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Archive for the ‘Learning Opportunities’ Category

Botanical Illustration Intensive Workshop
The National Tropical Botanical Garden on Kaua’I Hawaii

    February 2 – February 15, 2014 (Session 1)
    February 15 – 28, 2014 (Session 2)
    February 2 – February 28, 2014 (One-month Intensive)

    Time: 10 AM to 4 PM, daily

Study the fundamentals of botanical drawing using graphite pencil, colored pencils, watercolor pencils and watercolor. Drawing plants and flowers starts with observation.

Under the supervision of Wendy Hollender, illustrator, author, and instructor from The New York Botanical Garden, students will learn about plant structures and their importance through dissection and comparison.

Students will create detailed botanical drawings and sketchbook pages of flowering plants, fruits and seedpods, working directly from the wide variety of tropical plants growing at the National Tropical Botanical Garden (NTBG).

There will be opportunity to work on large compositions and detailed paintings for those staying the entire month. Lessons in composition will facilitate the development of larger compositions.

Participants will study historical botanical illustrations spanning four centuries as a way of understanding the tradition and techniques still in use today.

Dr. David Burney and other NTBG botanists will be available to help with understanding botany and other aspects of plant ecology.

This class is appropriate for advanced students as well as beginners because everyone works individually. No previous art background required.

Instructional classes will be conducted four days each week at The National Tropical Botanical Garden, with one day per week allotted for field trips or working in other locations on the island. Participants will have a large indoor-outdoor classroom for use, with time to draw outside anywhere in the garden.

Instructor is available in the classroom and does daily demonstrations. There will be a demonstration about drawing in the garden to introduce participants to techniques used when drawing outside. The weekends are free where by students can visit the island, relax at the beach or continue to draw in the garden classroom.

Workshop Fees:
Two-week workshop: $950 includes sumptuous fresh lunch on class days featuring local produce and tropical fruits. Other meals are not included with the exception of a once a week beach dinner barbeque.

Accommodations are available at the National Tropical Botanical Garden in shared housing for an unbeatable price or in nearby Kalaheo and Poipu or other locations in the area. For those staying in shared housing there is a kitchen for shared use. Bed and Breakfasts options are also available.

For additional information and to register, visit www.DrawingInColor.com or contact Wendy.

This information has been added to the Classes Near You sections for New York and Hawaii.

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Botanical artist and botanical art collector, Tania Norris, has generously donated 41 rare books to The Getty Research Institute (GRI). The collection includes
Der Rupsen Begin (Birth of the Butterfly), a book published by Maria Sibylla Merian. Published in 1717, this book is the first book to depict insect metamorphosis and is one of the few surviving copies hand-colored by Merian’s daughter.

With the acquisition of the Tania Norris Collection of Rare Botanical Books,
The Getty Research Institute can provide future generations with a unique in-depth look at the history of botany and botanical art.

David Brafman, curator of rare books at the GRI, said “The Norris Collection offers inestimable rewards for scholars researching global botanical trade and the ensuing stimulus of cultural exchange to the trend of collecting curiosities spawned in Renaissance and Baroque European culture. Other books in the collection document the codependent progress of technologies in the history of medicine, pharmacology, and the color and textile industries from the sixteenth to nineteenth centuries. No less important are the opportunities to study the complex artistic relationship between physiognomy and ‘naturalism’ in visual representation, as well as developments in urban planning and landscape architecture. Ms. Norris’ generous donation enhances significantly GRI’s existing collections in such subjects and promises to transform the way art historians examine the past in the future.”

In particular, the unique hand-colored copy of Maria Sibylla Merian’s
Der Rupsen Begin (Birth of the Butterfly) from the Norris Collection will find a companion in the GRI vaults: Merian’s stunning Metamorphosis of the Insects of Surinam (1719), the self-published book which documented the watercolors, drawings, and scientific studies she executed and conducted while exploring the wildlife of the South American jungles. The GRI copy was featured prominently in the Getty Museum’s exhibition, Merian and Daughters, which celebrated the extraordinary pioneering contributions of the artist-naturalist, the first European woman to travel to America expressly for artistic purposes.

The Norris Collection will also prove an invaluable complement for research in landscape and still-life painting, as well as insights it will provide to conservators and conservation scientists about recipes and global trade in color-pigments and other preparations in the decorative arts.

In addition to being a botanical artist and collector, Tania Norris is a founding member of the Getty Research Institute Collections Council and also serves on the J. Paul Getty Museum Disegno Drawing Council and Paintings Conservation Council.

On the Getty accepting her books, Ms. Norris said:

It was one of the proudest moments of my life when the Getty Research Institute accepted my books for their library. I never collected expecting anyone else to think my books of interest. But now at the GRI, anyone can view them; some have been or will soon be in exhibitions and programs. More importantly, they will be preserved for generations to come.

Learn more about this wonderful contribution to botany and botanical art education at The Getty Research Institute.

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The Landscape Architecture program at UCLA has opened registration for Scientific Illustration and Plant Identification. This class is an elective in the programs for Landscape Architecture and Horticulture and Gardening. It is offered through the UCLA Extension program.

Students will learn how to illustrate plants and identify plant characteristics while learning plant taxonomy and plant terminology. Course includes travel to nurseries and gardens in southern California.

Instructor: David Squires, landscape architect and principal of AROUNDYOU, Inc.

Cost: $485 (before 1/1/14); $534 (after 1/1/14)

Class begins on February 2, 2014 (4 meetings)

View Details/Register

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Looking for inspiration as yet another busy year comes to a close?

I recommend going to the Riverside Art Museum to view “52”, an exhibition about an artist’s exploration of the 52 Montezuma Bald Cypress trees at Fairmount Park in downtown Riverside.

Artist Sue Mitchell spent the 52 weeks between October 2012 and October 2013 studying these trees and creating solar etchings that capture their strong and elegant structure and beautifully textured bark. Her 52 etchings are presented in the Bobbie Powell Gallery. In the space next to her finished work, Sue shares her whirlwind year with museum visitors. She saved every piece of paper, rough sketch and many other mementos from her one-year sabbatical and posted them to the walls in chronological order. She even moved her home studio into this space and is working there during museum hours through November 22, 2013.

Sue refers to her sabbatical as her “Third Act” and says she began this journey to satisfy a growing need for a deeper sense of fulfillment and personal exploration, a need she shares with many Baby Boomers. Did you know that about 10,000 people a day will turn 65 during the next 19 years?

If you are looking for your own artistic outlet, visit “52” and talk with Sue about her artistic journey. Then visit the other exhibitions at the museum and be inspired even more.

And if you would like to learn more about the Montezuma Bald Cypress trees and study the beauty of their bark, here is a workshop that might be of interest to you:

    Botanical Drawing Workshop
    Saturday, November 16
    1:00 p.m. – 4:00 p.m.
    Instructor: Tania Marien
    Workshop fee: $30

    Learn more about the Montezuma Bald Cypress trees in Fairmount Park and observe their elegant structure and texture as presented by Sue Mitchell in the exhibition “52″. Transform your observations into a delicate bark drawing to serve as a reminder of Sue’s inspirational 52-week journey. Open to all who would like to take those first steps on a journey of their own.

    Please bring the following supplies with you:
    2-3 sheets of Strathmore Bristol Plate (paper)
    4B, 2B, H, 2H, and 4H drawing pencils

    Drawing Workshop hosted by the Riverside Art Museum.
    Please register for this workshop by calling RAM at 951-684-7111.
    Registration deadline is Wednesday, November 13.

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An investigation into adolescents’ perceptions and experiences with nature revealed that some urban youth view nature as a threatening place. A place where crimes occur and where trees hide the activities of criminals.

Sound extreme?

Read on.

Arjen E. J. Wals provides extensive background into this observation and others in Nobody Planted it, it Just Grew! Young Adolescents’ Perceptions and Experiences of Nature in the Context of Urban Environmental Education.

The perception that nature is a threatening place was uncovered when Wals interviewed students from four classes at four different middle schools in and around Detroit, Michigan. Wals’ study included students from four different communities. The communities represented in this study include upper-class families whose children attend private schools, middle- and working-class families whose children attend suburban schools, and working-class and “out of work” families whose children attend schools in Detroit (Wals, 1994). The student populations at these schools ranged from almost all-white in the suburban schools to almost all-African-American in the Detroit schools. The locations of the schools ranged from a park-like setting for the private school to “a bunker in an urban war zone” (Wals, 1994) for one of the Detroit schools. The schools shared the same curriculum, however the Detroit schools were not as well equipped, had to spend time on safety issues, had to spend time performing tasks normally completed by parents and guardians and had to spend time teaching basic skills before students dropped out of school (Wals, 1994). This study included students who considered themselves fortunate to be living in safe neighborhoods and students who mostly used the outdoors “to get from one place to another” (Wals, 1994). For more information about the students and the urban environments involved in this project, read Wals (1994).

Arjen Wals created his study to investigate the following:

  • Did nature have a place in the lives of students?
  • How did students interact with nature?
  • Where did students experience nature in their respective urban environments?

Before we get too far along, I need to explain that Wals (1994) is an ethnographic-phenomenological study, not a statistical study. Phenomenological research investigates perceptions and experiences. While students from all four classes participated in the study, interviewed only 32 students. He chose eight students from each class and explains his sampling procedure in his paper.

Throughout the study, Wals was an active participant in classroom events. He observed student reactions to nature experiences, kept a research journal, interviewed students and reviewed their reflective journals (Wals, 1994).

What did he learn about students and their relationship with nature?

Wals (1994) found that students managed to build relationships with nature, regardless of their environment. He found that two themes emerged from student interviews and journals — how students define nature and how they experience nature.

Wals observed that students define nature as: flowers, animals, trees, alive, pure, peaceful, not human-made, freedom, solitude, self-supporting, wild, spontaneous (Wals, 1994).

He also observed that students experience nature as: entertainment, a challenging place, a place where time stands still, a threatening place, a background to other activities, a place for learning, a place to reflect, and as
a threatened place (Wals, 1994).

Excerpts from student interviews supporting the observations above can be reviewed in Wals (1994). Environmental education (EE) teachers will also be interested in the author’s comments about EE programs. Wals discusses his findings and the implications they have on environmental education. At the close of his paper, he suggests nature experiences teachers might want to try in their programs.

Nobody Planted it, it Just Grew! can be read online for free.


Literature Cited

Wals, Arjen E.J. 1994. Nobody planted it, it just grew! Young adolescents’ perceptions and experiences of nature in the context of urban environmental education. Children’s Environments. 11(3): 177-193



Also See

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Bird Fest image The Santa Ana Watershed Association will host their annual Fall Festival of Birds next weekend at Chino Creek Wetlands and Educational Park. There will be bird-themed activities, exhibitors and a NestWatch Workshop. Come to the festival to learn more about the NestWatch citizen science program operated by the
Cornell Lab of Ornithology.

2013 Fall Festival of Birds
Saturday, November 2, 2013
10 AM to 2 PM


Directions to Chino Creek Wetlands

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Please welcome the ART+BIO Collaborative to Classes Near You > Massachusetts!


ART+BIO Collaborative

www.artbiocollaborative.com
The ART+BIO Collaborative in Cambridge, MA fosters the integration of science, nature, and art through novel collaborations, research, and education. They design innovative art+science curriculum and turn public spaces into interactive learning environments.

    ISLAND LIFE: Tropical Field Studies of Art+Nature in Puerto Rico
    January 10-17, 2014

    Escape the cold winter to the Caribbean in this one-of-a-kind, art+nature immersion experience in Puerto Rico! Join instructors, Stephanie Dowdy-Nava and Saul S. Nava, for an artistic exploration of the diverse tropical wildlife from rainforest, mountain, beach and coastal environments. Through hands-on observation, artistic interpretation and various biological methods, participants will learn to utilize the natural habitat as a studio/lab to make informed art about tropical plants, animals, and nature.

    Cost: $1750 (before November 1, 2013)
    Cost: $1920 (after November 1, 2013)
    Registration Deadline: December 1, 2013

    View Details/Register

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