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Archive for the ‘botanical art’ Category

Pre-order Today!

Click image to view trailer

David Reynolds Art is pleased to announce Studio Sessions—Seen through the eyes of the artist, a documentary about six of Australia’s most respected botanical and natural history artists. Botanical artists and botanical art enthusiasts are invited to learn from:

    Celia Rosser
    Botanical artist and illustrator of The Banksia’s, a three-volume series of monographs that includes a painting of every Banksia species. Launched in 1974, this project took more than 25 years to complete.


    Jenny Phillips

    Award-winning artist and founder of the Botanical Art School of Melbourne. Jenny has drawn and painted plants for more than 45 years. Her work is held in private and public collections, including The Highgrove Florilegium, The Hunt Institute for Botanical Documentation and the Shirley Sherwood Collection.


    Dianne Emery

    Fine artist, horticulturist, contemporary botanical artist and natural history artist whose interests include plant-insect relationships and scientific art.


    Terry Napier

    Botanical artist and founder of the “Nature is Art” program. Recipient of the 2010 Celia Rosser Medal for his commitment to botanical art and teaching.


    Mali Moir

    Award-winning artist and illustrator with an interest in the artistic interpretation of natural history themes. Recipient of a Gold Medal by The Royal Horticultural Society and the inaugural Celia Rosser Medal.


    John Pastoriza-Piñol

    A botanist whose botanical art career began at the Botanical Art School of Melbourne. John received a Gold Medal by the Royal Horticultural Society in 2005 and had his first solo exhibition at the Chelsea Flower Show in 2006. His work is held in many private and public collections, including The Highgrove Florilegium, The Hunt Institute for Botanical Documentation, the Royal Botanic Gardens, Kew and the Royal Botanic Gardens, Melbourne.


Studio Sessions—Seen through the eyes of the artist
is a 63-minute documentary that took two years to complete. David began this project because he wanted to bring attention to the natural history art of Australian artists. David explains:

As a botanical artist myself, I wanted to produce a documentary to highlight the talents of our Australian artists and to help educate people about botanical art and how to become involved. Also to give the viewer an insight as to how [botanical artists] go about producing such detailed works.

Studio Sessions will be available worldwide as a DVD in both PAL and NTSC formats and be region free. Pre-orders are now being accepted. Orders will begin shipping in September 2016.

To place a pre-order please email your name and contact information to David Reynolds Art. When the video is released next month, David Reynolds Art will contact you to arrange for payment and delivery.

Studio Sessions costs $30 AUD + shipping (view currency converter).


Visit David Reynolds Art

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Botany and botanical art enter the digital workspace

Botany and botanical art enter the digital workspace


Niki Simpson
is an award-winning artist who has earned medals in photography and watercolor from the Royal Horticultural Society. In 2003 she began developing a technique combining digital photography and traditional botanical art. She has spent the past 12 years perfecting the art of digital botanical illustration and the creation of information-rich botanical plates she calls composite botanical illustrations.

Since 2007, Niki’s digital botanical illustrations have appeared in four books. The most recent publication, Nuphar lutea: Botanical images for the digital documentation of a taxon was published this past May.

In her beautiful new book, Niki explores different ways of observing plants and demonstrates how composite botanical illustrations can be used to describe a specific plant species–in this case Nuphar lutea (Yellow Water Lily). Twelve botanical plates are featured in her new book, each highlighting some aspect of the morphology or life cycle of the yellow water lily. Botanists, gardeners, educators and artists will find Niki’s presentations exciting and informative. Because the illustrations were inspired by the engravings found in herbals, readers will find the format of these contemporary botanical illustrations very familiar, with the exception of two modern elements. In her signature style, Niki adds a 21st-century twist to her botanical plate by adding Nuphar lutea‘s DNA sequence and barcode to what would otherwise be a very traditional format.

While my images are inspired by, and draw heavily from, the accuracy and detail found in traditional botanical art, for me, the future of botanical illustration lies in exploring the potential of the dynamic digital workspace, so that botanical illustration can fully support botanists in the future.

— Niki Simpson

Keeping with her goal to blend botany, botanical art and digital technology, Niki also discusses design, smartphones, tablets, virtual books and other digital techniques. Here is look at the topics addressed in her new book:

  • Foreward
  • Artist’s statement
  • Introduction
  • Composite illustration or image voucher of Nuphar lutea
  • Nuphar–rearranging, resizing and recombining parts
  • Nuphar–from flower to seed
  • Nuphar–taking a closer look at the flower
  • Nuphar–evolution of my floral diagram
  • Nuphar–from fruit to seed dispersal
  • Nuphar–from seed to adult
  • Nuphar–foliage
  • Nuphar–for design
  • Nuphar–poster style
  • Nuphar–herbarium specimens
  • Composite illustration of Nuphar lutea including DNA sequence data
  • Composite illustration of Nuphar lutea including DNA barcode visualization
  • Nuphar–developing interactivity by starting with a virtual book
  • Nuphar–on smartphones and tablets
  • Nuphar–digital black and white line drawing
  • Nuphar–digital hybrid images
  • Nuphar–my virtual sketchpad
  • Final Thoughts
  • Acknowledgements
  • Bibliography

If you have an interest in botanical illustration or botany education, you will appreciate this book and the path Niki is forging in botany and botanical art education.

Learn more about Niki in this interview and learn how she is expanding the future of botanical illustration through her website Visual Botany.

Nuphar - from fruit to seed dispersal, ©2016 Niki Simpson, all rights reserved

Nuphar – from fruit to seed dispersal, ©2016 Niki Simpson, all rights reserved

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By The Hunt Institute for Botanical Documentation

Soft Tree Fern, Dicksonia antarctica [Dicksonia antarctica Labillardière, Dicksoniaceae], watercolor on paper by Laurie Andrews (1936–), 2008, 76.5 ◊ 56.5 cm, HI Art accession no. 8078, reproduced by permission of the artist.

Soft Tree Fern, Dicksonia antarctica [Dicksonia antarctica Labillardière, Dicksoniaceae], watercolor on paper by Laurie Andrews (1936–), 2008, 76.5 ◊ 56.5 cm, HI Art accession no. 8078, reproduced by permission of the artist.

The Hunt Institute for Botanical Documentation presents our
15th International Exhibition of Botanical Art & Illustration from
15 September to 15 December 2016. This exhibition includes 43 artworks by 43 artists who are citizens of 15 countries. The Institute established the International series in 1964 with the hope of supporting and encouraging contemporary botanical artists. Every three years, the International series features the works of talented botanical artists from around the world.

Join us Thursday, 13 October 2016 from 6-8 p.m. for the reception. At 6:30 p.m. the curators will give a short introduction to the exhibition in the gallery.

A full-color, illustrated catalog with biographical data, portraits of the artists and reproductions of the artworks accompanies the exhibition. Collectively, the 15 International series catalogs include 1,172 artists and are the most comprehensive record available of contemporary botanical artists and illustrators to date.


View list of participating artists and selected artworks

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Click for more information

Click for more information

Helen Byers
www.helenbyers.com
Helen Byers is an artist and illustrator who is active in several genres and mediums. Her professional background includes college-level teaching of fine art and literature, book illustration, art journalism, and a career as a writer and editor in educational publishing.

Since 2005, Helen has taught annually at Ghost Ranch Education & Retreat Center. She teaches courses in botanical drawing, botanical painting, and field-sketching of high-desert flora and fauna. Since 2012, Helen has also been teaching at Tower Hill Botanic Garden (MA), the Concord Center for the Visual Arts (MA), Fruitlands Museums (MA) and Tin Mountain Conservation Center (NH).

Helen’s botanical work has been exhibited at juried and invitational shows in Washington, Massachusetts, and Florida. Her natural history illustration credits include Coming to Terms with Archaeology & Paleontology: A Dictionary of Artifacts and Old Bones (The Museums at Ghost Ranch: Abiquiu, NM, 2013). Helen is a member of the American Society of Botanical Artists, the New England Society of Botanical Artists, the Rocky Mountain Society of Botanical Artists, and Concord Center for the Visual Arts.

This summer Helen will teach two one-week classes at Ghost Ranch. Participants registering for both classes will receive 15% off the total price. Please contact the Registrar directly to receive this special discount.


    Botanical Drawing in Colored Pencil

    June 12-18, 2016
    Code: G16A624

    Practice close observation and drawing for accuracy using a technique combining colored pencil and watercolor pencil. Learn how to work in layers and how to burnish to achieve the desired effects for texture, value and color.


    Botanical Painting in Watercolor

    June 19-25, 2016
    Code: G16A633

    This class will focus on ways to refine the botanical painting process. Participants will learn how to use “wet into wet” techniques and “dry brush” techniques to achieve controlled washes, detail and texture. Color mixing will also be discussed.

For more information about each class, including lodging options, click here.

This information has also been posted to Classes Near You > New Mexico.

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BAC ArtPlantae publicity for Summer Catherine Watters class-2 Learn how to master the textures and surfaces of the plant world!

Catherine Watters, award-winning artist and one of the curriculum specialists for the Filoli Botanical Art Certificate Program, will teach Special Effects: Mastering Textures and Details at Wellesley College Botanic Gardens (WCBG).

Learn how light affects texture when painting hairy, fuzzy, bumpy, pillowy, prickly and woody textures. Then learn how to paint translucent, opaque, shiny and wet surfaces. This special three-day workshop will occur August 9-11, 2016 from 9:30 am – 3:30 pm each day.

Cost for WCBG Friends Members is $395; nonmembers $495.

For more information and to register, click on the image to download the flyer.


More Art at Wellesley Botanic Garden

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Helen Allen, artist, teacher and director of The Chelsea School of Botanical Art in England will be at Wellesley College Botanic Gardens next week to teach a composition class. Last-minute openings means you have the unique opportunity to learn from Helen without flying overseas. Click on the image below to download the flyer.

Contact Wellesley College Botanic Gardens ASAP by email or by phone to register. The Garden’s phone number is (781) 283-3094.


Composition Challenge

Plant studies, colors, and drawings are the fun part of creating a beautiful painting, but the challenge is always in composing the page. Helen Allen leads the challenge to create an image that is balanced and draws the viewer to have a closer look – an image that can enchant and inform. Through three days, you will fall in love with your chosen plant, study its habit, and develop drawings that can be used to compose three different paintings. Identify blocks and position of color and study the balance of your compositions. Then choose the best and spend a day adding color to guide you in completing the painting at home.

3 days: Friday, May 20 – Sunday, May 22, 2016
9:30 a.m. – 3:30 p.m.
BAC 16 152 / 252
WCBG Friends Members $375 / Non-Members $475


BAC ArtPlantae publicity for Spring Helen Allen class

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2016-RTshow-3
By Barbara Rose, Reed-Turner Artists’ Circle

The ASBA Reed-Turner Artists’ Circle and the Long Grove-Kildeer Garden Club are pleased to announce the 11th Annual Botanical Art Exhibition & Plant Sale at the Reed-Turner Woodland Nature Preserve in Long Grove, Illinois. This exhibition and sale will be held May 14-15, 2016 from 9 am – 3 pm.

The Artists’ Circle consists of a dedicated and enthusiastic group of botanical artists, current and former students with provenance at the Chicago Botanic Garden. Consistent with the mission of the American Society of Botanical Artists, the group works to further the interest in botanical art, conservation science, botany, and horticulture at the local level. The group also strives to emphasize the beauty and importance plants play in our daily lives by increasing public awareness through education, promotion, and exhibition of its members’ art in collaboration with local institutions.

Anyone with an interest in botanical art is most welcome at the group’s meetings on the last Saturday of each month from 9:30-11:30 am at the Reed-Turner Woodland.

More about the Reed-Turner Artists’ Circle

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