rory died.

Botanical artists at all levels of expertise.

The people of Scotland, who up till now may have known him only as a musician. They will rediscover him as a Renaissance man, a poet and an artist, a true cosmopolitan.

Fellow artists and admirers in the United States.

Christian went on to say that many people have connected with her book. Since publishing her memoir online, Christian says strangers have written to her saying they were moved by Rory’s story. His story – a human story – is a good story all by itself.

Whomever reads her book, Christian wants people to understand one thing about her uncle. She wants them to see he understood the true power of the Latin phrase, carpe diem (“seize the day”). She wants people to be inspired by Rory’s story, his art and “the power of life lived in the service of one’s art. Of one’s heart.”



About Christian McEwen

Christian McEwen is a writer, teacher and workshop leader. She came to the University of California at Berkeley on a Fulbright Scholarship, and has lived most of her adult life in the United States. She returns to Scotland to teach each summer. This year, she will be teaching on the Scottish Island of Tanera Mor with the textile artist, Jan Kilpatrick.

Later this year, Christian will teach The Art of Letter Writing: Voice, Calligraphy & Spirit with calligrapher, illustrator and author, Barbara Bash. This September workshop will be taught at Sky Lake Lodge in Rosendale, NY. Learn More

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I hope you are enjoying the conversation with Katie Zimmerman. I asked Katie if she was going to write a book based on her years of research.

She replied:

I’m in the final stages of writing up my dissertation, and all along I’ve been writing with the book in mind. There are a few books out there already, but they have all treated North as an anomaly in the “intrepid spinster” vein. I don’t want to downplay North’s extraordinary achievements and personality, but to really understand her work and its value beyond its eccentricity, we need a more complete narrative. North’s individualized vision and visualizations, however idiosyncratic, were…

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When viewing North’s paintings, are there any trends that can be observed? For example, did she paint plant “portraits” more often than landscapes? Did her style of painting change during 14 years of traveling? Etc.

I would say North’s motivations for traveling and painting changed more than her style ever did. Her choice of specimens, indeed her choice of destination, became much more pointed towards the end of her career and especially after Sir Joseph accepted North’s offer to build a gallery at Kew. Once North knew her work would be on permanent display…

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Our conversation with featured guest Katie Zimmerman continues…


Part of your research explores how the Marianne North Gallery works as a built environment and how the gallery functions within the broader context of the gardens at the Royal Botanic Gardens, Kew. Why study these aspects of North’s contribution to botany?

One of the really fascinating things to me about North’s life and work is how such an individual and solitary woman, pursuing an equally individual project, was actually a fairly ordinary part of a broader, and highly social, botanical enterprise. We can see this very nicely when we look closely at the North Gallery as a space and the ways in which that space transcended its walls to become an integrated part of the gardens and the world beyond. Looking at how the gallery functioned as a built environment allows us to chart…

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In 1871 Marianne North, a forty-year old woman from a wealthy Victorian family, embarked on an adventure to paint the plants of the world. Even by today’s standards, North’s travels are an amazing accomplishment. You might think Marianne North is a one-of-a-kind wonder, however she shares the title of brave pioneering female naturalist with women such as Maria Sibylla Merian (1647-1717) who was one of the first to describe metamorphosis, and Jeanne Baret (1740-1807) who was the first woman to circumnavigate the globe and the herb woman whose expertise as a field botanist made her an invaluable asset to botanist Philibert Commerson during the Bougainville expedition (1765-1768).

Through her paintings, Marianne North made several contributions to the field of botany. This month we have the unique opportunity to learn more about Marianne North from Katie Zimmerman, a PhD candidate at the University of Cambridge whose research is dedicated to the work of this fearless naturalist and artist.

Please welcome Katie Zimmerman, the Featured Scholar for May!



About Katie Zimmerman

Katie is a PhD candidate at the University of Cambridge and an instructor at the University of Washington where she teaches courses in the history of science. She is broadly interested in the relationship between art and science, the geography of knowledge, and Victorian natural history. Before taking up her dissertation on Marianne North, Katie taught high school and university courses in Warsaw, Poland, worked at the National Museum of American History in Washington, DC, and earned her MA in the history of science at Oregon State. Katie lives in Seattle, WA with her husband, two children, and a dog named Huxley – all of whom greatly admire and appreciate the botanical wonderland produced by that rainy state.

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