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Tomorrow graphic designer and botanical artist,
Erin S. Heaton, will unveil watercolor, an exhibition showcasing a collection of her botanical paintings.

Meet the artist tomorrow at Central Oregon Locavore, Bend’s new grocery store from 4-5 pm.

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Artist residencies sound romantic. However a residency comes with expenses and logistical issues you may never have considered.

Featured guest Ruth Ava Lyons explains what is expected of artists during and after a residency.

Artists generally have to pay for their round-trip transportation to a residency. Housing and studio space is covered as well as meals. Sometimes there is a small stipend for materials. A residency can range from 2 weeks to one year, so you have to be contractually bound to a time frame. This is why it is good to do residencies when you are young and do not have to deal with the interruption in family life with children or occupation. The artist is expected to…

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Last week Ruth shared some ways artists can learn about residency programs. Today Ruth answers the question:

Do residency programs accept up-and-coming artists or do they only want to deal with artists with extensive portfolios?

Ruth says…

The cost of being an artist is very high, with competition being a fact of the lifestyle. It isn’t enough to be productive and talented…you have to stay on top of a self-marketing plan 24/7. There is a great deal of rejection that accompanies the struggle, so you have to be very persistent and keep letting programs/institutions know of your existence. This approach applies to residency programs as well.


Read more about what residency programs look for…

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For the past fourteen years, the botanical gardens at the University of California Riverside has hosted Primavera in the Gardens, its annual fundraiser. This year the UCR Botanic Gardens will celebrate its 15th Annual Primavera event and the 50th anniversary of the founding of the gardens. In celebration of these important milestones, the UCR Botanic Gardens is inviting local artists to submit original artwork to their annual poster art contest.

Artists in the Riverside area are eligible to submit original artwork in two categories — photography and painting/drawing. All entries must be of the
UCR Botanic Gardens and be no smaller than 11″ x 14″. All entry forms and artwork must be sent to Margo Chabot no later than March 15, 2013.

First- and second-place awards will be given in both categories. The four award-winning pieces will be auctioned off at the 2013 Primavera Silent Auction. The two first-place winners will become the exclusive property of the UCR Botanic Gardens and will be used as the artwork for the 2013 Primavera event. Artwork will be printed on posters that will be distributed throughout the Riverside area.

First-place winners in each category will each receive four tickets to Primavera 2013, second-place winners will each receive two tickets.

For more information, download the call for entries packet below:
Primavera in the Gardens Poster Art Contest

Please direct all questions to Margo Chabot or Brightie Dunn.

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Valerie Webb of The Illustrated Garden will lead a three-day workshop at Splinter Hill Bog in Alabama, a preserve that is home to several species of carnivorous plants, including five species of pitcher plants.

Here is what’ new at Classes Near You > Alabama!


The Illustrated Garden, A Studio Blog

www.valwebb.com
Val Webb is the 2013 Artist-in-Residence at the Mobile Botanical Gardens. This year Val will work at the gardens and encourage others to sketch the garden’s collections to learn about plants, gardening and all that the Mobile Botanical Gardens has to offer. Visit Val’s website to view her online tutorial, Botanical Drawing with Pencil and Watercolor. Connect with The Illustrated Garden on Facebook.

    Botanical Drawing: Splinter Hill Bog and Beyond
    April 25-27, 2013
    This class is offered through the Mobile Botanical Gardens. On the first day of this workshop, participants meet at the garden to board a bus that will take them to Splinter Hill Bog. The second and third days of this workshop will be held at Mobile Botanical Gardens. View a detailed itinerary and registration information on the Mobile Botanical Gardens website. Cost: $225.

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Have you ever wondered about how to become an artist-in-residence?

I asked featured guest Ruth Ava Lyons about how one becomes a resident artist. She replied:

There are several ways artists approach residencies. There are online resources like CaFÉ (www.callforentry.org) that announce residencies for all levels of artists. Artist Communities (www.artistcommunities.org) is wonderful for looking at programs in specific countries as well as res artis. Sometimes its simply interacting with artists who share unique experiences at residencies and garner your interest with their firsthand experience. At this point in my life, I am thinking about places that I am specifically interested in, however there are a lot of things to consider. For instance, there is an arctic circle residency that I would love to participate in, but it requires a significant monetary contribution. Some residencies are for long periods of time that would be hard on my family. Some residencies require active interaction with the public through a lecture or workshop. I am very protective of my studio and I am not willing to open it while work is in progress, so if a residency involves allowing studio visits, that will be very difficult for me to accommodate.

What else would you like to know? Ask here…

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Plants have a presence in each of the paintings created by Ruth Ava Lyons.
I asked Ruth why she chose plants to connect viewers to nature.

Ruth replied:

I like a field-based approach to my subject matter. I wander in various environments and study and synthesize and translate and interpret my impressions of the natural world. Artists like me vacillate between our direct experiences in nature and the solitary studio setting. We follow the work of biologists, botanists, ecologists, and naturalists to inform and strengthen our visions with their findings, so there is a lot of cross-cultural personal research that takes place as well. It is always challenging for me to attempt to capture the essence of plant imagery while…

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