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Archive for the ‘botanical art’ Category

Trading cards are small 2.5″ x 3.5″ pieces of paper about a specific subject that were created to be traded with others (think baseball cards and artist trading cards). The only difference between artist trading cards (ATCs) and baseball cards are that ATCs are decorated by each individual before they are traded.

Biology graduate student, Jay M. Fitzsimmons, put the trading card concept to good use recently during a presentation he made to a group of young naturalists. Invited to speak about his dissertation research, Fitzsimmons designed a creative learning activity to replace his standard PowerPoint presentation. He describes this activity in Local Species Trading Cards: An Activity to Encourage Scientific Creativity and Ecological Predictions from Species’ Traits.

    Fitzsimmons’ Challenge: Explain PhD research to children ages 8-18.

    Fitzsimmons’ Solution: Engage young naturalists in an activity that is enjoyable, sparks creativity and encourages critical thinking.

Fitzsimmons’ current research focus is about how Canadian butterflies respond to climate change. As Fitzsimmons (2012) explains in his paper, his primary research question is, Can a butterfly species’ response to climate change be predicted based on a species’ traits?

To explain this concept to members of a young naturalists club, Fitzsimmons (2012) created stacks of butterfly trading cards. On one side of a card was a photograph of a species of butterfly and the other side contained a summary of this species’ traits. He chose 12 species local to his location in Ottawa, Canada and created a stack of 12 trading cards for each member (Fitzsimmons, 2012).

After introducing members to his research, he distributed the stacks of cards he prepared. He then instructed members to sort the cards into two piles — one for butterfly species “likely to shift north rapidly” in response to climate change and the other for butterfly species “unlikely to shift north rapidly” in response to climate change (Fitzsimmons, 2012).

Each member paired up with another member and together they sorted through their decks of cards, discussed the traits of each species, and made predictions about how a given species might respond to climate change. Club members were given 20 minutes to sort through their cards and then shared their predictions and justified their thinking during a group discussion (Fitzsimmons, 2012).

In his review, Fitzsimmons (2012) states the activity was well-received by both the young naturalists and participating adults. He also mentions that during this activity, club members were able to justify their predictions the same way professional biologists would, but “with less jargon” (Fitzsimmons, 2012). In light of this positive outcome, he encourages educators to modify his activity when teaching other natural history subjects.

Fitzsimmons’ activity can be adapted easily to encourage an interest in plants, and even a bit of botanical art along the way, especially if art-specific papers that can handle different media are used.

How can we use ATCs to teach about plants? Let’s toss around some ideas.

How about trait-based studies of plant adaptations?
What about plant-pollinator relationships?
Life history patterns? Resource allocation? Plant communities?

What else comes to mind? Share your ideas below.


Literature Cited

Fitzsimmons, Jay M. 2012. Local species trading cards: An activity to encourage scientific creativity and ecological predictions from species’ traits. Journal of Natural History Education and Experience. 6:10-15.Web. http://naturalhistorynetwork.org/journal/articles/local-species-trading-cards-an-activity-to-encourage-scientific-creativity-and-ecological-predictions-from-species-traits [accessed 24 January 2013]



Also See

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Click to download postcard (PDF)

Click to download postcard (PDF). Penstemon heterophylus, original watercolor by Joan Keesey, © 2013. All rights reserved.

The Botanical Artists Guild of Southern California invites you to view two new exhibitions of botanical art. Earlier this month, the Guild opened Botanical Visions in the Ecke Building at the San Diego Botanic Garden.

This weekend they open a second show at Chapman University in Orange, CA. This second show highlights drought tolerant plants and California’s changing environment. To create this exciting new exhibition, the Guild worked with Dr. Jennifer Funk and her ecology students in the School of Earth & Sciences. Artwork by southern California botanical artists will be on view in the Doy and Dee Henley Reading Room and on the Clarke Gallery Wall on the second floor of the Leatherby Libraries.

Meet the artists in person at the Artist Reception on Thursday, February 7, 2013 (7-9 PM). Please RSVP for the reception by February 1, 2013 by calling (714) 532-7742.

The following information has been added to the Exhibits to Visit section in the right margin on this page. Have you visited this section lately? There are wonderful events listed here. Visit this section to see if there is an event near you!


Botanical Visions

Botanical Artists Guild of Southern California
San Diego Botanic Garden
Encinitas, CA
January 12 – March 23, 2013


Drought Tolerant Beauty

Artists and Students Respond to California’s Changing Environment
Leatherby Libraries
Chapman University
Jan. 26 – Feb. 7, 2013

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The Russell Day Gallery invites you to the closing reception of The Spirit of Observation: From the Art of Scientific Illustration, an exhibition inspired by techniques scientific illustrators use when presenting scientific information in a visual way.

The closing reception will be held this weekend on Saturday, January 26th from 1-3 PM at the Russell Day Gallery at Everett Community College in Everett, WA. Bring your family and friends. There is plenty of parking and parking is FREE!

Directions to Russell Day Gallery


Also See…

Exploration of scientific illustration featured at the Russell Day Gallery

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Roger’s Gardens in Newport Beach, CA will host its first Day of Art this weekend. Fifty artists will be painting and drawing in the gardens of Orange County’s premiere nursery.

Free and open to the public, the Day of Art begins at 9:30 and continues through 4:30 in the afternoon. Special presentations and lectures will occur throughout the day. Several members of the Botanical Artists Guild of Southern California (BAGSC) will be there. Come on out to learn more about this wonderful group and to try your hand at botanical illustration.

While at the garden, don’t miss Jewels by the Sea, a plein air exhibition about the natural treasures and quaint villages along California’s coastline.

Please note that if it rains on Saturday, the Day of Art will be rescheduled for Saturday, February 2, 2013.

View event schedule


Follow-Up (2/7/13)

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Rumex obtusifolius leaf [Rumex obtusifolius Linnaeus, Polygonaceae], watercolor on paper by Julia Trickey, 2006, 55 × 36.5 cm, HI Art accession no. 7755, © 2006 Julia Trickey, All Rights Reserved.

Rumex obtusifolius leaf [Rumex obtusifolius Linnaeus, Polygonaceae], watercolor on paper by Julia Trickey, 2006, 55 × 36.5 cm, HI Art accession no. 7755, © 2006 Julia Trickey, All Rights Reserved.

What We Collect:
Recent Art Acquisitions, 2007-2012

Hunt Institute for Botanical Documentation
Carnegie Mellon University
Pittsburgh, PA
March 22 – June 30, 2013

A selection of recent acquisitions to the Art Department of the Hunt Institute, from the early 19th century through the present, will be placed in the context of the Institute’s collection practices and the history of botanical illustration. Whether working alongside botanists for scientific and horticultural publications or preparing artworks for collectors, galleries or commercial use, artists throughout the centuries have added their individual perspectives to portraying plants and have made lasting contributions to the botanical record and the history of art.

Included will be original illustrations for an early-19th-century botanical handbook and its contemporary, the field guide; a 19th-century classroom wall chart and the modern text book; a 20th-century seed packet and a booklet on seedling identification; a 20th-century monograph on the mistletoe genus and a journal article on marine fungi; drawings and watercolors illustrated by research botany professors; independent projects on floras of a region, native and medicinal plants and plants and their pollinators; and recent botanical artworks by artists previously represented in Hunt Institute’s International Exhibition of Art & Illustration. Mediums represented are watercolor on paper and vellum; ink, graphite and charcoal drawing; printmaking techniques: copper etching, wood engraving, vitreography and nature printing; and gelatin silver photography.

The artists working before 1900 include Pancrace Bessa (1772–1846), Sydenham Edwards (1769?–1819), Will Kilburn (1745–1818), James Sowerby (1757–1822), William Jackson Hooker (1785–1865), W. A. Meyn (19th-century), Powe (18th-century) and Christian Schkuhr (1741–1811). The contemporary artists featured include Bobbie Angell, Wendy Brockman, John Cody, Felicity Rose Cole, Carolyn Crawford, Paul Dobe (1880–1965), John Doughty, Beverly Duncan, Josephine Elwes Ewes, Alison Gianangeli, Janice Glimn-Lacy, Audrey Hardcastle, Lizzie Harper, Christina Hart-Davies, Lyn Hayden, Richard Homala (1934–2009), Brigette Kohlmeyer, Job Kuijt, Donelda LaBrake, Peter Loewer, Rogers McVaugh (1912–2009), Susan G. Monden, Cindy Nelson-Nold (1957–2009), Susan Ogilvy, Kandis Phillips, Alfred Putz (1892–1966), Mary Rankin, Thomas Reaume, Eugeni Sierra-Ràfols (1919–1999), Eva Stockhaus, Jessica Tcherepnine, Julia Trickey, Denise Walser Kolar, John Wilkinson and Sun Yingbao.

The Hunt’s annual Open House will be held in conjunction with this exhibition. Curators, librarians and staff will lead exhibition tours and discuss the history of botanical wall charts and botanical publications during this event. View the library’s Open House schedule.


Visitor Information

The exhibition will be on display on the 5th floor of the Hunt Library building at Carnegie Mellon University and will be open to the public free of charge.

Hours: Monday–Friday, 9 a.m.–Noon and 1–5 p.m.; Sunday, 1–4 p.m. (except March 29-31, May 5 and May 26-27). Hours subject to change, please call or email before your visit to confirm the library will be open.



About the Hunt Institute

The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation.

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The Hunt Institute of Botanical Documentation will host its annual open house in June. This year the library will host lectures and tours related to the exhibition What We Collect: Recent Art Acquisitions, 2007-2012.

Here is the schedule of events:


Sunday, June 23, 2013

    1:00
    Registration (continues all afternoon)

    1:15–1:30
    Welcome and Introduction in Reading Room by Publication and Marketing Manager Scarlett Townsend

    1:30–2:15
    Exhibition Tour of What We Collect: Recent Art Acquisitions, 2007–2012 by Curatorial Assistant Carrie Roy

    2:15–3:00
    Walking tour of Reading Room furniture by Publication and Marketing Manager Scarlett Townsend

    3:15–4:00
    Botanical Wall Charts
    Lugene Bruno, Curator of Art
    Bruno will present an overview of the Hunt Institute’s collection of instructional wall charts that were produced in Europe and circulated around the world from the late 19th to the early 20th centuries. Using the less expensive printing process of lithography, these large-scale charts featured the characteristics of important plant families (often in magnified detail) and were used in introductory to advanced botany courses. As information became accessible in different formats, this important record of educational presentation fell into disuse. In recent decades these charts have often been retrieved from neglected storage areas and dumpsters and donated to institutions for preservation.

    4:00–4:30
    Enjoy exhibition and displays; talk with curators and staff


Monday, June 24, 2013

    1:00
    Registration (continues all afternoon)

    1:15–1:30
    Welcome and Introduction in Reading Room by Curator of Art Lugene Bruno

    1:30–2:15
    Exhibition Tour of What We Collect: Recent Art Acquisitions, 2007–2012 by Curatorial Assistant Carrie Roy

    2:15–3:00 W
    Walking tour of Reading Room furniture by Publication and Marketing Manager Scarlett Townsend

    3:15–3:45
    From Field to Folio: Stories Behind Botanical Publications
    Jeannette McDevitt, Assistant Librarian
    Long before our modern conveniences, such as overnight shipments and photocopies, passionate botanists and botanical artists were pouring blood, sweat and tears into their work. Ever at the mercy of the natural elements, each other and tight budgets, they traveled near and far to document the world’s flora. McDevitt will display some of Hunt Institute’s special items and speak about the dramas, disasters and absurdities that went on behind the scenes before these beautiful books could come to fruition.

    3:45–4:30
    Enjoy exhibition and displays; talk with curators and staff



Related

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StickneyClass2

StickneyClass1 Made At Theodore Payne Foundation
Books and monoprints created by adults and children during workshops conducted by Laura Stickney, TPF 2012 Artist-in-Residence”

January 11-March 2, 2013

Theodore Payne Gallery is pleased to present an exhibition of mixed media art inspired by the colors, shapes and textures of the environment at the Theodore Payne Foundation (TPF).

On view are works created by adult and youth artists completed in workshops conducted by Laura Stickney, 2012 Artist-in-Residence. Visitors will enjoy monotypes printed under the shelter of western sycamore trees, leaf-presses and herbaria documenting native plant specimens, and fanciful folded books with engaging patterns and stampings of native blossoms and stems.

About Laura Stickney
A graduate of the University of Southern California with a major in printmaking, Laura is a multi-talented artist who has taught art to all ages for 25 years at the well-known Barnsdall Art Park in Hollywood.

As TPF’s 2012 Artist-in-Residence, Laura created a body of work that included oil paintings, watercolors, etchings, poems and artist’s books inspired by the TPF site, the nursery and gardens, dried seed pods, and detritus found on the ground. Her work was shown in a one-person exhibition October thru December 2012.

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