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Archive for the ‘botanical art books’ Category

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Weird, Wild & Wonderful
Second New York Botanical Garden Triennial Exhibition
Bronx, NY
April 17 – Sept 21, 2014

Forty-six members of the American Society of Botanical Artists spent three years studying the unfamiliar and unusual side of plants. Their observations are celebrated in the Weird, Wild & Wonderful exhibition opening this afternoon at the New York Botanical Garden.

This breathtaking 11″ x 11″ catalog features the botanical art of 46 members of the American Society of Botanical Artists. Exhibition pieces were created in the following media: watercolor, colored pencil, graphite, oil, pen and ink, aquatint etching, gouache, vinyl paint on film and watercolor on vellum.

Also included are:

  • A Foreword by Gregory Long, President/CEO, New York Botanical Garden
  • “Impossible Plants”, an essay by Karen Reeds, Ph.D., FLS
  • Artist Interviews by Myra Sourkes

More about “Weird, Wild & Wonderful”


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Dust jacket and book

Dust jacket and book, © 2014 Lydia Inglett, Ltd, All rights reserved

Lydia Inglett, Ltd. Publishers announces the release of American Botanical Paintings: Native Plants of the Mid Atlantic.

This book features 60 original works of juried art from 40 artists, including text describing each plant, how each plant is beneficial to gardeners and/or the environment and paintings of insect pollinators and their relationship to the plants.

The original paintings will be on display at the U.S. Botanic Garden in Washington, D.C.,February 15 through June 15, 2014. Botanical Artists for Education and the Environment produced this book and is funded solely through donations. Profits will go to nonprofit organizations working on native plant education, conservation and horticulture.

Lydia Inglett, CEO of the publishing company, is a woman with Lydia-Inglett-publisherenormous experience in art, advertising and publishing. Her design and print studios create the highest quality in elegant, thoughtful books. She has designed and published over 150 books for her clients, three of which won USA best book awards in 2013. She has launched many magazines for both artists and businessmen. She was art director and creative services director for Morris Communications Corporation before starting her publishing company. Her love of art, combined with her love of paper and engraving come together in her published books.

In 2010 Lydia Inglett taught an online class for ArtPlantae in which she discussed how books are published.


About Lydia Inglett, Ltd.

Lydia Inglett, Ltd. has offices on Hilton Head Island in the U.S. and at The Cube in London, England. In addition to providing a suite of publishing services, it manages Starbooks, a subsidiary of Inglett Publishing.

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Left, Passiflora [Passiflora serratodigitata Linnaeus, Passifloraceae], watercolor on paper by John Tyley (Antigua/England?, early 19th century), ca.1802, 42 × 27 cm, HI Art accession no. 0849.36 and right, Passion flower [Passiflora Linnaeus, Passifloraceae], watercolor on paper by Martin J. Allen (England), 2006, 51 × 73 cm, HI Art accession no. 7862, © 2006, Martin J. Allen, All Rights Reserved.

Left, Passiflora [Passiflora serratodigitata Linnaeus, Passifloraceae], watercolor on paper by John Tyley (Antigua/England?, early 19th century), ca.1802, 42 × 27 cm, HI Art accession no. 0849.36 and right, Passion flower [Passiflora Linnaeus, Passifloraceae], watercolor on paper by Martin J. Allen (England), 2006, 51 × 73 cm, HI Art accession no. 7862, © 2006, Martin J. Allen, All Rights Reserved.

Duets
The Hunt Institute
March 20 – June 30, 2014

The Hunt Institute of Botanical Documentation invites you to Duets!

As with duets in music, the upcoming exhibition Duets creates new, harmonious couplings of botanical art with items created between the 16th and 21st centuries from the Hunt Institute collections. The subjects of these pairings explore the parallels between works created for numerous botanical applications. They include works painted during expeditions and in native environs; plants of the Americas and introductions now cultivated for the garden; works that showcase the Eastern aesthetic and its modern influence; work of a classical style and more experimental and evocative processes; plants illustrated for agricultural and economic purposes and for their pure aesthetic; and work by historical masters and the contemporary artists they influenced.

The duets include works by the following artists:

  • Pierre-Jean-François Turpin (France, 1775–1840) and Irina G. Gai (Russia)
  • Pierre-Joseph Redouté (Belgium, 1759–1840) and John Pastoriza-Piñol (Australia)
  • Unknown artist (United States, 20th century) in the Hitchcock-Chase Collection of Grass Drawings and Marcel Jomphê (Canada)
  • A work attributed to either Barbara Regina Dietzsch (Germany, 1706–1783) or Johann Siegmund Dietzsch (Germany, 1707–1779) and Damodar Lal Gurjar (India)
  • Imogen Cunningham (United States, 1883–1976) and Olivia Marie Braida (United States)
  • John Tyley (Antigua/England?, early 19th century) and Martin J. Allen (England)
  • Jean-Louis Prévost (France, 1760–1810) and Roderick McEwen (Scotland, 1932–1982)
  • Georg Dionys Ehret (Germany/England, 1708–1770) and Marilena Pistoia (Italy)
  • Priscilla Susan Bury (Mrs. Edward, England, 1793–1869) and Margaret Ursula Mee (England, 1909–1988)
  • Joseph Prestele (Germany/United States, 1796–1867) and Elisabeth Dowle (England)
  • Lou E. Hurst (Mrs. Albert W. Lamb, United States, 1883–1949) and Regine Hagedorn (France)
  • Andrey Avinoff (Russia/United States, 1884–1949) and Albert G. Richards (United States, 1917–2010)
  • Gerard van Spaendonck (France, 1746–1822) and Rose Pellicano (Italy/United States)
  • Kokei or Kodo Yoshikawa (Japan, 19th century) and Aurora Tazza (Italy)
  • Leonardo Parasole (Italy, late 16th–early 17th century) and Elliot Offner (United States, 1931–2010)
  • John Curtis (England, 1791–1862) and Anne Marie Trechslin (Italy/Switzerland, 1927–2007)
  • James Bolton (England, 1735–1799) and Raphael Henri-Charles Ghislain (Belgium)
  • Balthasar Cattrani (Italy, 1770–1810) and James M. Shull (United States, 1872–1948) in the USDA Forest Service Collection
  • Augusta Innes Withers (England, ca.1793–1860) and Claus Caspari (Germany, 1911–1980)
  • A work attributed to Atanasio Echeverría y Godoy (Mexico, 18th century) in the Torner Collection of Sessé & Mociño Biological Illustrations and Lois Martin Povall (England/South Africa, 1905–1984)
  • J. Watts (England, 19th century) and Ruriko Kato (Japan)
  • Unknown artist (India, 19th century) and Bernard Pertchik (United States, 1924–1992) and Harriet Pertchik (United States, 1925–1988)
  • Unknown artist (France?, 18th century) and Lilian Snelling (England, 1879–1972)
  • Pierre-Joseph Redouté (Belgium, 1759–1840) and Timothy C. Angell (United States)


Exhibition Programs

Opening Reception
Thursday, March 20, 2014, 5–7 pm
At 5:30 pm, Curator of Art Lugene B. Bruno will give a short introduction to the exhibition in the gallery.


Open House 2014

In conjunction with Duets, the Hunt Institute will hold its annual Open House on Sunday, June 29, 2014. Stop by for a gallery tour, to meet the curatorial staff and to attend Botanical Exploration in the Americas, a special presentation by Assistant Librarian Jeannette McDevitt, Curator of Art Lugene Bruno and Archivist J. Dustin Williams. Their presentation will focus on three explorers to the Americas who were interested in medicinal and economic plants and ethnography. Related publications, original artwork and archival materials from the Hunt Institute collections will be on view. The schedule of events during Open House is as follows:

    1:00 Registration (continues all afternoon)

    1:15–1:30 Welcome and Introduction in Reading Room by Publication and Marketing Manager Scarlett Townsend

    1:30–2:15 Walking tour of Reading Room furniture by Publication and Marketing Manager Scarlett Townsend

    2:15–3:00 Exhibition tour of Duets by Assistant Curator of Art Carrie Roy

    3:00–4:00 Botanical exploration in the Americas by Assistant Librarian Jeannette McDevitt, Curator of Art Lugene Bruno and Archivist J. Dustin Williams

    The presentation Botanical Exploration in the Americas will include curatorial conversations about three explorers to the Americas who were interested in medicinal and economic plants and ethnography. Displayed will be related publications, original artwork and archival materials from the Hunt Institute collections. McDevitt will feature Spain’s 16th-century court physician Francisco Hernández (1514–1587), the first scientific explorer in the New World (1570–1577), with resulting publications; Bruno will discuss the physician Martín de Sessé y Lacasta (1751–1808) and his work with Jose Mariano Mociño (1757–1820) during the Spanish Royal Expedition to New Spain (1787–1803) that explored the Caribbean, Mexico and northern Central America, showing the resulting illustrations intended for a published flora; and Williams will talk about the botanist and plant collector William Andrew Archer (1894–1973) and his explorations in Mexico and Central and South America for the USDA in the 1930s, with field diaries, reports and photographs.

    4:00–4:30 Enjoy exhibition and displays; talk with curators and staff


Cabinet of Curiosities

On display in the Hunt’s Cabinet of curiosities this spring will be the field notebooks of Emma Lucy Braun (1889–1971), author of the influential Deciduous Forests of Eastern North America (1950). The field notebooks are from the Hunt Archives collection.


Exhibition Hours

The Duets exhibition will be on display on the 5th floor of the Hunt Library building at Carnegie Mellon University and will be open to the public free of charge. Hours: Monday–Friday, 9 am–noon and 1–5 pm; Sunday, 1–4 pm (except 18–20 April, 4 May and 25–26 May). Because the Hunt’s hours of operation are occasionally subject to change, please call or email before your visit to confirm. For further information, contact the Hunt Institute at 412-268-2434.



About The Hunt Institute

The Hunt Institute for Botanical Documentation, a research division of Carnegie Mellon University, specializes in the history of botany and all aspects of plant science and serves the international scientific community through research and documentation. To this end, the Institute acquires and maintains authoritative collections of books, plant images, manuscripts, portraits and data files, and provides publications and other modes of information service. The Institute meets the reference needs of botanists, biologists, historians, conservationists, librarians, bibliographers and the public at large, especially those concerned with any aspect of the North American flora.

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ASBA_HSNY_16thAnnual_2013The exhibition catalogs for the 15th and 16th annual botanical art exhibition by the American Society of Botanical Artists are back in stock.

Also available are exhibition catalogs whose covers have endured bumps and scrapes during shipping or whose covers are not colored correctly. These hurt catalogs have been priced at a discount and are in the “Sale” category. While these catalogs have scrapes to their outside covers, their interior pages are clean. Images have been posted so you can see examples of hurt covers and bumped corners.

Go to ArtPlantae Books

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Pre-order today. Free shipping through December 31, 2013.

Pre-order today. Free shipping through December 31, 2013.

American Botanical Paintings: Native Plants of the Mid Atlantic
Botanical Artists for Education
& the Environment
February 2014

Members and supporters of
Botanical Artists for Education and & the Environment (BAEE) eagerly await the publication of American Botanical Paintings: Native Plants of the Mid Atlantic. Featuring 60 reproductions of original paintings and drawings of plants and 40 original paintings of butterflies, moths, and other pollinators, this book represents more than three years of work by BAEE members. Illustrations complement information about each plant and their respective habitats, as well as how the plants were used by Native Americans or early settlers.

Botanist and collector, Dr. Shirley Sherwood OBE, says American Botanical Paintings is “a delightfully illustrated book, beautifully designed and with lots of variety in the choice of plant subjects. I admired the standard of painting and the fresh, appealing studies, which will be attractive to both naturalists and gardeners.”

Botanical Artists for Education & the Environment (BAEE) created
American Botanical Paintings: Native Plants of the Mid Atlantic for lovers of art and plants. Bonnie Driggers, BAEE President, says the group hopes to “foster a particular appreciation not only for the beauty of native plants and their artistic representations but also for their importance to the environment and to encourage, where practical, the use of native plants in home gardens.”

American Botanical Paintings: Native Plants of the Mid Atlantic is now available to order from Starbooks ($39.95). Pre-orders placed before
December 31, 2013 will be shipped for free when the book is released in
February 2014. The book is expected to ship by February 1, 2014. An exhibition of the paintings will open on February 15, 2014, at the U.S. Botanic Garden in Washington, DC.

BAEE will give proceeds from the sale of the book to nonprofit organizations supporting native plant education, conservation, and horticulture.


Order American Botanical Paintings at Starbooks

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TheGoldenAgeOfBotanicalArt Drawing
Painting
Engraving
Coloring
Observing
Stippling

These are some of the techniques botanists and artists use to document plants. Each executed with a keen eye for observation and a steady hand. What we know about plants today would not be possible if it weren’t for the botanists, explorers, doctors, artists and observers who came before us. Many centuries before us.

A new book about the contributions made by these passionate educators was finally released in the United States. The stories of these brave, creative and hard-working souls are shared in The Golden Age of Botanical Art, a wonderful history book by Martyn Rix that is sure to be enjoyed by anyone with an interest in natural history art.

This book is filled with fascinating history and stories about famous and not-so-famous people, many of whom I learned about for the first time. Rix cross-references people, places and events throughout his book and while this helps readers form a big picture of history, it makes summarizing a challenge.
Allow me to give you a quick tour of each section.

The Origins of Botanical Art

Learn why botanical illustrations were created. Also learn about ancient herbals, flower painting during the Renaissance, Leonardo di Vinci, Albrecht Durer, woodcuts, the Turkish Empire, English herbals and why the paintings of Jacopo Ligozzi (1547-1626) were better than anyone who came before him.


Seventeenth-Century Florilegia

Learn about the plants brought to Europe by travelers and naturalists and how the work of botanical illustrators contributed to the development of botany.


North American Plants

Learn about the introduction of North American plants into English gardens and learn about the work of artists and botanists such as John Tradescant the Younger, Mark Catesby, John and William Bartram, Andre & Francois Michaux, Georg Dionysius Ehret and Carl Linnaeus.


Travelers to the Levant

European interest in Asia and the Ottoman Empire is the focus of this section. Botanists and painters receiving special attention are Joseph Pitton de Tournefort, Claude Aubriet, John Sibthorp, and Maria Sibylla Merian.


The Exploration of Russia & Japan

Learn about botanical expeditions into Russia and Japan. View images from Flora Rossica, Flora Japonica and learn about a collection of paintings on vellum started by botanist and naturalist, Gaston d’Orleans.


Botany Bay & Beyond

Learn about expeditions into Australia, the work of artists Sydney Parkinson and Ferdinand Bauer and the scientific contributions of Sir Joseph Banks.


The Golden Age in England

Learn how the Royal Gardens at Kew began and view beautiful plant studies such as the study of Pinus larix by Ferdinand Bauer and the graceful Galeandra devoniana, an orchid by Miss Sarah Anne Drake who was John Lindley’s chief artist.


South American Adventures

Expeditions into Spain and the amazing collections of work produced from these expeditions are the focus of this section.


The Golden Age in France

Learn about Gerard van Spaendonck (Pierre-Joseph Redouté’s teacher), Redouté and Empress Josephine in this section.


Botanical and Horticultural Illustrated Journals

Learn about the history surrounding illustrated journals such as Curtis’s Botanical Magazine, The Botanical Register and others.


Early Chinese Plant Drawings

Learn about the type of botanical art created in China before the Europeans arrived.


The Company School in India

Learn about the work of Indian artists, English artists and the publications produced during the time when the East India Company controlled trade in the East Indies.


A New Era at Kew

More history about Kew and how this world-famous garden was established.


Victorian Travelers

An introduction to the botanical contributions made by artists Janet Hutton, Lt. General John Eyre, Charlotte Lugard, Charlotte Williams, Marianne North and Henry John Elwes.


Bringing China to Europe

This section is about the introduction of Chinese plants into European gardens.


The Flowers of War and Beyond

Rix discusses the history of botanical illustration during World War II. Learn what botanist Geoffrey Herklots did while in a Japanese prisoner-of-war camp and what Marianne North’s great nephew did after retiring as an Admiral from the Navy in 1960. Artists Margaret Mee, Barbara Everhard, Graham Stuart Thomas, Rory McEwen and Raymond Booth are also mentioned.

Rix closes his book discussing the work of contemporary botanical artists and by bringing attention to those making key contributions to the current renaissance of botanical art, namely instructor Anne Marie Evans and, of course, botanist and art collector Shirley Sherwood.

In the introduction to his book, Rix thinks aloud and wonders if what we are observing now in the world of botanical art is a new golden age. He explains that the period between 1750-1850 was considered a golden age because the demand for scientific information collided with the enthusiasm of wealthy patrons and with the availability of skilled artists capable of documenting new discoveries.

Today he wonders if the need to preserve disappearing habitat, combined with an abundance of botanical artists and the technological means to create botanical works faster and at a lower cost will create a new golden age even though there is a growing shortage of botanists.


What do you think?



Related

Darwin’s “The Origin of Species” to Become Illuminated Manuscript

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Mandrake. Image courtesy of M. Moleiro Editor, S.A., all rights reserved

Mandrake. Image courtesy of M. Moleiro Editor, S.A., all rights reserved

The historic Tractatus de Herbis, codex Sloane 4016 can now be enjoyed by anyone with an interest in the history of botany, botanical illustration or the history of medicinal plants.

The new facsimile reproduction has been published by Spanish publisher Moleiro Editorial whose specialty is the reproduction of codices, maps and works of art made on parchment, vellum, paper and papyrus between the 8th and 16th centuries.

The reproduction of Tractatus de Herbis features 218 illuminated pages and is bound in embossed dark green leather. It is an exact replica of the original and is accompanied by a volume of commentary written by Alain Touwaide, Smithsonian scholar and co-founder of the Institute for the Preservation of Medical Traditions.

Institute co-founder, Emanuela Appetiti, explains the significance of this historic work:

The manuscript Sloane 4016 is a large album of botany made sometime around 1440 in Italy. Although it is traditionally identified as a copy of the well-known Tractatus de herbis (Treatise on medicinal plants), it does not contain the text of this treatise, but only its illustrations. The major question posed by this manuscript is why it abandoned the text of the Tractatus, giving birth to the new genre of the botanical album. Significantly enough, the captions of the illustrations provide the names of the plants in the different languages used in the 15th century, all written with the Latin alphabet, however. They hint at the function of the botanical album as an international work that could be used by all the different linguistic groups, whereas the text of the Tractatus could be used only by those who understood Latin. In this view, the development of the botanical album is an unsuspected very modern phenomenon that sheds a completely new light on the history of botanical illustration and highlights a process of internationalization and, at the same time, of linguistic specialization coupled with a principle of economy that had not been uncovered so far.

Alain Touwaide explains more about the history of botanical albums in the description of the Tractatus de herbis, codex Sloan 4016 viewable on the publisher’s website.

Also available for viewing are 18 images showing the contents of this album. After reading Alain’s description, click on one of the images above his text. This will take you to a page where you can view all sample images.

Only 987 copies of this historic album are available for purchase worldwide. Alain’s commentary has been published in separate editions available in English, Spanish and French. To inquire about purchasing this limited edition reproduction at a special discounted price, contact the publisher.



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