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More news from Classes Near You > England!


University of Oxford Botanic Garden

www.botanic-garden.ox.ac.uk
The University of Oxford Botanic Garden is a collection of 13 distinct gardens and seven display greenhouses featuring over 5,000 species of plants. The garden offers educational programs for the public and for teachers. Together with the Harcourt Arboretum, the University of Oxford Botanic Garden forms the Museums and Collections department at Oxford University.


Botanical Illustration with Rosemary Wise

Rosemary Wise, botanical illustrator for the University of Oxford since 1965, will lead these courses. Come along to benefit from her expertise and experience in the beautiful surroundings of the botanic garden. Each class costs £60. Click on the links below for more information about each class and to register.


Introduction to Digital Photography and Botanical Photography
with John Hunt

Saturday, May 18, 2013
10 Am – 4 PM
This is a practical course designed to let you take pictures and learn while you take them. It will cover the basics of digital photography, including learning about macro and close-up photography. With such a wide variety of plants and flowers you will be spoilt for choice. We will also introduce the first steps in post-production, using Adobe Photoshop Elements where you will learn how to start optimising your images. This course is designed to get the best out of the beautiful surroundings of the botanic garden and the best out of you as a photographer. Cost: £60. View Details/Register


Art Workshop with Chloe Fremantle

Saturday, May 4, 2013
10 AM – 4 PM
Artist, Chloe Fremantle, will lead a creative painting workshop, sharing with you her techniques and the inspiration for her work. Examples of her work can be viewed at www.chloefremantle.com. Cost: £60. View Details/Register


More from the University of Oxford Botanic Garden

View the complete schedule of classes to be held at both the Oxford Botanic Garden and the Harcourt Arboretum. The wonderful selection of classes address topics such as: invasive species, bees, woodland management, willow weaving, tree climbing, plant identification and the Winter Lecture Series, Gardens, Plants and Design: A Historical Perspective

View Oxford University’s Public Education Program 2012/2013

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The Field Studies Council has announced the details of its 2013 course schedule.

Here is what’s new at Classes Near You > England!


Field Studies Council

www.field-studies-council.org
Founded in 1943, the Field Studies Council (FSC) provides learning opportunities about the environment for all ages and abilities. Visit their website to learn more about interdisciplinary fieldwork opportunities, classes for individuals and families, publications and profession development courses. Courses are held across the FSC network of UK Centers, from the Scottish Highlands to the south Devon coast. The extensive schedule of classes for 2013 includes:

Botany Courses – Courses include studies of flowers, trees, grasses and grass like plants, ferns, freshwater and wetland plants, lichens, fungi, general plants, mosses and liverworts. View Details/Register

Natural History Courses – Courses include studies of the natural world, birds and other animals, habitats and conservation. View Details/Register

Art Courses – Courses include painting, drawing, crafts (e.g. bookbinding), traditional skills (e.g., basketry), photography, archeology and botanical illustration. Below is a list of botanical illustration classes that will be offered next year. Click on the link below for complete details:

  • Botanical Illustration – March 2013
  • Botanical Illustration for Beginners – May 2013
  • Botanical Illustration Using Colored Pencils – June 2013
  • Botanical Illustration and Painting – July 2013
  • Botanical Illustration for More Experienced Painters – July 2013
  • Illustrating Birds, Bees and Butterflies – July 2013
  • Drawing and Painting the Flora at Malham Tarn – August 2013
  • An Approach to Botanical Illustration: Drawing and Basic Watercolor Techniques – August 2013
  • Botanical Illustration – August 2013
  • A Botany Workshop for Artists – August 2013
  • The Art of Botanical Illustration – August 2013
  • Botanical Illustration for Improvers – August 2013

View all details about FSC botanical illustration courses online.

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The Eden Project in Cornwall, England announces a three-day drawing class with botanical artists Mally Francis and Ros Franklin.

Don’t miss the latest at Classes Near You > England:


The Eden Project

www.edenproject.com
Located in Cornwall, England, the Eden Project is a non-profit whose focus is connecting people to the natural world through educational programs, social programs, music and art. See how the Eden Project was transformed from a clay pit to an international institute for learning.

    Botanical Illustration
    March 15-17, 2013
    10 AM – 4 PM
    Introduction to botanical illustration for beginners and improvers. Tour the garden with Eden’s horticulturists and learn from botanical artists Mally Francis and Ros Franklin. Picnic lunch and refreshments included.
    Cost: £180 View Details/Register

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Today Mariella Baldwin shares her thoughts about learning the botanical art.

As always, you are free to join the conversation at any time. Mariella will be taking questions the rest of this month.


ArtPlantae
:
You state that your primary objective for writing your book is to help build confidence with drawing and to create an enjoyable painting experience for anyone interested in botanical art. Drawing upon all of your years of experience explaining the drawing and painting process to beginners…

  • How do you think individuals new to botanical art learn drawing best?
  • How do you think individuals new to botanical art learn painting best?


Mariella
: The answer to both these questions is continual and ongoing practice. One never stops learning.

When it comes to drawing I recall a couple of sound pieces of advice I have gleaned over the years. “Draw what you see, not what you think you see”, and “If you haven’t drawn it, you haven’t seen it.” I would recommend drawing something every day – no matter how small – and make it simple. It is very easy to be carried away with the complexity of detail. It is easy to have a sketchbook and a pencil to hand at all times – they take up little room and are easily portable. I also recommend not using an eraser. Just drawing and making corrections as errors present themselves. Filling a page with loose sketches and gradually honing in on the subject makes for an interesting page. Any errors fade into the background as the page becomes an interesting study in itself – the demonstration of a learning process.


Mariella’s continues her discussion here…

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Our conversation with Mariella Baldwin continues…


ArtPlantae
:
I like that the images in your book come straight out of your sketchbooks and notes. They support what you describe in the text by showing each step of the painting process as a process and not as almost-finished polished paintings, like what is often seen in instructional books about watercolor, regardless of their subject matter. Why did you decide to use only pages from your personal notes?


Mariella
: I made the decision to use pages from my personal notes for a couple of reasons. Firstly, I believe they are helpful to come to understand that the finished painting doesn’t just happen due to the miracle of facility, but comes from minute observation and constantly referring to notes made whilst having access to a fresh plant specimen. Mistakes and corrections can be made in the sketchbook which also becomes a wonderful reference tool for future projects…

Read More

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If you’re new to botanical art, you have many resources at your disposal to help you find your way. There are websites, tutorials, professional organizations, certificate programs, classes and of course, books! Many more than what existed 15 years ago. I have had the good fortune to share many books on this site and today I have the pleasure of sharing one more.

Botanical Painting by Mariella Baldwin is a rich resource for those who have a growing interest in learning how to paint plants.

In her introduction, Mariella explains she wrote her book to show people how to paint plants without fear. While she does not stress a technical, scientific approach to drawing and painting plants, Botanical Painting is definitely not a book about expressive flower painting. Far from it. It is a book about drawing with accuracy and painting for pleasure.

The thoughtful and patient conversation Mariella has with readers who lack prior painting experience made a big impression on me. Mariella clearly cares about connecting with her readers and provides confidence-building advice at just the right moments during the drawing and painting process. Always supportive, Mariella is respectful of the path each individual takes to a finished painting.

Novice botanical illustrators will appreciate Mariella’s thoughtful instruction about how to begin a

Click to enlarge, image courtesy Crowood Press

drawing. Through her guided instruction, beginners learn how to use graph paper to take measurements, how to create a mask around their work, how to approach investigative sketching and how to draw the form of their subject.

When it comes to painting, beginners are shown how to turn the painting process into manageable tasks. The instructions Mariella provides for her practice techniques are as clear as her instructions for the “official” painting steps she outlines. Throughout, photographs of her own sketches and painting studies support the written text.

Some of the topics Mariella addresses in her book are:

  • How to work with specific colors (white, yellow, orange, brown, red, pink, green, blue, purple, black and silver).
  • How to paint bi-colored flowers.
  • How to paint roots, bulbs, stems.
  • How to draw and paint leaves.
  • How to draw and paint leaf surfaces and textures.
  • How to draw and paint buds and flowers.

Click to enlarge, image courtesy Crowood Press

In a chapter both new painters and experienced painters will appreciate, Mariella reviews special techniques that will help them paint velvet flowers, hairs, bloom, cacti, sheen and shine on fruit, reflected light, aerial perspective, shadows and those ever-popular dewdrops.

Want to learn more about
Botanical Painting?


Let’s ask Mariella …

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Andie Thrams
www.andiethrams.com
Andie is a painter and book artist devoted to creative work in wild places. She teaches in California, Oregon, Alaska and Hawaii. Her work is widely exhibited and honored, and is held in many private and public collections. Get the latest news about Andie’s popular classes on her website.

  • Accordion Color Book – November 24-25, 2012. San Francisco Center for the Book, San Francisco, CA. View Details/Register
  • Captured: Specimens in Contemporary Art
    Now thru November 18, 2012. The Bedford Gallery, Walnut Creek, CA. Info
  • 19th Annual Sitka Art Invitational: Stories from Art and Nature
    November 10-11, 2012. Sitka Center for Art and Ecology, Otis, OR. Info
  • Field Notes: The Wild Book Show 2012
    November 16 – December 30, 2012. Artist books by Andie Thrams will be on view at Gallery Route One, Point Reyes Station, CA. Info
  • Big Island Retreat: Wild Art & Wild Yoga in Hawaii – March 2013. Kalani Honua, Hawaii. Download flyer
  • Private Creativity Coaching & Artist Mentoring
    In addition to the workshops listed here, Andie also works privately with a limited number of students. Contact Andie Thrams

This information has been updated at Classes Near You > Northern California. Exhibition information has been added to the “Exhibits to Visit” section.

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